{"title":"Autumn Sale 2026","description":"","products":[{"product_id":"ida-haendel-the-decca-legacy-box-set-6cd","title":"The Decca Legacy (6CD)","description":"\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eJEAN-MARIE LECLAIR\u003cbr data-mce-fragment=\"1\"\u003eSarabande and Tambourin°\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN\u003cbr data-mce-fragment=\"1\"\u003eSonata No. 8 in G major for Piano and Violin, Op. 30 No. 3\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT\u003cbr data-mce-fragment=\"1\"\u003eSonatina in G minor for Violin and Piano, Op. 137 No. 3 (D.408)\u003cbr data-mce-fragment=\"1\"\u003eRosamunde – Ballet Music (arr. Kreisler)* \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANNES BRAHMS\u003cbr data-mce-fragment=\"1\"\u003eWaltz in A major, Op. 39 No. 15 (arr. Hochstein)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRITZ KREISLER\u003cbr data-mce-fragment=\"1\"\u003eTambourin chinois, Op. 3\u003cbr data-mce-fragment=\"1\"\u003eCaprice viennois, Op. 2*\u003cbr data-mce-fragment=\"1\"\u003eSchön Rosmarin\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in E minor, Op. 64°\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano (1–2, 6–14)\u003cbr data-mce-fragment=\"1\"\u003eNoël Mewton-Wood, piano (3–5)\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra \/ Malcolm Sargent (15–17)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eANTONÍN DVOŘÁK\u003cbr data-mce-fragment=\"1\"\u003eSlavonic Dance No. 2 in E minor, Op. 46 (B.83) No. 2 (arr. Kreisler)*\u003cbr data-mce-fragment=\"1\"\u003eHumoresque, Op. 107 (B.187) No. 7*\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eANTONÍN DVOŘÁK\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in A minor, Op. 53 (B.108)°\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eKarl Rankl\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePIOTR ILYICH TCHAIKOVSKY\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in D major, Op. 35°\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eBasil Cameron\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eBAZZINI La Ronde des lutins, Op. 25*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHENRYK WIENIAWSKI\u003cbr data-mce-fragment=\"1\"\u003ePolonaise brillante No. 2 in A major, Op. 21*\u003cbr data-mce-fragment=\"1\"\u003eScherzo-Tarantelle in G minor, Op. 16 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePABLO DE SARASATE\u003cbr data-mce-fragment=\"1\"\u003eCarmen – Fantasie de concert, Op. 25*\u003cbr data-mce-fragment=\"1\"\u003eZapateado, Op. 23 No. 2 (from Danzas Españolas)\u003cbr data-mce-fragment=\"1\"\u003eZigeunerweisen, Op. 20 No. 1*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eALBÉNIZ Malagueña, Op. 165 No. 3 (arr. Kreisler) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMANUEL DE FALLA\u003cbr data-mce-fragment=\"1\"\u003eMiller’s Dance (from El Sombrero de Tres Picos, arr. Szigeti)*\u003cbr data-mce-fragment=\"1\"\u003eDanza No. 1 (from La Vida Breve, arr. Kreisler as Danse espagnole)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSAINT-SAËNS Introduction et Rondo Capriccioso, Op. 28*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMASSENET Méditation (from Thaïs)*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRAVEL Tzigane* \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIBERT Le petit âne blanc*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano (1–6, 8–9, 11, 13)\u003cbr data-mce-fragment=\"1\"\u003eNoël Mewton-Wood, piano (7)\u003cbr data-mce-fragment=\"1\"\u003eIvor Newton, piano (12)\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra \/ Basil Cameron (10)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eJOSEPH ACHRON Hebrew Melody, Op. 33 (arr. Auer)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eERNEST BLOCH Abodah*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGRIGORAŞ DINICU Hora staccato*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKAROL SZYMANOWSKI\u003cbr data-mce-fragment=\"1\"\u003eRoxana’s Song (from King Roger, Op. 46, arr. Kochanski)\u003cbr data-mce-fragment=\"1\"\u003eNotturno e Tarantella, Op. 28\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIGOR STRAVINSKY\u003cbr data-mce-fragment=\"1\"\u003eDivertimento (after the ballet, ‘Le baiser de la fée’, arr. Dushkin)°\u003cbr data-mce-fragment=\"1\"\u003eDanse russe (from Petrouchka, arr. Dushkin)°\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBÉLA BARTÓK\u003cbr data-mce-fragment=\"1\"\u003eHungarian Folk Tunes (arr. Szigeti)*\u003cbr data-mce-fragment=\"1\"\u003eRomanian Folk Dances, Sz.56 (BB 68) (arr. Székely)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePABLO DE SARASATE Zigeunerweisen, Op. 20 No. 1*\u003cbr data-mce-fragment=\"1\"\u003eMANUEL DE FALLA Danza No. 1 (from La Vida Breve, arr. Kreisler as Danse espagnole)*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eAlice Haendel, piano (1)\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano (2–6, 26)\u003cbr data-mce-fragment=\"1\"\u003eIvor Newton, piano (7–25)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eKAROL SZYMANOWSKI\u003cbr data-mce-fragment=\"1\"\u003eMythes\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGEORGE ENESCU\u003cbr data-mce-fragment=\"1\"\u003eViolin Sonata No. 3, Op. 25 (dans le caractère populaire roumain)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBÉLA BARTÓK\u003cbr data-mce-fragment=\"1\"\u003eRhapsody No. 1 for Violin and Piano, BB 94a\u003cbr data-mce-fragment=\"1\"\u003eRomanian Folk Dances, Sz.56 (BB 68) (arr. Székely)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eVladimir Ashkenazy, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eANTONIO VIVALDI\u003cbr data-mce-fragment=\"1\"\u003eConcerto grosso in B minor for Four Violins, Op. 3 No. 10, RV 580\u003cbr data-mce-fragment=\"1\"\u003efrom L’Estro Armonico\u003cbr data-mce-fragment=\"1\"\u003eIsaac Stern, violin I · Ivry Gitlis, violin II\u003cbr data-mce-fragment=\"1\"\u003eIda Haendel, violin III · Shlomo Mintz, violin IV\u003cbr data-mce-fragment=\"1\"\u003eIsrael Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003eZubin Mehta\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN SIBELIUS\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in D minor, Op. 47°\u003cbr data-mce-fragment=\"1\"\u003eIda Haendel, violin\u003cbr data-mce-fragment=\"1\"\u003eIsrael Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003eZubin Mehta\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRALPH VAUGHAN WILLIAMS\u003cbr data-mce-fragment=\"1\"\u003eThe Lark Ascending*\u003cbr data-mce-fragment=\"1\"\u003eIda Haendel, violin\u003cbr data-mce-fragment=\"1\"\u003eLondon Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003eSir Roger Norrington\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvans Mirageas talks about Ida Haendel*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*PREVIOUSLY UNPUBLISHED\u003cbr data-mce-fragment=\"1\"\u003e°FIRST CD RELEASE ON DECCA\u003c\/p\u003e","brand":"Ida Haendel","offers":[{"title":"Default Title","offer_id":37768311865535,"sku":"4841688","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/ida-haendel-the-decca-legacy-box-set-6cd.jpg?v=1608287783"},{"product_id":"ruth-slenczynska-complete-american-decca-recordings-box-set-cd","title":"Ruth Slenczynska - Complete American Decca Recordings (10CD)","description":"\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003e12 Études, Op. 10\u003cbr data-mce-fragment=\"1\"\u003eImpromptu No. 1 in A flat major, Op. 29\u003cbr data-mce-fragment=\"1\"\u003eImpromptu No. 2 in F sharp major, Op. 36\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003e12 Études, Op. 25\u003cbr data-mce-fragment=\"1\"\u003eImpromptu No. 3 in G flat major, Op. 51\u003cbr data-mce-fragment=\"1\"\u003eImpromptu No. 4 in C sharp minor, Op. 66 ‘Fantasie-Impromptu’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 3\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003eScherzo No. 1 in B minor, Op. 20\u003cbr data-mce-fragment=\"1\"\u003eScherzo No. 2 in B flat minor, Op. 31\u003cbr data-mce-fragment=\"1\"\u003eScherzo No. 3 in C sharp minor, Op. 39\u003cbr data-mce-fragment=\"1\"\u003eScherzo No. 4 in E major, Op. 54\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 4\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003eGrande Valse brillante in E flat major, Op. 18\u003cbr data-mce-fragment=\"1\"\u003eThree Waltzes, Op. 34\u003cbr data-mce-fragment=\"1\"\u003eWaltz in A flat major, Op. 42 ‘Grande Valse’\u003cbr data-mce-fragment=\"1\"\u003eThree Waltzes, Op. 64\u003cbr data-mce-fragment=\"1\"\u003eTwo Waltzes, Op. 69\u003cbr data-mce-fragment=\"1\"\u003eThree Waltzes, Op. posth. 70\u003cbr data-mce-fragment=\"1\"\u003eWaltz in E flat major, Op. posth.\u003cbr data-mce-fragment=\"1\"\u003eWaltz in E major, Op. posth.\u003cbr data-mce-fragment=\"1\"\u003eWaltz in E minor, Op. posth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 5\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003e24 Preludes, Op. 28\u003cbr data-mce-fragment=\"1\"\u003ePolonaise in A flat major, Op. 53\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 6\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003eBallade No. 1 in G minor, Op. 23\u003cbr data-mce-fragment=\"1\"\u003eBallade No. 2 in F major, Op. 38\u003cbr data-mce-fragment=\"1\"\u003eBallade No. 3 in A flat major, Op. 47\u003cbr data-mce-fragment=\"1\"\u003eBallade No. 4 in F minor, Op. 52\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ LISZT (1811–1886)\u003cbr data-mce-fragment=\"1\"\u003eSix Chants polonaise de Frédéric Chopin, S.480\u003cbr data-mce-fragment=\"1\"\u003eTranscriptions for piano of songs from Chopin’s Op. 74\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 7\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ LISZT (1811–1886)\u003cbr data-mce-fragment=\"1\"\u003eRhapsodie espagnole, S.254\u003cbr data-mce-fragment=\"1\"\u003eFeux follets (No. 5 of 12 Études d’exécution transcendante)\u003cbr data-mce-fragment=\"1\"\u003eSix Grandes Études de Paganini, S.141\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 8\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJ.S. 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BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003ePrelude in E major, BWV 937\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN (1809–1847)\u003cbr data-mce-fragment=\"1\"\u003eSpinning Song, Op. 67 No. 1\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT (1797–1828)\u003cbr data-mce-fragment=\"1\"\u003eMoment musical in F minor, Op. 94 No. 3\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSERGEI PROKOFIEV (1891–1953)\u003cbr data-mce-fragment=\"1\"\u003eSuggestion diabolique\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ LISZT (1811–1886)\u003cbr data-mce-fragment=\"1\"\u003eHungarian Rhapsody No. 12\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSERGEI RACHMANINOV (1873–1943)\u003cbr data-mce-fragment=\"1\"\u003ePrelude in A minor, Op. 23 No. 6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMODEST MUSSORGSKY (1839–1881)\u003cbr data-mce-fragment=\"1\"\u003eHopak (Sorochintsy Fair)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eDer Kontrabandiste (arr. Tausig)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDE DEBUSSY (1862–1918)\u003cbr data-mce-fragment=\"1\"\u003eClair de lune (Suite bergamasque)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHEITOR VILLA-LOBOS (1887–1959)\u003cbr data-mce-fragment=\"1\"\u003eMoreninha (Prole do Bebe)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003ePolonaise No. 6 in A flat major, Op. 53\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 10\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ LISZT (1811–1886)\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 1 in E flat major, S. 124\u003cbr data-mce-fragment=\"1\"\u003eWiener Symphoniker\u003cbr data-mce-fragment=\"1\"\u003eCarl Melles\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 2 in G minor, Op. 22\u003cbr data-mce-fragment=\"1\"\u003eSymphony of the Air\u003cbr data-mce-fragment=\"1\"\u003eHenry Swoboda\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRUTH SLENCZYNSKA, piano\u003cbr data-mce-fragment=\"1\"\u003eFIRST RELEASE ON CD\u003c\/p\u003e","brand":"Ruth Slenczynska","offers":[{"title":"Default Title","offer_id":37768319959231,"sku":"4841302","price":69.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/ruth-slenczynska-complete-american-decca-recordings-box-set-cd.jpg?v=1608090843"},{"product_id":"colin-davis-beethoven-odyssey-12cd","title":"Colin Davis – Beethoven Odyssey (12CD)","description":"\u003cp\u003eA master Beethoven conductor in his prime – a 12-CD set presenting the ‘London’ Beethoven recordings of Sir Colin Davis, including the Symphonies, a selection of Overtures, the five Piano Concertos (Stephen Kovacevich), Violin Concerto (Arthur Grumiaux) and the two Masses. These broadly-sung and spacious performances, unexaggerated yet alive, are collected together for the first time.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTRACKLIST\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 1 in C major, Op. 21*°\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in D major, Op. 36*\u003c\/li\u003e\n\u003cli\u003eOverture – Leonore No. 3, Op. 72b*\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra (Symphonies Nos. 1 \u0026amp; 2)\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003e*FIRST CD RELEASE ON DECCA\u003c\/li\u003e\n\u003cli\u003e°PREVIOUSLY UNPUBLISHED ON PHILIPS\/DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 3 in E flat major, Op. 55 ‘Eroica’*\u003c\/li\u003e\n\u003cli\u003eOverture – Coriolan, Op. 62°\u003c\/li\u003e\n\u003cli\u003eOverture – Leonore No. 1, Op. 138\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003e*FIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/li\u003e\n\u003cli\u003e°FIRST CD RELEASE ON DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOverture – Egmont, Op. 84*\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in B flat major, Op. 60°\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F major, Op. 93°\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003e*FIRST CD RELEASE ON DECCA\u003c\/li\u003e\n\u003cli\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 5 in C minor, Op. 67\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F major, Op. 68 ‘Pastoral’\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003eFIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 6 in F major, Op. 68 ‘Pastoral’*\u003c\/li\u003e\n\u003cli\u003eOverture – Die Geschöpfe des Prometheus*\u003c\/li\u003e\n\u003cli\u003eOverture – Leonore No. 2, Op. 72a°\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003e*FIRST CD RELEASE ON DECCA\u003c\/li\u003e\n\u003cli\u003e°PREVIOUSLY UNPUBLISHED\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 7 in A major, Op. 92\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003eFIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 9 in D minor, Op. 125 ‘Choral’\u003c\/li\u003e\n\u003cli\u003eHelen Donath, soprano\u003c\/li\u003e\n\u003cli\u003eTrudeliese Schmidt, mezzo-soprano\u003c\/li\u003e\n\u003cli\u003eKlaus König, tenor\u003c\/li\u003e\n\u003cli\u003eSimon Estes, bas\u003c\/li\u003e\n\u003cli\u003eChor des Bayerischen Rundfunks Josef Schmidhuber, chorus master Symphonieorchester des Bayerischen Rundfunks\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCD 8\u003c\/p\u003e\n\u003cp\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eViolin Concerto in D major, Op. 61\u003c\/li\u003e\n\u003cli\u003eArthur Grumiaux, violin Concertgebouworkest\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis Piano Concerto No. 1 in C major, Op. 15\u003c\/li\u003e\n\u003cli\u003eStephen Kovacevich, piano\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCD 9\u003c\/p\u003e\n\u003cp\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003ePiano Concerto No. 2 in B flat major, \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eOp. 19\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003ePiano Concerto No. 4 in G major, \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eOp. 58\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eStephen Kovacevich, piano\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eBBC Symphony Orchestra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eSIR COLIN DAVIS\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCD 10\u003c\/p\u003e\n\u003cp\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003ePiano Concerto No. 3 in C minor, Op. 37\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003ePiano Concerto No. 5 in E flat major, Op. 73 ‘Emperor’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eStephen Kovacevich, piano\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eBBC Symphony Orchestra (No. 3)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eLondon Symphony Orchestra (No. 5)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eSir Colin Davis\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCDs 11 \u0026amp; 12\u003c\/p\u003e\n\u003cp\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMass in C major, Op. 86\u003c\/li\u003e\n\u003cli\u003eChristiane Eda-Pierre, soprano\u003c\/li\u003e\n\u003cli\u003ePatricia Payne, mezzo-soprano\u003c\/li\u003e\n\u003cli\u003eRobert Tear, tenor\u003c\/li\u003e\n\u003cli\u003eKurt Moll, bass\u003c\/li\u003e\n\u003cli\u003eLeslie Pearson, John Constable, organ\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Chorus\u003c\/li\u003e\n\u003cli\u003eRichard Hickox, chorus master\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMass in D major, Op. 123 ‘Missa Solemnis’\u003c\/li\u003e\n\u003cli\u003eAnna Tomowa-Sintow, soprano\u003c\/li\u003e\n\u003cli\u003ePatricia Payne, mezzo-soprano\u003c\/li\u003e\n\u003cli\u003eRobert Tear, tenor\u003c\/li\u003e\n\u003cli\u003eRobert Lloyd, bass\u003c\/li\u003e\n\u003cli\u003eJohn Constable, organ\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Chorus\u003c\/li\u003e\n\u003cli\u003eRichard Hickox, chorus master\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Colin Davis","offers":[{"title":"Default Title","offer_id":37908167491775,"sku":"4841728","price":84.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/colin-davis-beethoven-odyssey-box-set-cd-3.jpg?v=1610945028"},{"product_id":"vikings-chant","title":"Vikings Chant","description":"\u003cp\u003eIn the two years since its inception, SKÁLD has taken an unexpected path through the international musical landscape by breathing new life into the Viking spirit. The group was founded in 2018 when producer-composer Christophe Voisin-Boisvinet brought together some first-rate talents – among them singer Justine Galmiche and singer\/multi-instrumentalist Pierrick Valence – to form an immersive musical project. SKÁLD embraces the ancestral spirit of the ancient skalds who chanted of the legends surrounding the peoples of the North and their gods.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThrough their music, SKÁLD take inspiration from the poetry of the ancient skalds who sang and told stories of the Vikings and their gods. Their music is characterized by singing in Old Norse and the use of ancient instruments including shamanic drums, talharpa, jouhikko and more.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThose ancient songs – reimagined and recomposed for a modern audience – remind us of nature’s power and fragility, and encourage us to listen to what the past has to tell us, so that we might build a future with harmony.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. Enn átti Loki fleiri börn\u003cbr\u003e2. Rún\u003cbr\u003e3. Valfreyjudrápa\u003cbr\u003e4. Níu\u003cbr\u003e5. Flúga\u003cbr\u003e6. Gleipnir\u003cbr\u003e7. Krákumál\u003cbr\u003e8. Ó Valhalla\u003cbr\u003e9. Ec Man Iõtna\u003cbr\u003e10. Yggdrasil\u003cbr\u003e11. Óðinn\u003cbr\u003e12. Ginnunga\u003cbr\u003e13. Joga\u003c\/p\u003e","brand":"SKÁLD","offers":[{"title":"Default Title","offer_id":37998497759423,"sku":"6777764","price":21.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/skald-vikings-chant-cd.jpg?v=1610939773"},{"product_id":"gillian-weir-a-celebration-22cd-1","title":"Gillian Weir – A Celebration (22CD)","description":"\u003cp\u003eA 22-CD celebration of the doyenne of organists on her 80th birthday (17 January 2021) spanning her illustrious career of nearly five decades.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eIt presents Gillian Weir’s complete Argo recordings, selected recordings on other labels that have reverted to her, and most enticingly, no fewer than ten discs of previously unpublished BBC radio broadcasts – selected by Dame Gillian. The first twelve CDs in the set are made up of studio recordings and the remaining ten CDs comprise previously unpublished recordings of BBC broadcasts. (Note: the BBC recordings are not included on digital services for streaming or download.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe set features sixteen organs from six countries and includes a 13,000-word booklet includes informative introductions to the recordings, with Gillian Weir’s reminiscences and amusing anecdotes from the recording sessions and from her encounters with composers such as Olivier Messiaen and William Mathias.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Weir is to the organ what Heifetz was to the violin, and Casals to the cello – a phenomenon,’ pronounced the celebrated broadcaster John Amis.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eTHE STUDIO RECORDINGS (CDs 1–12)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eNICOLAUS BRUHNS (1665–1697)\u003cbr data-mce-fragment=\"1\"\u003ePræludium in G major\u003cbr data-mce-fragment=\"1\"\u003ePræludium in E minor ‘Großes’\u003cbr data-mce-fragment=\"1\"\u003ePræludium in E minor ‘Kleines’\u003cbr data-mce-fragment=\"1\"\u003eFantasia on Nun komm, der Heiden Heiland\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSAMUEL SCHEIDT (1587–1654)\u003cbr data-mce-fragment=\"1\"\u003ePassamezzo, SSWV 107\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Clare College, Cambridge\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eJEAN-FRANÇOIS DANDRIEU (1682–1738)\u003cbr data-mce-fragment=\"1\"\u003ePremier Livre de Pièces d’Orgue\u003cbr data-mce-fragment=\"1\"\u003ePièces en A. Mi La majeur\u003cbr data-mce-fragment=\"1\"\u003eMagnificat\u003cbr data-mce-fragment=\"1\"\u003ePièces en G. Ré sol mineur\u003cbr data-mce-fragment=\"1\"\u003eMagnificat\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organs of Leonhardskirche, Basel and the Great Organ of the Church of Saint-Maximin de Thionville\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eLOUIS MARCHAND (1669–1732)\u003cbr data-mce-fragment=\"1\"\u003ePremier livre d’orgue excerpts\u003cbr data-mce-fragment=\"1\"\u003eTroisième livre d’orgue excerpt\u003cbr data-mce-fragment=\"1\"\u003eQuatrième livre d’orgue\u003cbr data-mce-fragment=\"1\"\u003eCinquième livre d’orgue\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Great Organ of the Church of Saint-Maximin de Thionville\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eToccata, Adagio and Fugue in C major, BWV 564\u003cbr data-mce-fragment=\"1\"\u003eFantasia in G major, BWV 572\u003cbr data-mce-fragment=\"1\"\u003eTrio Sonata No. 1 in E flat major, BWV 525\u003cbr data-mce-fragment=\"1\"\u003ePassacaglia in C minor, BWV 582\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Laurenskerk, Rotterdam\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eFRANÇOIS COUPERIN (1668–1733)\u003cbr data-mce-fragment=\"1\"\u003eMesse pour les Paroisses\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Prediger-Kirche, Zürich\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eFRANÇOIS COUPERIN (1668–1733)\u003cbr data-mce-fragment=\"1\"\u003eMesse pour les Couvents\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Prediger-Kirche, Zürich\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS-NICOLAS CLÉRAMBAULT (1676–1749)\u003cbr data-mce-fragment=\"1\"\u003eLivre d’Orgue\u003cbr data-mce-fragment=\"1\"\u003eSuite du Premier Ton (G minor)\u003cbr data-mce-fragment=\"1\"\u003eSuite du Deuxième Ton (D minor)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Prediger-Kirche, Zürich\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eFRANÇOIS ROBERDAY (1624–1680)\u003cbr data-mce-fragment=\"1\"\u003eFugue et Caprices pour orgue\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Leonhardskirche, Basel\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eCHARLES CAMILLERI (1931–2009)\u003cbr data-mce-fragment=\"1\"\u003eMissa Mundi\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of the Royal Festival Hall\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eTHE ORGAN AT HEXHAM ABBEY\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eAllegro (Symphony No. 6, Op. 42 No. 2)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS VIERNE (1870–1937)\u003cbr data-mce-fragment=\"1\"\u003eImpromptu (Pièces de Fantaisie)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHN BULL (1562–1628)\u003cbr data-mce-fragment=\"1\"\u003eDr. Bull’s My Selfe\u003cbr data-mce-fragment=\"1\"\u003eDr. Bull’s Jewell\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNICOLAS DE GRIGNY (1672–1703)\u003cbr data-mce-fragment=\"1\"\u003eRécit de Tierce en Taille (Premier Livre d’Orgue)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHENRI MULET (1878–1967)\u003cbr data-mce-fragment=\"1\"\u003eTu es Petra (Esquisses byzantines)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS-CLAUDE DAQUIN (1694–1772)\u003cbr data-mce-fragment=\"1\"\u003eNoël XII: Noël Suisse\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMARCEL DUPRÉ (1886–1971)\u003cbr data-mce-fragment=\"1\"\u003eFileuse (Suite Bretonne, Op. 21 No. 2)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN LANGLAIS (1907–1991)\u003cbr data-mce-fragment=\"1\"\u003eDialogue sur les mixtures (Suite Brève)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHOMAS TOMKINS (1572–1656)\u003cbr data-mce-fragment=\"1\"\u003eWorster Braules\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJAN PIETERSZOON SWEELINCK (1562–1621)\u003cbr data-mce-fragment=\"1\"\u003eMein junges Leben hat ein End\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHÉODORE DUBOIS (1837–1924)\u003cbr data-mce-fragment=\"1\"\u003eToccata in G minor (12 Pièces Nouvelles)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Hexham Abbey\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN (1809–1847)\u003cbr data-mce-fragment=\"1\"\u003eHör mein Bitten (Hear my Prayer)\u003cbr data-mce-fragment=\"1\"\u003eMotet, Op. 39 No. 1: Veni, Domine\u003cbr data-mce-fragment=\"1\"\u003eAve Maria, Op. 23 No. 2\u003cbr data-mce-fragment=\"1\"\u003eFelicity Palmer, soprano (Hör mein Bitten)\u003cbr data-mce-fragment=\"1\"\u003eJohn Elwes, tenor (Ave Maria)\u003cbr data-mce-fragment=\"1\"\u003eHeinrich Schütz Choir and Chorale\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir, organ\u003cbr data-mce-fragment=\"1\"\u003eRoger Norrington\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eZOLTÁN KODÁLY (1882–1967)\u003cbr data-mce-fragment=\"1\"\u003ePsalm 114, from the Geneva Psalter\u003cbr data-mce-fragment=\"1\"\u003eLaudes Organi – Fantasia on a 12th-century sequence\u003cbr data-mce-fragment=\"1\"\u003eBrighton Festival Chorus\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir, organ\u003cbr data-mce-fragment=\"1\"\u003eLászló Heltay\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 11\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eLe Banquet Céleste\u003cbr data-mce-fragment=\"1\"\u003eLes Corps Glorieux\u003cbr data-mce-fragment=\"1\"\u003eApparition de l’Église Éternelle\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of the Royal Festival Hall, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 12\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eVerset pour la Fête de la Dédicace\u003cbr data-mce-fragment=\"1\"\u003eL’Ascension (excerpts)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of the Royal Festival Hall, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMARCEL DUPRÉ (1886–1971)\u003cbr data-mce-fragment=\"1\"\u003eVariations sur un Noël, Op. 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003cbr data-mce-fragment=\"1\"\u003eFantaisie No. 1 in E flat major\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS VIERNE (1870–1937)\u003cbr data-mce-fragment=\"1\"\u003e3 Pièces de Fantaisie\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJACQUES CHARPENTIER (1933–2017)\u003cbr data-mce-fragment=\"1\"\u003eL’Ange à la Trompette\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMARCEL DUPRÉ (1886–1971)\u003cbr data-mce-fragment=\"1\"\u003eDeuxième Symphonie, Op. 26\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Hradetzky organ in the Royal Northern College of Music, Manchester\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBBC RECORDINGS (CDs 13–22)\u003cbr data-mce-fragment=\"1\"\u003eLive Recordings from the BBC – Previously Unpublished\u003cbr data-mce-fragment=\"1\"\u003eCD 13\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS VIERNE (1870–1937)\u003cbr data-mce-fragment=\"1\"\u003eNaïades (Pièces de Fantaisie)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eCombat de la Mort et de la Vie (Les Corps Glorieux)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWILLIAM MATHIAS (1934–1992)\u003cbr data-mce-fragment=\"1\"\u003eVariations on a Hymn Tune ‘Braint’, Op. 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGILLIAN WEIR\u003cbr data-mce-fragment=\"1\"\u003eat the Cathedral and Abbey Church of St. Alban, St. Albans, Hertfordshire\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDIETERICH BUXTEHUDE (1637–1707)\u003cbr data-mce-fragment=\"1\"\u003eToccata in F major, BuxWV 156\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGIROLAMO FRESCOBALDI (1583–1643)\u003cbr data-mce-fragment=\"1\"\u003eAria detto to Balletto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLUIGI ROSSI (1597–1653)\u003cbr data-mce-fragment=\"1\"\u003eToccata Settima\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eARTHUR HONEGGER (1892–1955)\u003cbr data-mce-fragment=\"1\"\u003eFugue\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eANTON HEILLER (1923–1979)\u003cbr data-mce-fragment=\"1\"\u003eSuite: In Festo Corporis Christi\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Chapel of Clare College, Cambridge\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 14\u003cbr data-mce-fragment=\"1\"\u003eTHE ORGAN DANCES\u003cbr data-mce-fragment=\"1\"\u003eANTONIO VALENTE (1520–1580)\u003cbr data-mce-fragment=\"1\"\u003eLo ballo dell’ Intorcia\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eChoral No. 2\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eANTON HEILLER (1923–1979)\u003cbr data-mce-fragment=\"1\"\u003eTanz-Toccata\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePETR EBEN (1929–2007)\u003cbr data-mce-fragment=\"1\"\u003eWalpurgisnacht (from Faust)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEHAN ALAIN (1911–1940)\u003cbr data-mce-fragment=\"1\"\u003eTrois Danses\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eTransports de joie d’une âme devant la gloire du Christ qui est la sienna (L’Ascension)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the Royal Albert Hall, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 15\u003cbr data-mce-fragment=\"1\"\u003eMARCEL DUPRÉ (1886–1971)\u003cbr data-mce-fragment=\"1\"\u003eLe Monde dans l’attente du Sauveur (Symphonie-Passion, Op. 23)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEHAN ALAIN (1911–1940)\u003cbr data-mce-fragment=\"1\"\u003eIntermezzo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES TOURNEMIRE (1870–1939)\u003cbr data-mce-fragment=\"1\"\u003eChoral-paraphrase sur le Victimae Paschali (transc. Duruflé)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Birmingham Oratory, Birmingham\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEHAN ALAIN (1911–1940)\u003cbr data-mce-fragment=\"1\"\u003eDeux Fantaisies\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the Royal Festival Hall, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN LANGLAIS (1907–1991)\u003cbr data-mce-fragment=\"1\"\u003eIncantation pour un jour saint\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMAURICE DURUFLÉ (1902–1986)\u003cbr data-mce-fragment=\"1\"\u003ePrélude sur l’Introït de l’Epiphanie\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLÉON BOËLLMANN (1862–1897)\u003cbr data-mce-fragment=\"1\"\u003eVersets sur ‘Adoro Te’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEANNE DEMESSIEUX (1921–1968)\u003cbr data-mce-fragment=\"1\"\u003eDeux Choral Préludes, Op. 8\u003cbr data-mce-fragment=\"1\"\u003eTe Deum, Op. 11*\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Aarhus Domkirke, Aarhaus, Denmark\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 16\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eChoral No. 1 in E major (Trois Chorals)\u003cbr data-mce-fragment=\"1\"\u003eCantabile (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003eGrande Pièce Symphonique (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eFantaisie in A major (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003ePrélude, Fugue et Variation, Op. 18 (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003ePièce héroïque (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Saint-Sernin, Toulouse, France\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 17\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eChoral No. 2 in B minor (Trois Chorals)\u003cbr data-mce-fragment=\"1\"\u003ePastorale (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003ePrière, Op. 20 (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eChoral No. 3 in A minor (Trois Chorals)\u003cbr data-mce-fragment=\"1\"\u003eFantaisie in C major, Op. 16 (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eAndantino in G minor\u003cbr data-mce-fragment=\"1\"\u003eFinal, Op. 21 (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Saint-Sernin, Toulouse, France\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 18\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eLe Banquet Céleste\u003cbr data-mce-fragment=\"1\"\u003eDiptyque\u003cbr data-mce-fragment=\"1\"\u003eApparition de l’Église Éternelle\u003cbr data-mce-fragment=\"1\"\u003eL’Ascension\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 19\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eLa Nativité du Seigneur\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 20\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eLes Corps Glorieux\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 21\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eMesse de la Pentecôte\u003cbr data-mce-fragment=\"1\"\u003eVerset pour la Fête de la Dédicace\u003cbr data-mce-fragment=\"1\"\u003eLivre d’Orgue\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 22\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eMéditations sur le Mystère de la Sainte Trinité\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003c\/p\u003e","brand":"Gillian Weir","offers":[{"title":"Default Title","offer_id":37998998847679,"sku":"4841435","price":119.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/gilliaweir-acelebration.png?v=1647468482"},{"product_id":"jeanne-demessieux-the-decca-legacy-8cd","title":"Jeanne Demessieux – The Decca Legacy (8CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFrom her legendary debut through the succeeding years, Jeanne Demessieux brought virtuosity allied to intellect and sensitivity, and went on to become the glory of the French organ school. This 8-CD celebration of one of the instrument’s most spoken-of, yet enigmatic figures, brings together for the first time her complete Decca recordings and a previously unpublished BBC Radio broadcast, and is released to mark the centenary of her birth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eIt includes Demessieux’s legendary Franck recordings; her recordings from St. Mark’s, North Audley Street, London, many released for the first time since the original 78s; little-known recordings of sacred songs with Demessieux accompanying the Belgian soprano, Suzanne Danco; and an improvisation on a submitted theme from the only extant BBC radio broadcast with Demessieux, which also includes Bach, Buxtehude, Widor and Messiaen.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll recordings have been carefully remastered by Mark Obert-Thorn and Chris Bernauer.\u003cbr data-mce-fragment=\"1\"\u003eThe accompanying booklet includes details of Demessieux’s unpublished recordings, rare photos and facsimiles of some of her programs, extensive notes, including details of some of the recording sessions; and notes on the instruments and full specifications for each of the five organs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eREVIEWS\u003cbr data-mce-fragment=\"1\"\u003e“This young French player has an amazing technique and uses a considerable variety of touch” Gramophone, October 1947 (Bach, BWV 565 – 1947 recording)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This really is that very rare thing, organ playing with imagination … Without pretending to authority, I feel that I had stepped into Westminster Abbey in Purcell’s time I might have heard organ playing which sounded like this” Gramophone, September 1948 (Clarke, attr. Purcell)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“… a deep dream of peace to soothe a tortured world … Miss Demessieux gives a most restrained and finely-phrased performance” Gramophone, August 1950 (Franck: Cantabile – 1949 recording)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“a wonderful piece of engineering, as faithful a reproduction of organ sound as I have ever heard” Gramophone, June 1954 (Bach: LW 5095)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750) \u003cbr data-mce-fragment=\"1\"\u003eToccata and Fugue in D minor, BWV 565 (Rec. 1947)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN (1587–1654)\u003cbr data-mce-fragment=\"1\"\u003eSonata in A major, Op. 65 No. 3 – Maestoso\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEREMIAH CLARKE (1674–1707)\u003cbr data-mce-fragment=\"1\"\u003eTrumpet Tune (formally attrib. Henry Purcell \/ Trans. Marcel Dupré)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eToccata (Symphonie V, Op. 42 No. 1)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eCantabile (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003ePastorale (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eFantaisie (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003ePrelude and Fugue in D major, BWV 532\u003cbr data-mce-fragment=\"1\"\u003eToccata and Fugue in D minor, BWV 565 (Rec. 1951)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of St. Mark’s, North Audley Street, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eToccata, Adagio and Fugue in C major, BWV 564\u003cbr data-mce-fragment=\"1\"\u003ePrelude and Fugue in A minor, BWV 543\u003cbr data-mce-fragment=\"1\"\u003eChorale Prelude: Wenn wir in höchsten Nöten sein, BWV 641 (from Orgelbüchlein)\u003cbr data-mce-fragment=\"1\"\u003eChorale Prelude: Nun komm’ der Heiden Heiland, BWV 659 (from 18 Chorale Preludes)\u003cbr data-mce-fragment=\"1\"\u003eChorale Prelude: Jesus Christus, unser Heiland, BWV 688 (from Clavierübung III)\u003cbr data-mce-fragment=\"1\"\u003eFugue in G major (à la gigue), BWV 577\u003cbr data-mce-fragment=\"1\"\u003eToccata and Fugue in D minor, BWV 565\u003cbr data-mce-fragment=\"1\"\u003eFantasia and Fugue in G minor, BWV 542\u003cbr data-mce-fragment=\"1\"\u003eConcerto in A minor, BWV 593 (Based on Vivaldi's Concerto in A minor, Op. 3 No. 8, RV 522)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Victoria Hall, Geneva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 3\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eTrois Chorals\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ LISZT (1811–1886)\u003cbr data-mce-fragment=\"1\"\u003eFantasia and Fugue on ‘Ad nos, as salutarem undam’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eVariations (Symphonie gothique, Op. 70)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Victoria Hall, Geneva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 4\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr data-mce-fragment=\"1\"\u003eOrgan Concerto in G minor, Op. 4 No. 1, HWV 289 \u003cbr data-mce-fragment=\"1\"\u003eOrgan Concerto in B flat major, Op. 4 No. 2, HWV 290 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Victoria Hall, Geneva\u003cbr data-mce-fragment=\"1\"\u003eL’Orchestre de la Suisse Romande\u003cbr data-mce-fragment=\"1\"\u003eErnest Ansermet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHEINRICH SCHÜTZ (1585–1672)\u003cbr data-mce-fragment=\"1\"\u003eEile mich, Gott, zu erretten, SWV 282\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750) \u003cbr data-mce-fragment=\"1\"\u003eBist du bei mir, BWV 508\u003cbr data-mce-fragment=\"1\"\u003eKomm, süßer Tod, komm, selge Ruh’, BWV 478\u003cbr data-mce-fragment=\"1\"\u003eWarum betrübst du dich, BWV 516\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSuzanne Danco, soprano\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Victoria Hall, Geneva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ LISZT (1811–1886)\u003cbr data-mce-fragment=\"1\"\u003ePrelude and Fugue on B.A.C.H\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eAllegro (Symphony No. 6, Op. 42 No. 2)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÉDOUARD MIGNAN (1884–1969)\u003cbr data-mce-fragment=\"1\"\u003eToccata médiévale\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN BERVEILLER (1904–1976)\u003cbr data-mce-fragment=\"1\"\u003eMouvement\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEANNE DEMESSIEUX (1921–1968)\u003cbr data-mce-fragment=\"1\"\u003eTe Deum, Op. 11\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of La Madeleine, Paris\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 5\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eChoral Prelude: O Mensch, bewein’ dein’ Sünde groß, BWV 622 (from Orgelbüchlein)\u003cbr data-mce-fragment=\"1\"\u003eChorale Prelude: Christ unser Herr zum Jordan kam, BWV 684 (from Clavierübung III)\u003cbr data-mce-fragment=\"1\"\u003eFantasia in G major, BWV 572\u003cbr data-mce-fragment=\"1\"\u003eSinfonia from Cantata No. 29, BWV 29 (Trans: Marcel Dupré)\u003cbr data-mce-fragment=\"1\"\u003eChorale-Prelude: Erbarm’ dich mein, o Herre Gott, BWV 721\u003cbr data-mce-fragment=\"1\"\u003eToccata and Fugue in F major, BWV 540\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003eAdagio and Fugue in C minor, KV 546 \/ 426 (Adagio: transc. Demessieux; Fugue: transc. Dupré)\u003cbr data-mce-fragment=\"1\"\u003eFantasia in F minor, KV 608\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of La Madeleine, Paris\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 6\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eSix Pièces\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of La Madeleine, Paris\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 7\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eTrois Pièces \u003cbr data-mce-fragment=\"1\"\u003eTrois Chorals\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of La Madeleine, Paris\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 8\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eTransports de joie d’une âme devant la gloire du Christ qui est la sienne (L’Ascension)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eChoral Prelude: Liebster Jesu, wir sind hier, BWV 731\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN BERVEILLER (1904–1976)\u003cbr data-mce-fragment=\"1\"\u003eMouvement\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eToccata (Symphonie V, Op. 42 No. 1)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Liverpool Metropolitan Cathedral\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLive Recording from the BBC – Previously Unpublished\u003cbr data-mce-fragment=\"1\"\u003eDIETERICH BUXTEHUDE (1637–1707)\u003cbr data-mce-fragment=\"1\"\u003eFugue in C major, BuxWV 174\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eChoral Prelude: Liebster Jesu, wir sind hier, BWV 731\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eAllegro vivace (Symphonie V, Op. 42 No. 1)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEANNE DEMESSIEUX (1921–1968)\u003cbr data-mce-fragment=\"1\"\u003eImprovisation on a theme submitted by Adrian Beaumont\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Colston Hall, Bristol \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlease note: CD 8 is released in physical format only and is not available on digital services\u003c\/p\u003e","brand":"Jeanne Demessieux","offers":[{"title":"Default Title","offer_id":38162524373183,"sku":"4841424","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/jeanne-demessieux-the-decca-legacy-box-set-8cd-1.jpg?v=1613094506"},{"product_id":"the-russian-album-cd","title":"The Russian Album (CD)","description":"\u003cp\u003eThe Russian Album' is the seventh album by Lucas and Arthur Jussen on the Deutsche Grammophon label. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe pianists have made a selection of works for two pianos by the Russian masters Dmitri Shostakovich, Sergei Rachmaninov, Igor Stravinsky and Anton Arensky, in an attempt to capture the essence of Russian music with its specific sound, colour and energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. Shostakovich, Dmitri \"Concertino in A Minor for 2 Pianos, Op. 94\"\u003cbr data-mce-fragment=\"1\"\u003eSuite No.2 for 2 Pianos, Op.17\u003cbr data-mce-fragment=\"1\"\u003e2. Rachmaninov, Sergey Vasil'yevich \"I. Introduction. Alla marcia (Original Version)\"\u003cbr data-mce-fragment=\"1\"\u003e3. Rachmaninov, Sergey Vasil'yevich \"II. Waltz. Presto (Original Version)\"\u003cbr data-mce-fragment=\"1\"\u003e4. Rachmaninov, Sergey Vasil'yevich \"III. Romance. Andantino (Original Version)\"\u003cbr data-mce-fragment=\"1\"\u003e5. Rachmaninov, Sergey Vasil'yevich \"IV. Tarantella. Presto (Original Version)\"\u003cbr data-mce-fragment=\"1\"\u003eConcerto for 2 Pianos\u003cbr data-mce-fragment=\"1\"\u003e6. Porter, Everett \"I. Con moto (Original Version)\"\u003cbr data-mce-fragment=\"1\"\u003e7. Porter, Everett \"II. Notturno (Original Version)\"\u003cbr data-mce-fragment=\"1\"\u003eConcerto for 2 Pianos (Original Version)\u003cbr data-mce-fragment=\"1\"\u003e8. Porter, Everett \"Var. 1 (III. Quattro variazioni)\"\u003cbr data-mce-fragment=\"1\"\u003e9. Porter, Everett \"Var. 2 (III. Quattro variazioni)\"\u003cbr data-mce-fragment=\"1\"\u003e10. Porter, Everett \"Var. 3 (III. Quattro variazioni)\"\u003cbr data-mce-fragment=\"1\"\u003e11. Porter, Everett \"Var. 4 (III. Quattro variazioni)\"\u003cbr data-mce-fragment=\"1\"\u003eConcerto for 2 Pianos\u003cbr data-mce-fragment=\"1\"\u003e12. Porter, Everett \"IV. Preludio e Fuga (Original Version)\"\u003cbr data-mce-fragment=\"1\"\u003eSuite No. 2, Op. 23 \"Silhouettes\"\u003cbr data-mce-fragment=\"1\"\u003e13. Arensky, Anton Stepanovich \"II. The coquette (Original Version)\"\u003cbr data-mce-fragment=\"1\"\u003eSuite No. 1, Op. 15\u003c\/p\u003e","brand":"Lucas Jussen Arthur Jussen","offers":[{"title":"Default Title","offer_id":39370475995327,"sku":"4855371","price":21.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/lucas-_-arthur-jussen-the-russian-album-cd.jpg?v=1615763525"},{"product_id":"christian-li-vivaldi-the-four-seasons-cd","title":"Vivaldi: The Four Seasons (CD)","description":"\u003cp\u003eSet for international stardom with the release of his debut album, Christian Li is an extraordinary talent. His remarkably mature musicianship and approach to interpretation, combined with his innate musical passion, have established a promising future for this inspirational young musician.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eAt only 13 years old, the Australian-Chinese violinist becomes the youngest violinist ever to professionally record Vivaldi’s thrilling chamber work The Four Seasons, included on his new album of the same name, released on Decca Classics on 20th August. Christian’s debut – for which he play-directs an ensemble comprising members of the Melbourne Symphony Orchestra – marks the first recording of The Four Seasons on Decca in 17 years, following in the footsteps of label-mate Janine Jansen.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePublished in 1725, \u003cem\u003eVivaldi’s The Four Seasons\u003c\/em\u003e is a special work for Christian, who says, “It’s dramatic, warm and poetic. I can use the music to tell the poems' storylines, and it was playing ‘Summer’ that I won the Menuhin Competition when I was ten, which I really didn't expect!”\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1-12. Vivaldi – The Four Seasons\u003cbr data-mce-fragment=\"1\"\u003e1-3. Spring\u003cbr data-mce-fragment=\"1\"\u003ei. Allegro\u003cbr data-mce-fragment=\"1\"\u003eii. Largo e pianissimo sempre\u003cbr data-mce-fragment=\"1\"\u003eiii. Allegro (Danza pastorale)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4-6. Summer\u003cbr data-mce-fragment=\"1\"\u003ei. Allegro non molto\u003cbr data-mce-fragment=\"1\"\u003eii. Adagio-Presto\u003cbr data-mce-fragment=\"1\"\u003eiii. Presto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e7-9. Autumn\u003cbr data-mce-fragment=\"1\"\u003ei. Allegro \u003cbr data-mce-fragment=\"1\"\u003eii. Adagio\u003cbr data-mce-fragment=\"1\"\u003eiii. Allegro\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e10-12. Winter\u003cbr data-mce-fragment=\"1\"\u003ei. Allegro non molto\u003cbr data-mce-fragment=\"1\"\u003eii. Largo\u003cbr data-mce-fragment=\"1\"\u003eiii. Allegro\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e13. Li Zili – Fisherman’s Harvest Song\u003cbr data-mce-fragment=\"1\"\u003e14. Kreisler – Tambourin Chinois\u003cbr data-mce-fragment=\"1\"\u003e15. Massenet arr. Roget Nichols - Méditation from “Thaïs”\u003cbr data-mce-fragment=\"1\"\u003e16. Bazzini – La Ronde des Lutins\u003c\/p\u003e","brand":"Christian Li","offers":[{"title":"Default Title","offer_id":40080828301503,"sku":"4851824","price":21.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/Vivaldi.png?v=1624485673"},{"product_id":"lindsay-string-quartet-beethoven-complete-string-quartets-10cd","title":"Beethoven: Complete String Quartets (10CD)","description":"\u003cp\u003eThe Lindsay String Quartet’s award-winning and first Beethoven cycle (1979–83), originally recorded for ASV: risk-taking musicianship at the highest level.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLIMITED EDITION.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003e‘We had spent more time on rehearsing and trying to understand Beethoven than any other composer: he was a God to us,’ writes cellist Bernard Gregor-Smith. Through the course of their 40-year career, the Lindsay String Quartet was synonymous above all with the string quartets of Beethoven. They began playing together in 1966 while still students at the Royal Academy of Music in London. Six years later, Ronald Birks took the second violin chair to join leader Peter Cropper, violist Roger Bigley and cellist Bernard Gregor-Smith. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstantly recognisable even now and quite distinct from the ensembles of note who came before and after them, the Lindsays always sounded like a quartet of four discrete and entirely individual personalities. They soon became celebrated for a fierce, even ferocious commitment to both the notes on the page (taking Beethoven’s repeat marks seriously when it was still unfashionable to do so) and to the sometimes rough, often tough and yet elevated spirit of music that still sets a benchmark for both ensembles and listeners. The Lindsays left nothing in the rehearsal studio, even when the red light was on.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in F major, Op. 18 No. 1\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in G major, Op. 18 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in D major, Op. 18 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in C minor, Op. 18 No. 4 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in A major, Op. 18 No. 5 \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in B flat major, Op. 18 No. 6 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in F major, Op. 59 No. 1 ‘Razumovsky No. 1’ \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in E minor, Op. 59 No. 2 ‘Razumovsky No. 2’ \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in C major, Op. 59 No. 3 ‘Razumovsky No. 3’ \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in E flat major, Op. 74 ‘Harp’ \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in F minor, Op. 95 ‘Serioso’ \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in E flat major, Op. 127 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in B flat major, Op. 130 (with Grosse Fuge, Op. 133) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in C sharp minor, Op. 131 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in A minor, Op. 132 \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in F major, Op. 135 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLINDSAY STRING QUARTET\u003cbr data-mce-fragment=\"1\"\u003ePeter Cropper, violin I \u003cbr data-mce-fragment=\"1\"\u003eRonald Birks, violin II \u003cbr data-mce-fragment=\"1\"\u003eRoger Bigley, viola \u003cbr data-mce-fragment=\"1\"\u003eBernard Gregor-Smith, cello\u003c\/p\u003e","brand":"Lindsay String Quartet","offers":[{"title":"Default Title","offer_id":40163502063807,"sku":"4843069","price":84.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/lindsay-string-quartet-beethoven-complete-string-quartets-10cd-cover.jpg?v=1625691545"},{"product_id":"bernard-herrmann-the-film-scores-on-phase-4-7cd","title":"Bernard Herrmann The Film Scores on Phase 4 (7CD)","description":"\u003cp\u003eBernard Herrmann’s complete film score recordings made for Phase 4 Stereo. Celebrating the composer’s 110th birthday, all albums have been remastered at 24bit 96kHz from the original analogue master tapes. 7 original albums presented in original sleeves and programming.\u003c\/p\u003e","brand":"Bernard Herrmann","offers":[{"title":"Default Title","offer_id":40278894739647,"sku":"4851585","price":44.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/bernard-herrmann-the-fiim-scores-on-pahse-4-7cd.jpg?v=1627071926"},{"product_id":"paul-kelly-thirteen-ways-to-look-at-birds-2lp","title":"Thirteen Ways To Look At Birds (2LP)","description":"\u003cp\u003eThis is the 2-LP vinyl edition of the 2019 Best Classical ARIA Award-winning album ‘13 Ways to Look at Birds’ album.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThis edition has a new, exclusive track: ‘Eurydice and the Tawny Froumouth’. \u003cem\u003eThirteen Ways to Look at Birds\u003c\/em\u003e brings six musicians from broad-ranging backgrounds together to interpret bird inspired poems, written by John Keats, Thomas Hardy, Emily Dickinson, Judith Wright, Gerard Manley Hopkins, Gwen Harwood, A D Hope and others. It features the Seraphim Trio with Anna Goldsworthy on piano, Helen Ayres on violin and Tim Nankervis on cello, along with composer James Ledger and singer-songwriters Paul Kelly and Alice Keath. The latter sings harmony and background vocals on The Darkling Thrush, Leda and the Swan, A Barred Owl, Ode to a Nightingale, Thornbills, The Windhover and The Magpies and the lead vocal on Proud Songsters.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. Black Cockatoos (Judith Wright)\u003cbr data-mce-fragment=\"1\"\u003e2. The Darkling Thrush (Thomas Hardy)\u003cbr data-mce-fragment=\"1\"\u003e3. Leda and the Swan (WB Yeats)\u003cbr data-mce-fragment=\"1\"\u003e4. Barn Owl (Gwen Harwood)\u003cbr data-mce-fragment=\"1\"\u003e5. Mudlarking\u003cbr data-mce-fragment=\"1\"\u003e6. A Barred Owl (Richard Wilbur)\u003cbr data-mce-fragment=\"1\"\u003e7. \"Hope\" is the thing with feathers (Emily Dickinson)\u003cbr data-mce-fragment=\"1\"\u003e8. Ode to a Nightingale (John Keats)\u003cbr data-mce-fragment=\"1\"\u003e9. Proud Songsters (Thomas Hardy)\u003cbr data-mce-fragment=\"1\"\u003e10. Murmuration11. Thornbills (Judith Wright)\u003cbr data-mce-fragment=\"1\"\u003e12.The fly (Miroslav Holub)\u003cbr data-mce-fragment=\"1\"\u003e13. Eurydice and the Tawny Frogmouth\u003cbr data-mce-fragment=\"1\"\u003e14. Black Swan\u003cbr data-mce-fragment=\"1\"\u003e15. The Death of the Bird (AD Hope)\u003cbr data-mce-fragment=\"1\"\u003e16. The Windhover (Gerard Manley Hopkins)\u003cbr data-mce-fragment=\"1\"\u003e17. The Magpies (Denis Glover)\u003c\/p\u003e","brand":"Paul Kelly","offers":[{"title":"Default Title","offer_id":40278894805183,"sku":"3578735","price":69.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/paul-kelly-thirteen-ways-to-look-at-birds-2lp.jpg?v=1627036948"},{"product_id":"gurrumul-the-gurrumul-story-cd-dvd","title":"The Gurrumul Story (Deluxe CD+DVD)","description":"\u003cp\u003e\u003cem\u003eThe Gurrumul Story\u003c\/em\u003e is the first ever anthology of the nine time ARIA award-winner’s most enduring and popular songs.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThe collection contains alternate versions of two of Gurrumul’s most popular tracks. ‘Wiyathul (Longing For Place)’ is a brand new, orchestrally-augmented version of ‘Wiyathul’ – the song that thrust Gurrumul into the limelight back in 2008.\u003c\/p\u003e\n\u003cp\u003eAlso included on the album is a rare duet version of the song ‘Bayini’, from Gurrumul’s sophomore album Rrakala, featuring a touching contribution by Australian singer\/songwriter Sarah Blasko.\u003c\/p\u003e\n\u003cp\u003eThe Deluxe CD+DVD Edition of THE GURRUMUL STORY contains a 25-minute documentary that chronicles Gurrumul’s rise to fame and four studio albums, as well as a selection of music videos.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlso available\u003cbr\u003e\u003ca href=\"https:\/\/classicsdirect.com.au\/products\/guurrumul-the-gurrumul-story-cd\"\u003eCD\u003c\/a\u003e and \u003ca href=\"https:\/\/classicsdirect.com.au\/products\/gurrumul-the-gurrumul-story-lp\"\u003eVinyl\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD\u003cbr\u003e1. Wiyathul (Longing For Place)\u003cbr\u003e2. Bapa\u003cbr\u003e3. Marwurrumburr\u003cbr\u003e4. Gurrumul History\u003cbr\u003e5. Wukun\u003cbr\u003e6. Maralitja (A Tribute To Yothu Yindi)\u003cbr\u003e7. Bayini (feat. Sarah Blasko)\u003cbr\u003e8. Banbirrngu\u003cbr\u003e9. Baru\u003cbr\u003e10. Djilawurr\u003cbr\u003e11. Baptism\u003cbr\u003e12. Jesu\u003cbr\u003e13. Nhaku Limurr\u003cbr\u003e14. Amazing Grace (solo)\u003cbr\u003e15. Waak (Crow) in E-Flat Major\u003cbr\u003e16. Galiku (Flag) in D-Flat Major\u003cbr\u003e17. Djarimirri (Child Of The Rainbow) in E-Flat Major\u003c\/p\u003e\n\u003cp\u003eDVD\u003cbr\u003e1. The Gurrumul Story (Documentary)\u003cbr\u003e2. Wiyathul (Longing For Place) (Music Video)\u003cbr\u003e3. Bapa (Music Video)\u003cbr\u003e4. Gopuru (Music Video)\u003cbr\u003e5. Jesu (Music Video)\u003cbr\u003e6. Amazing Grace (feat. Paul Kelly) (Music Video)\u003c\/p\u003e","brand":"Gurrumul","offers":[{"title":"Default Title","offer_id":40364294144191,"sku":"3586208","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/gurrumul-the-gurrumul-story-deluxe-cd-dvd.jpg?v=1628059937"},{"product_id":"gurrumul-the-gurrumul-story-lp","title":"The Gurrumul Story (LP)","description":"\u003cp\u003e\u003cem\u003eThe Gurrumul Story\u003c\/em\u003e is the first ever anthology of the nine time ARIA award-winner’s most enduring and popular songs.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP contains an alternate version of the song 'Bayini' from Gurrumul’s sophomore album \u003cem\u003eRrakala\u003c\/em\u003e. A rare duet version featuring a touching contribution by Australian singer\/songwriter Sarah Blasko.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlso available\u003cbr\u003e\u003ca href=\"https:\/\/classicsdirect.com.au\/products\/gurrumul-the-gurrumul-story-cd-dvd\"\u003e\u003cspan\u003eDeluxe Edition CD + DVD\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003eand \u003ca href=\"https:\/\/classicsdirect.com.au\/products\/guurrumul-the-gurrumul-story-cd\"\u003eStandard CD\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. Wiyathul\u003cbr\u003e2. Bapa\u003cbr\u003e3. Marwurrumburr\u003cbr\u003e4. Gurrumul History\u003cbr\u003e5. Maralitja (A Tribute To Yothu Yindi)\u003cbr\u003e6. Bayini (feat. Sarah Blasko)\u003cbr\u003e7. Banbirrngu\u003cbr\u003e8. Baru\u003cbr\u003e9. Jesu\u003cbr\u003e10. Amazing Grace\u003c\/p\u003e","brand":"Gurrumul","offers":[{"title":"Default Title","offer_id":40364294176959,"sku":"3586209","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/gurrumul-the-gurrumul-story-lp.jpg?v=1628060024"},{"product_id":"dr-lonnie-smith-all-in-my-mind-lp","title":"All In My Mind (LP)","description":"\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eAfter his 2016 return to Blue Note where he first made a name for himself with a run of classic soul jazz albums between 1968-70, Hammond B-3 organ legend Dr. Lonnie Smith recorded \u003cem\u003eAll In My Mind\u003c\/em\u003e during his 75th birthday celebration in July 2017 at the Jazz Standard in New York City with guitarist Jonathan Kreisberg and drummer Jonathan Blake.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12737,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":1,\"11\":4,\"15\":\"Arial\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"After his 2016 return to Blue Note where he first made a name for himself with a run of classic soul jazz albums between 1968-70, Hammond B-3 organ legend Dr. Lonnie Smith recorded All In My Mind during his 75th birthday celebration in July 2017 at the Jazz Standard in New York City with guitarist Jonathan Kreisberg and drummer Jonathan Blake. The album gets its first-time vinyl release with this 5-song Tone Poet Edition which features spirited interpretations of songs by Wayne Shorter (“Juju”), Freddie Hubbard (“Up Jumped Spring”) Paul Simon (“50 Ways to Leave Your Lover”), and more.\\nBlue Note Tone Poet Series\\nTRACK LIST\\nSIDE A\\n1. Juju\\n2. Devika\\nSIDE B\\n1. 50 Ways To Leave Your Lover\\n2. On A Misty Night\\n3. Up Jumped Spring\\n\"}' data-mce-fragment=\"1\"\u003eThe album gets its first-time vinyl release with this 5-song Tone Poet Edition which features spirited interpretations of songs by Wayne Shorter (“Juju”), Freddie Hubbard (“Up Jumped Spring”) Paul Simon (“50 Ways to Leave Your Lover”), and more.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12737,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":1,\"11\":4,\"15\":\"Arial\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"After his 2016 return to Blue Note where he first made a name for himself with a run of classic soul jazz albums between 1968-70, Hammond B-3 organ legend Dr. Lonnie Smith recorded All In My Mind during his 75th birthday celebration in July 2017 at the Jazz Standard in New York City with guitarist Jonathan Kreisberg and drummer Jonathan Blake. The album gets its first-time vinyl release with this 5-song Tone Poet Edition which features spirited interpretations of songs by Wayne Shorter (“Juju”), Freddie Hubbard (“Up Jumped Spring”) Paul Simon (“50 Ways to Leave Your Lover”), and more.\\nBlue Note Tone Poet Series\\nTRACK LIST\\nSIDE A\\n1. Juju\\n2. Devika\\nSIDE B\\n1. 50 Ways To Leave Your Lover\\n2. On A Misty Night\\n3. Up Jumped Spring\\n\"}' data-mce-fragment=\"1\"\u003eBlue Note Tone Poet Series\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1. Juju\u003cbr\u003e2. Devika\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e1. 50 Ways To Leave Your Lover\u003cbr\u003e2. On A Misty Night\u003cbr\u003e3. Up Jumped Spring\u003c\/p\u003e","brand":"Dr Lonnie Smith","offers":[{"title":"Default Title","offer_id":40374135029951,"sku":"0860039","price":59.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/dr-lonnie-smith-all-in-my-mind-lp-cover.jpg?v=1628148303"},{"product_id":"ruggiero-ricci-complete-decca-recordings-20cd","title":"Ruggiero Ricci Complete Decca Recordings (20CD)","description":"\u003cp\u003ePraised for his ‘natural elegance’ (Gramophone), ‘finesse and astute interpretative insight’ (American Record Guide), ‘faultlessly brilliant technique’ and ‘astonishingly assured combination of virtuosity and poetic sensibility’ (High Fidelity), RUGGIERO RICCI made recordings for Decca from 1950 to 1974. This tribute to the fiendish fingers and sublime artistry of a true virtuoso collects together his complete recordings for the British label – concertos, solo violin works, encore pieces and sonatas, including a previously unpublished set of the Brahms Violin Sonatas with Julius Katchen recorded in 1954. By way of bonus, the set also includes excerpts from the Fistoulari recording of Tchaikovsky’s Swan Lake where Ricci plays the violin solos, as well as Ansermet’s complete performances of the composer’s Suites Nos. 3 and 4, both of whose obbligato violin parts are performed by the violinist.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eAn Original Jackets Limited Edition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr data-mce-fragment=\"1\"\u003eBEETHOVEN Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eSir Adrian Boult · Sir Malcolm Sargent\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003ePAGANINI Violin Concerto Nos. 1 \u0026amp; 2\u003cbr data-mce-fragment=\"1\"\u003eRAVEL Tzigane\u003cbr data-mce-fragment=\"1\"\u003eAnthony Collins · Ernest Ansermet \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eSIBELIUS Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Sérénade mélancolique; Scherzo \u003cbr data-mce-fragment=\"1\"\u003eKHACHATURIAN Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eOivin Fjeldstad ∙ Anatole Fistoulari\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eMENDELSSOHN Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eBRUCH Violin Concerto No. 1\u003cbr data-mce-fragment=\"1\"\u003ePiero Gamba\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003ePROKOFIEV Violin Concertos Nos. 1 \u0026amp; 2\u003cbr data-mce-fragment=\"1\"\u003eErnest Ansermet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eLALO Symphone espagnole\u003cbr data-mce-fragment=\"1\"\u003eSARASATE Carmen Fantaisie; Zigeunerweisen\u003cbr data-mce-fragment=\"1\"\u003eSAINT-SAËNS Havanaise; Introduction et Rondo Capriccioso\u003cbr data-mce-fragment=\"1\"\u003eErnest Ansermet ∙ Piero Gamba\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eDVOŘÁK Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eSir Malcolm Sargent\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eMENDELSSOHN Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Violin Concerto; Swan Lake (excerpts)\u003cbr data-mce-fragment=\"1\"\u003eJean Fournet · Anatole Fistoulari\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Suites Nos. 3 \u0026amp; 4\u003cbr data-mce-fragment=\"1\"\u003eErnest Ansermet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003ePAGANINI Caprices (1950 Recording)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 11\u003cbr data-mce-fragment=\"1\"\u003ePAGANINI Caprices (1959 Recording)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 12\u003cbr data-mce-fragment=\"1\"\u003eWORKS FOR SOLO VIOLIN\u003cbr data-mce-fragment=\"1\"\u003eBartók ∙ Stravinsky · Prokofiev ∙ Hindemith\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 13\u003cbr data-mce-fragment=\"1\"\u003eJ.S. BACH Sonata No. 1; Partita No. 2 \u003cbr data-mce-fragment=\"1\"\u003eWEBER Six Sonates Progressives\u003cbr data-mce-fragment=\"1\"\u003eCarlo Bussotti\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 14\u003cbr data-mce-fragment=\"1\"\u003eR. STRAUSS Violin Sonata \u003cbr data-mce-fragment=\"1\"\u003ePROKOFIEV Violin Sonata No. 2\u003cbr data-mce-fragment=\"1\"\u003eCarlo Bussotti\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 15\u003cbr data-mce-fragment=\"1\"\u003eBEETHOVEN Violin Sonatas Nos. 7 \u0026amp; 10\u003cbr data-mce-fragment=\"1\"\u003eFriedrich Gulda\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 16\u003cbr data-mce-fragment=\"1\"\u003eBRAHMS Violin Sonatas Nos. 1–3 (1954 Recording)\u003cbr data-mce-fragment=\"1\"\u003eJulius Katchen\u003cbr data-mce-fragment=\"1\"\u003ePREVIOUSLY UNPUBLISHED\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 17\u003cbr data-mce-fragment=\"1\"\u003eBRAHMS Violin Sonatas Nos. 2 \u0026amp; 3 (1957 Recording)\u003cbr data-mce-fragment=\"1\"\u003eJulius Katchen\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 18\u003cbr data-mce-fragment=\"1\"\u003eSARASATE Danzas Españolas \u003cbr data-mce-fragment=\"1\"\u003eLouis Persinger\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 19\u003cbr data-mce-fragment=\"1\"\u003eA PAGANINI RECITAL\u003cbr data-mce-fragment=\"1\"\u003eLouis Persinger \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 20\u003cbr data-mce-fragment=\"1\"\u003eVIRTUOSO SHOWPIECES\u003cbr data-mce-fragment=\"1\"\u003eErnest Lush\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRUGGIERO RICCI, violin\u003c\/p\u003e","brand":"Ruggiero Ricci","offers":[{"title":"Default Title","offer_id":40752028418239,"sku":"4842150","price":144.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/ruggiero-ricci-complete-decca-recordings-20cd-cover.jpg?v=1632361368"},{"product_id":"ruggiero-ricci-complete-american-decca-recordings-9cd","title":"Ruggiero Ricci Complete American Decca Recordings (9CD)","description":"\u003cp\u003eCollected together for the first time are all of RUGGIERO RICCI’s nine solo albums taped for American Decca between 1960 and 1970. The sessions brought concertos by Vivaldi (The Four Seasons with an all-Stradivarius ensemble), Paganini and Saint-Saëns as well as several concept albums. ‘The Glory of Cremona’, a recording ‘that all fiddle fanciers will insist on having’ (Stereo Review) saw him play fifteen priceless violins. The 1967 traversal of the complete Bach Sonatas and Partitas for solo violin were described by Gramophone as ‘a miracle’. One of the last century’s most spell-binding technicians on the violin, Ricci was a complete musician, to whom this set pays eloquent tribute. \u003cbr data-mce-fragment=\"1\"\u003eAn Original Jackets Limited Edition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACK LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr data-mce-fragment=\"1\"\u003eVIVALDI The Four Seasons\u003cbr data-mce-fragment=\"1\"\u003eStradivarius Chamber Orchestra\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2 \u003cbr data-mce-fragment=\"1\"\u003ePAGANINI Violin Concerto No. 2\u003cbr data-mce-fragment=\"1\"\u003eSAINT-SAËNS Violin Concerto No. 1\u003cbr data-mce-fragment=\"1\"\u003eCincinnati Symphony Orchestra \/ Max Rudolf\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 3–4\u003cbr data-mce-fragment=\"1\"\u003eJ.S. BACH Sonatas and Partitas for Solo Violin\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5 \u003cbr data-mce-fragment=\"1\"\u003eSARASATE Spanish Dances; Introduction et Tarantelle; Caprice Basque; Serenata andaluza\u003cbr data-mce-fragment=\"1\"\u003eBrooks Smith\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eA TRIBUTE TO KREISLER\u003cbr data-mce-fragment=\"1\"\u003eMeet the Music – interview with Victor Alexander\u003cbr data-mce-fragment=\"1\"\u003eBrooks Smith\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eTHE GLORY OF CREMONA\u003cbr data-mce-fragment=\"1\"\u003eIncluding Bruch, demonstrated on 15 different violins\u003cbr data-mce-fragment=\"1\"\u003eLeon Pommers\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eBRAVURA!\u003cbr data-mce-fragment=\"1\"\u003eLocatelli · Paganini · Ernst · Vecsey · Wieniawski\u003cbr data-mce-fragment=\"1\"\u003eLeon Pommers\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eVIOLIN PLUS 1\u003cbr data-mce-fragment=\"1\"\u003eVivaldi · Saint-Saëns · Paganini · Villa-Lobos · Prokofiev\u003cbr data-mce-fragment=\"1\"\u003eKenneth Cooper · Gloria Agostini · Rolando Valdés-Blain · Lee Venora · David Nadien\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRUGGIERO RICCI, violin\u003c\/p\u003e","brand":"Ruggiero Ricci","offers":[{"title":"Default Title","offer_id":40752029204671,"sku":"4841988","price":74.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/ruggiero-ricci-complete-american-decca-recordings-9cd-cover.jpg?v=1632361289"},{"product_id":"clemens-krauss-complete-decca-recordings-16cd","title":"Clemens Krauss Complete Decca Recordings (16CD)","description":"\u003cp\u003eThis limited edition featuring original jackets presents Clemens Krauss’s legacy of studio recordings, made between July 1947 and March 1954.\u003c\/p\u003e\n\u003cp\u003eA friend and supreme conductor of Richard Strauss, Krauss also excelled in the music of the other Strauss dynasty, represented here with what Carlos Kleiber considered to be the definitive Fledermaus as well as the three New Year Concerts records made for Decca. Limited Edition Original Jackets Edition.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eOverture – Leonore No. 1, Op. 138*\u003cbr data-mce-fragment=\"1\"\u003eOverture – Leonore No. 2, Op. 72a \u003cbr data-mce-fragment=\"1\"\u003eOverture – Leonore No. 3, Op. 72b\u003cbr data-mce-fragment=\"1\"\u003eOverture – Fidelio, Op. 72\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 2 in B flat major, Op. 19\u003cbr data-mce-fragment=\"1\"\u003eWilhelm Backhaus, piano; Wiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 4 in G major, Op. 58\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 5 in E flat major, Op. 73 ‘Emperor’\u003cbr data-mce-fragment=\"1\"\u003eWilhelm Backhaus, piano; Wiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eJOHANNES BRAHMS (1883–1897)\u003cbr data-mce-fragment=\"1\"\u003eAlto Rhapsody, Op. 53\u003cbr data-mce-fragment=\"1\"\u003eKathleen Ferrier, contralto; London Philharmonic Choir (Frederic Jackson, chorus master); London Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003eAcademic Festival Overture, Op. 80*\u003cbr data-mce-fragment=\"1\"\u003eVariations on a theme by Haydn, Op. 56a*\u003cbr data-mce-fragment=\"1\"\u003eHungarian Dances Nos. 1 \u0026amp; 3 (orch. Brahms)*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eANTONÍN DVOŘÁK (1841–1904)\u003cbr data-mce-fragment=\"1\"\u003eSlavonic Dances, Op. 46 (B.83) Nos. 3, 5 \u0026amp; 8*\u003cbr data-mce-fragment=\"1\"\u003eLondon Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eDon Juan, Op. 20\u003cbr data-mce-fragment=\"1\"\u003eTill Eulenspiegels lustige Streiche, Op. 28\u003cbr data-mce-fragment=\"1\"\u003eEin Heldenleben, Op. 40\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eAlso sprach Zarathustra, Op. 30 \u003cbr data-mce-fragment=\"1\"\u003eDon Quixote, Op. 35\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker; Pierre Fournier, cello; Ernst Moraweg, viola\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eSymphonia domestica, Op. 53\u003cbr data-mce-fragment=\"1\"\u003eLe Bourgeois gentilhomme – Suite, Op. 60\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eAus Italien, Op. 16\u003cbr data-mce-fragment=\"1\"\u003eTill Eulenspiegels lustige Streiche, Op. 28*\u003cbr data-mce-fragment=\"1\"\u003eTod und Verklärung, Op. 24*\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker (Aus Italien)\u003cbr data-mce-fragment=\"1\"\u003eOrchestra del Teatro alla Scala (Till Eulenspiegels lustige Streiche)\u003cbr data-mce-fragment=\"1\"\u003eLondon Philharmonic Orchestra (Tod und Verklärung)\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 8–9\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eSalome, Op. 54\u003cbr data-mce-fragment=\"1\"\u003eHerod: Julius Patzak\u003cbr data-mce-fragment=\"1\"\u003eHerodias: Margareta Kenney\u003cbr data-mce-fragment=\"1\"\u003eSalome: Christel Goltz\u003cbr data-mce-fragment=\"1\"\u003eJochanaan: Hans Braun\u003cbr data-mce-fragment=\"1\"\u003eNarraboth: Anton Dermota\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eOverture – Fidelio, Op. 72*\u003cbr data-mce-fragment=\"1\"\u003eLondon Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRICHARD WAGNER (1813–1883)\u003cbr data-mce-fragment=\"1\"\u003eTristan und Isolde: Prelude and Liebestod (concert version)\u003cbr data-mce-fragment=\"1\"\u003eParsifal: Karfreitagszauber (concert version)\u003cbr data-mce-fragment=\"1\"\u003eLondon Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eDer Rosenkavalier: Hab mir’s gelobt\u003cbr data-mce-fragment=\"1\"\u003eTiana Lemnitz, soprano\u003cbr data-mce-fragment=\"1\"\u003eErna Berger, soprano\u003cbr data-mce-fragment=\"1\"\u003eViorica Ursuleac, soprano\u003cbr data-mce-fragment=\"1\"\u003eOrchester der Staatsoper Berlin \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003eDon Giovanni: Deh vieni*\u003cbr data-mce-fragment=\"1\"\u003eLe nozze di Figaro: Se vuol ballare*\u003cbr data-mce-fragment=\"1\"\u003ePaul Schöffler, bass-baritone\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLe nozze di Figaro: Voi che sapete; Giunse alfin il momento … Deh vieni \u003cbr data-mce-fragment=\"1\"\u003eIdomeneo: Se il padre; Non più, tutto ascoltai … Non temer, amato bene, KV 490\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGIUSEPPE VERDI (1813–1901)\u003cbr data-mce-fragment=\"1\"\u003eRigoletto: Caro nome; Tutte le feste … Ah, solo per me\u003cbr data-mce-fragment=\"1\"\u003eHilde Gueden, soprano\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 11–12\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eDie Fledermaus\u003cbr data-mce-fragment=\"1\"\u003eGabriel von Eisenstein: Julius Patzak\u003cbr data-mce-fragment=\"1\"\u003eRosalinde: Hilde Gueden\u003cbr data-mce-fragment=\"1\"\u003eDr. Falke: Alfred Poell\u003cbr data-mce-fragment=\"1\"\u003eAdele: Wilma Lipp\u003cbr data-mce-fragment=\"1\"\u003ePrinz Orlofsky: Sieglinde Wagner\u003cbr data-mce-fragment=\"1\"\u003eFrank: Kurt Preger\u003cbr data-mce-fragment=\"1\"\u003eAlfred: Anton Dermota\u003cbr data-mce-fragment=\"1\"\u003eDr. Blind: August Jaresch\u003cbr data-mce-fragment=\"1\"\u003eWiener Staatsopernchor\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 13–14\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eDer Zigeunerbaron\u003cbr data-mce-fragment=\"1\"\u003eGraf Peter Homonay: Alfred Poell\u003cbr data-mce-fragment=\"1\"\u003eConte Carnero: Karl Dönch\u003cbr data-mce-fragment=\"1\"\u003eSándor Barinkay: Julius Patzak\u003cbr data-mce-fragment=\"1\"\u003eKálman Zsupán: Kurt Preger\u003cbr data-mce-fragment=\"1\"\u003eArsena: Emmy Loose\u003cbr data-mce-fragment=\"1\"\u003eMirabella: Steffi Leverenz\u003cbr data-mce-fragment=\"1\"\u003eOttokar: August Jaresch\u003cbr data-mce-fragment=\"1\"\u003eCzipra: Rosette Anday\u003cbr data-mce-fragment=\"1\"\u003eSaffi: Hilde Zadek\u003cbr data-mce-fragment=\"1\"\u003ePali: Franz Bierback\u003cbr data-mce-fragment=\"1\"\u003eWiener Staatsopernchor\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNEW YEAR CONCERTS\u003cbr data-mce-fragment=\"1\"\u003eCD 15\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eG’schichten aus dem Wienerwald – Walzer, Op. 325\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSEF STRAUSS (1827–1870)\u003cbr data-mce-fragment=\"1\"\u003eDie Libelle – Polka mazurka, Op. 204\u003cbr data-mce-fragment=\"1\"\u003eMein Lebenslauf ist Lieb und Lust! – Walzer, Op. 263\u003cbr data-mce-fragment=\"1\"\u003eJokey – Polka schnell, Op. 278\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eÉljen a Magyar! – Polka, Op. 332 \u003cbr data-mce-fragment=\"1\"\u003eÄgyptischer Marsch, Op. 335\u003cbr data-mce-fragment=\"1\"\u003eIm Krapfenwald’l – Polka, Op. 336\u003cbr data-mce-fragment=\"1\"\u003eVergnügungszug – Polka, Op. 281\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899) \u0026amp; JOSEF STRAUSS (1827–1870)\u003cbr data-mce-fragment=\"1\"\u003ePizzicato Polka\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eKünstlerleben – Walzer, Op. 316\u003cbr data-mce-fragment=\"1\"\u003eFrühlingsstimmen – Walzer, Op. 410\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 16\u003cbr data-mce-fragment=\"1\"\u003eJOSEF STRAUSS (1827–1870)\u003cbr data-mce-fragment=\"1\"\u003eDorfschwalben aus Österreich – Walzer, Op. 164\u003cbr data-mce-fragment=\"1\"\u003eMoulinet – Polka française, Op. 57\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eMorgenblätter – Walzer, Op. 279\u003cbr data-mce-fragment=\"1\"\u003eRitter Pásmán – Csárdás, Op. 441 \u003cbr data-mce-fragment=\"1\"\u003eAuf der Jagd – Polka schnell, Op. 373\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSEF STRAUSS (1827–1870)\u003cbr data-mce-fragment=\"1\"\u003eOhne Sorgen! – Polka schnell, Op. 271\u003cbr data-mce-fragment=\"1\"\u003eFeuerfest! – Polka française, Op. 269\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eStadt und Land – Polka, Op. 322\u003cbr data-mce-fragment=\"1\"\u003ePerpetuum Mobile – Musikalischer scherz, Op. 257\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eBei uns z’ Haus – Walzer, Op. 361\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSEF STRAUSS (1827–1870)\u003cbr data-mce-fragment=\"1\"\u003eSphärenklänge – Walzer, Op. 235 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eAn der schönen blauen Donau – Walzer, Op. 314\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSEF STRAUSS (1827–1870)\u003cbr data-mce-fragment=\"1\"\u003ePlappermäulchen – Polka schnell, Op. 245\u003cbr data-mce-fragment=\"1\"\u003eAuf Ferienreisen! – Polka schnell, Op. 133\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eAnnen-Polka, Op. 117\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS I (1804–1849)\u003cbr data-mce-fragment=\"1\"\u003eRadetzky-Marsch, Op. 228\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLEMENS KRAUSS\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMONO RECORDINGS\u003c\/p\u003e","brand":"Clemens Krauss","offers":[{"title":"Default Title","offer_id":40990614519999,"sku":"4841704","price":104.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/clemens-krauss-complete-decca-recordings-16cd-cvr.jpg?v=1636334050"},{"product_id":"neville-marriner-haydn-symphonies-15cd","title":"Neville Marriner Haydn Symphonies (15CD)","description":"\u003cp\u003eWith the delightful original LP cover illustrations specially commissioned for these recordings, this presentation brings together for the first time the 33 Haydn Symphonies recorded by Marriner and the Academy of St. Martin in the Fields over a twenty-year period, from 1970–90. Both, the polish and refinement of these “masterly” (High Fidelity) performances, as well as the recording quality “of exceptional vividness and presence” (Gramophone) received widespread critical acclaim. Limited Edition Original Jackets Box.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003eSymphony No. 6 in D major, Hob. I:6 ‘Le Matin’\u003cbr\u003eSymphony No. 7 in C major, Hob. I:7 ‘Le Midi’\u003cbr\u003eSymphony No. 8 in G major, Hob. I:8 ‘Le Soir’\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003eSymphony No. 22 in E flat major, Hob. I:22 ‘Der Philosoph’ (The Philosopher)\u003cbr\u003eSymphony No. 55 in E flat major, Hob. I:55 ‘Der Schulmeister’ (The Schoolmaster)\u003cbr\u003e\u003cbr\u003eCD 3\u003cbr\u003eSymphony No. 31 in D major, Hob. I:31 ‘mit dem Hornsignal’ (Horn Signal)\u003cbr\u003eSymphony No. 73 in D major, Hob. I:‘La Chasse’ (The Hunt)\u003cbr\u003e\u003cbr\u003eCD 4\u003cbr\u003eSymphony No. 43 in E flat major, Hob. I:43 ‘Merkur’ (Mercury)\u003cbr\u003eSymphony No. 59 in A major, Hob. I:59 ‘Feuer-Symphonie’ (Fire)\u003cbr\u003e\u003cbr\u003eCD 5\u003cbr\u003eSymphony No. 44 in E minor, Hob. I:44 ‘Trauer-Symphonie’ (Mourning)\u003cbr\u003eSymphony No. 49 in F minor, Hob. I:49 ‘La Passione’ (Passion)\u003cbr\u003e\u003cbr\u003eCD 6\u003cbr\u003eSymphony No. 45 in F sharp minor, Hob. I:45 ‘Abschieds-Symphonie’ (Farewell)\u003cbr\u003eSymphony No. 101 in D major, Hob. I:101 ‘The Clock’\u003cbr\u003e\u003cbr\u003eCD 7\u003cbr\u003eSymphony No. 48 in C major, Hob. I:48 ‘Maria Theresia’\u003cbr\u003eSymphony No. 85 in B flat major, Hob. I:85 ‘La Reine’\u003cbr\u003e\u003cbr\u003eCD 8\u003cbr\u003eSymphony No. 52 in C minor, Hob. I:52\u003cbr\u003eSymphony No. 53 in D major, Hob. I:53 ‘L’Impériale’ (Imperial)\u003cbr\u003e\u003cbr\u003eCD 9\u003cbr\u003eSymphony No. 60 in C major, Hob. I:60 ‘Il Distratto’\u003cbr\u003eSymphony No. 63 in C major, Hob. I:63 ‘La Roxelane’\u003cbr\u003eSymphony No. 69 in C major, Hob. I:69 ‘Laudon’\u003cbr\u003e\u003cbr\u003eCD 10\u003cbr\u003eSymphony No. 82 in C major, Hob. I:82 ‘L’Ours’ (The Bear)\u003cbr\u003eSymphony No. 83 in G minor, Hob. I:83 ‘La Poule’ (The Hen)\u003cbr\u003e\u003cbr\u003eCD 11\u003cbr\u003eSymphony No. 84 in E flat major, Hob. I:84\u003cbr\u003eSymphony No. 86 in D major, Hob. I:86\u003cbr\u003eSymphony No. 87 in A major, Hob. I:87\u003cbr\u003e\u003cbr\u003eCD 12\u003cbr\u003eSymphony No. 92 in G major, Hob. I:92 ‘Oxford’\u003cbr\u003eSymphony No. 104 in D major, Hob. I:104 ‘London’\u003cbr\u003e\u003cbr\u003eCD 13\u003cbr\u003eSymphony No. 94 in G major, Hob. I:94 ‘mit dem Paukenschlag’ (Surprise)\u003cbr\u003eSymphony No. 96 in D major, Hob. I:96 ‘The Miracle’\u003cbr\u003e\u003cbr\u003eCD 14\u003cbr\u003eSymphony No. 99 in E flat major, Hob. I:99\u003cbr\u003eSymphony No. 102 in B flat major, Hob. I:102\u003cbr\u003e\u003cbr\u003eCD 15\u003cbr\u003eSymphony No. 100 in G major, Hob. I:100 ‘Militaire’ (Military)\u003cbr\u003eSymphony No. 103 in E flat major, Hob. I:103 ‘mit dem Paukenwirbel’ (Drum Roll).\u003c\/p\u003e","brand":"Neville Marriner","offers":[{"title":"Default Title","offer_id":40990615961791,"sku":"4843214","price":99.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/neville-marriner-haydn-symphonies-15cd-cvr.jpg?v=1636335349"},{"product_id":"hans-knappertsbusch-the-opera-edition-19cd","title":"Hans Knappertsbusch The Opera Edition (19CD)","description":"\u003cp\u003eThis Original Jackets collection offers the opportunity to celebrate the art of Hans Knappertsbusch, held in the deepest affection by many of the musicians and singers who worked with him. He was considered by many as High Priest of Bayreuth, and accordingly this edition includes his 1951 and 1962 Bayreuth traversals of Parsifal as well as the heartwarming Vienna Meistersinger of 1950–51, the Munich Fidelio of 1961 and several highlights with notable opera stars of his time.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCDs 1–2\u003cbr\u003eBEETHOVEN\u003cbr\u003eFidelio\u003cbr\u003eJan Peerce, Sena Jurinac, Deszö Ernster\u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr\u003eWAGNER\u003cbr\u003eTristan und Isolde (excerpts)\u003cbr\u003eBirgit Nilsson, Grace Hoffman\u003c\/p\u003e\n\u003cp\u003eCD 4\u003cbr\u003eWAGNER\u003cbr\u003eDie Walküre (Act I)\u003cbr\u003eKirsten Flagstad, Set Svanholm, Arnold van Mill\u003c\/p\u003e\n\u003cp\u003eCDs 5–8\u003cbr\u003eWAGNER\u003cbr\u003eDie Meistersinger von Nürnberg\u003cbr\u003ePaul Schöffler, Hilde Gueden, Günther Treptow, Karl Dönch\u003c\/p\u003e\n\u003cp\u003eCDs 9–12\u003cbr\u003eWAGNER\u003cbr\u003eParsifal\u003cbr\u003eBayreuth, 1951\u003cbr\u003eWolfgang Windgassen, George London, Hermann Uhde, Martha Mödl\u003c\/p\u003e\n\u003cp\u003eCDs 13–16\u003cbr\u003eWAGNER\u003cbr\u003eParsifal\u003cbr\u003eBayreuth, 1962\u003cbr\u003eJess Thomas, George London, Gustav Neidlinger, Irene Dalis\u003c\/p\u003e\n\u003cp\u003eCD 17\u003cbr\u003eKirsten Flagstad sings Wagner\u003c\/p\u003e\n\u003cp\u003eCD 18\u003cbr\u003eGeorge London sings Wagner\u003c\/p\u003e\n\u003cp\u003eCD 19\u003cbr\u003eRICHARD STRAUSS\u003cbr\u003eDer Rosenkavalier\u003cbr\u003eWAGNER\u003cbr\u003eTannhäuser\u003cbr\u003eDie Meistersinger von Nürnberg\u003cbr\u003e(excerpts)\u003cbr\u003eMaria Reining, Paul Schöffler\u003c\/p\u003e\n\u003cp\u003eMONO: CDs 5–12, 19\u003cbr\u003eSTEREO: CDs 1–4, 13–18\u003c\/p\u003e","brand":"Hans Knappertsbusch","offers":[{"title":"Default Title","offer_id":41049518506175,"sku":"4841800","price":99.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/hans-knappertsbuschv2.png?v=1638227809"},{"product_id":"benny-andersson-piano-exclusive-gold-vinyl-2lp","title":"Piano - Exclusive Gold Vinyl (2LP)","description":"\u003cp\u003eDeutsche Grammophon launch a gold vinyl edition of Benny Andersson’s phenomenal global hit album \u003cem\u003ePiano\u003c\/em\u003e (from 2017). Legendary ABBA songwriter and co-founder to release career spanning 13-track solo piano album via Deutsche Grammophon the concept is an instrumental piano album, featuring Benny playing songs spanning his entire career, including those from ABBA, songs from his musicals and beautiful, emotional solo work. \u003cem\u003ePiano\u003c\/em\u003e takes listeners on a 13-track journey through his acclaimed and celebrated career as songs from ABBA, his musicals and other solo-compositions are re-interpreted as you have never heard them before, performed unaccompanied by just Benny himself, on his trusted grand piano. The album was recorded with Linn Fijal, engineer and studio manager at his own rmv studios, on the island of Skeppsholmen, in the heart of his hometown Stockholm.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cspan\u003eLP 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. I Let The Music Speak\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. You And I\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Aldrig\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Thank You For The Music\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Stockholm By Night\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Chess\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. The Day Before You Came\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Someone Else’s Story\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Midnattsdans\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Malarskolan\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLP 2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. I Wonder (Departure)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Embassy Lament\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Anthem\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. My Love, My Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Mountain Duet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Flickornas Rum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Efter Regnet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Tröstevisa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. En Skrift I Snön\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Happy New Year\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. I Gott Bevar\u003c\/span\u003e","brand":"Benny Andersson","offers":[{"title":"Default Title","offer_id":41107813171391,"sku":"4862060","price":89.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/benny-andersson-piano-exclusive-gold-vinyl-2lp.jpg?v=1638909834"},{"product_id":"yannick-nezet-seguin-florence-price-symphonies-nos-1-3-cd-florence-price-symphonies-nos-1-3-cd","title":"Florence Price: Symphonies Nos 1 \u0026 3 (CD)","description":"\u003cp\u003eFlorence Price's \u003cem\u003eSymphony No. 1\u003c\/em\u003e was the first symphonic work by a black woman to be played by a large American orchestra in 1933. Infused with American folk music, spirituals, and hymns, this acclaimed work reflects the experiences of a black woman who grew up in the South after the Civil War.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eCommissioned by the Federal Music Project at the height of the Great Depression, Florence Price composed her \u003cem\u003eThird Symphony\u003c\/em\u003e in the midst of the Chicago Renaissance, which provided a powerful setting for writers and artists such as Langston Hughes, Richard Wright and Margaret Bonds. Price's engaging \u003cem\u003eThird Symphony\u003c\/em\u003e reflects her development as a composer who, compared to her more traditional \u003cem\u003eFirst Symphony\u003c\/em\u003e, takes more risks, employs modern techniques, and expands emotional elements.\u003c\/p\u003e\n\u003cp\u003eAfter her death, however, her work was forgotten, an important chapter in American music that has only recently been rediscovered. By researching their rediscovered compositions in concerts and in the studio, Yannick Nézet-Séguin and the Philadelphia Orchestra want to help restore Price to her rightful place as one of the most important American composers of the 20th century.\u003c\/p\u003e\n\u003cp\u003eThe two symphonies, played by the Philadelphia Orchestra under the baton of Yannick Nézet-Séguin, were recorded at the Verizon Hall of the Kimmel Center for the Performing Arts in Philadelphia in early 2021.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eSymphony in E minor No. 1\u003c\/p\u003e\n\u003cp\u003eAllegro ma non troppo\u003cbr\u003eLargo, maestoso\u003cbr\u003eJuba Dance\u003cbr\u003eFinale\u003c\/p\u003e\n\u003cp\u003eSymphony in C minor No. 3\u003c\/p\u003e\n\u003cp\u003eAndante\u003cbr\u003eAndante ma non troppo\u003cbr\u003eJuba: Allegro\u003cbr\u003eScherzo: Finale\u003c\/p\u003e","brand":"Yannick Nezet-Seguin","offers":[{"title":"Default Title","offer_id":41112281809087,"sku":"4862029","price":21.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/yannick-nezet-seguin-florence-price-symphonies-no-1_3-cd.jpg?v=1639003423"},{"product_id":"joan-sutherland-romantic-french-arias-2cd","title":"Romantic French Arias (2CD)","description":"\u003cp\u003eOne of Dame Joan Sutherland’s own favourite recordings, long unavailable on its own, reissued with additional material recorded at the Geneva sessions, with rarely seen photographs and a new booklet introduction.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eFew vocal recital albums – sung by her or anyone else – demonstrate the thrill of that encounter as vividly as this one. Showpieces from Auber’s Fra Diavolo, Offenbach’s Robinson Crusoé and Meyerbeer’s L’Étoile du nord in particular require and receive an astonishing agility, lightness of touch, security of register and delicacy of temperament. Sutherland is in spectacular form and at the pinnacle of her virtuosic powers, making every cadenza, arpeggio and high note sound not only effortless but always beautiful in some of the most exquisite and technically demanding French arias ever written.\u003c\/p\u003e\n\u003cp\u003eThe original arias album is filled out by a short recital of French songs, recorded at the same sessions with Bonynge at the piano but only first published in 2004.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr data-mce-fragment=\"1\"\u003eJACQUES OFFENBACH (1819–1880)\u003cbr data-mce-fragment=\"1\"\u003eConduisez-moi vers celui que j’adore (Robinson Crusoé) \u003cbr data-mce-fragment=\"1\"\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr data-mce-fragment=\"1\"\u003eBellah ! ma chèvre chérie ! … Dors, petite (Dinorah) \u003cbr data-mce-fragment=\"1\"\u003eGUSTAVE CHARPENTIER (1860–1956)\u003cbr data-mce-fragment=\"1\"\u003eDepuis le jour (Louise) \u003cbr data-mce-fragment=\"1\"\u003eJACQUES OFFENBACH (1819–1880)\u003cbr data-mce-fragment=\"1\"\u003eDites-lui qu’on l’a remarqué, distingué (La Grande-Duchesse de Gérolstein) \u003cbr data-mce-fragment=\"1\"\u003eDANIEL-FRANÇOIS-ESPRIT AUBER (1782–1871)\u003cbr data-mce-fragment=\"1\"\u003eC’est l’histoire amoureuse (Manon Lescaut) \u003cbr data-mce-fragment=\"1\"\u003eNon temete milord … Or son sola (Fra Diavolo) \u003cbr data-mce-fragment=\"1\"\u003eGEORGES BIZET (1838–1875)\u003cbr data-mce-fragment=\"1\"\u003eMe voilà seule … Comme autrefois dans la nuit sombre (Les Pêcheurs de perles) \u003cbr data-mce-fragment=\"1\"\u003eJACQUES OFFENBACH (1819–1880)\u003cbr data-mce-fragment=\"1\"\u003eLes oiseaux dans la charmille ‘Doll Song’ (Les Contes d’Hoffmann) \u003cbr data-mce-fragment=\"1\"\u003eJULES MASSENET (1842–1912)\u003cbr data-mce-fragment=\"1\"\u003eAh ! que mes soeurs sont heureuses ! … Reste au foyer, petit grillon (Cendrillon) \u003cbr data-mce-fragment=\"1\"\u003eCHARLES GOUNOD (1818–1893)\u003cbr data-mce-fragment=\"1\"\u003eÔ légère hirondelle (Mireille) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2 \u003cbr data-mce-fragment=\"1\"\u003eJACQUES OFFENBACH (1819–1880)\u003cbr data-mce-fragment=\"1\"\u003eVous aimez le danger … Ah ! que j’aime les militaires ! (La Grande-Duchesse de Gérolstein) \u003cbr data-mce-fragment=\"1\"\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr data-mce-fragment=\"1\"\u003eC’est bien lui … La la la air chéri! (L’Étoile du Nord) \u003cbr data-mce-fragment=\"1\"\u003eCHARLES GOUNOD (1818–1893)\u003cbr data-mce-fragment=\"1\"\u003eCe Sarasin disait (Le Tribut de Zamora) \u003cbr data-mce-fragment=\"1\"\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr data-mce-fragment=\"1\"\u003eEn vain j’espère … Idole de ma vie (Robert le diable) \u003cbr data-mce-fragment=\"1\"\u003eCHARLES LECOCQ (1832–1918)\u003cbr data-mce-fragment=\"1\"\u003eUn soir Perez le capitaine (Le Cœur et la Main)\u003cbr data-mce-fragment=\"1\"\u003eVICTOR MASSÉ (1822–1884)\u003cbr data-mce-fragment=\"1\"\u003eAu bord du chemin qui passe à ma porte … Cette nuit, sur ma croisée (Les Noces de Jeannette) \u003cbr data-mce-fragment=\"1\"\u003eCHARLES GOUNOD (1818–1893)\u003cbr data-mce-fragment=\"1\"\u003eSi le bonheur (Faust) \u003cbr data-mce-fragment=\"1\"\u003eGEORGES BIZET (1838–1875)\u003cbr data-mce-fragment=\"1\"\u003eLa marguerite a fermé sa corolla … Ouvre ton cœur (Vasco da Gama) \u003cbr data-mce-fragment=\"1\"\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr data-mce-fragment=\"1\"\u003eVeille sur eux … Vaisseau que le flot balance (L’Étoile du Nord) \u003cbr data-mce-fragment=\"1\"\u003eJoan Sutherland, soprano\u003cbr data-mce-fragment=\"1\"\u003eChœur du Grand Théâtre de Genève\u003cbr data-mce-fragment=\"1\"\u003eOrchestre de la Suisse Romande\u003cbr data-mce-fragment=\"1\"\u003eRichard Bonynge\u003cbr data-mce-fragment=\"1\"\u003eCHARLES GOUNOD (1818–1893)\u003cbr data-mce-fragment=\"1\"\u003eSérénade \u003cbr data-mce-fragment=\"1\"\u003eGEORGES BIZET (1838–1875)\u003cbr data-mce-fragment=\"1\"\u003ePastorale \u003cbr data-mce-fragment=\"1\"\u003eJULES MASSENET (1842–1912)\u003cbr data-mce-fragment=\"1\"\u003eOh ! Si les fleurs avaient des yeux \u003cbr data-mce-fragment=\"1\"\u003eGABRIEL FAURÉ (1845–1924)\u003cbr data-mce-fragment=\"1\"\u003eLe Papillon et le Fleur \u003cbr data-mce-fragment=\"1\"\u003eLÉO DELIBES (1836–1891)\u003cbr data-mce-fragment=\"1\"\u003eLe Rossignol \u003cbr data-mce-fragment=\"1\"\u003eLes Filles de Cadiz\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoan Sutherland, soprano\u003cbr data-mce-fragment=\"1\"\u003eRichard Bonynge, piano\u003c\/p\u003e","brand":"Joan Sutherland","offers":[{"title":"Default Title","offer_id":41285628526783,"sku":"4844321","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/joan-sutherland-romantic-french-arias-2cd.jpg?v=1643945117"},{"product_id":"joan-sutherland-the-art-of-prima-donna-2cd","title":"The Art of Prima Donna (2CD)","description":"\u003cp\u003eSutherland’s sensational debut recital album, long unavailable on its own, reissued with photographs and rarely seen costume designs for the soprano’s signature roles.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eWhen these recordings first appeared, Joan Sutherland was on the brink of a spectacular international career; just behind her was the sensation of her Royal Opera debut in \u003cem\u003eLucia di Lammermoor\u003c\/em\u003e, early in 1959, by the end of which she had operatic London at her feet. Initially released as a pair of albums but soon enough compiled together, they were made in Kingsway Hall in the summer of 1959, and they caused a stir all of their own.\u003c\/p\u003e\n\u003cp\u003eThis was due not only to the extraordinary focus of Sutherland’s soprano, her fearlessly assured negotiation of wide intervals and her immaculate breath control, but to the carefully chosen repertoire which, as the titling informed its first listeners, was conceived as a homage to the art of soprano singing and some of its outstanding representatives.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr\u003eTHOMAS ARNE (1710–1778)\u003cbr\u003eThe soldier tir’d of war’s alarms (Artaxerxes) \u003cbr\u003e\u003cbr\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr\u003eLet the Bright Seraphim (Samson) \u003cbr\u003e\u003cbr\u003eVINCENZO BELLINI (1801–1835)\u003cbr\u003eSediziose voci … Casta Diva … Ah! bello a me ritorna (Norma) \u003cbr\u003eSon vergin vezzosa (I puritani)\u003cbr\u003e\u003cbr\u003eGIOACHINO ROSSINI (1792–1868)\u003cbr\u003eBel raggio lusinghier (Semiramide) \u003cbr\u003e\u003cbr\u003eVINCENZO BELLINI (1801–1835)\u003cbr\u003eO rendetemi la speme … Qui la voce … Vien, diletto (I puritani) \u003cbr\u003eCare compagne, e voi, tenere amici (La sonnambula) \u003cbr\u003e\u003cbr\u003eCHARLES GOUNOD (1818–1893)\u003cbr\u003eO Dieu ! que de bijoux … Ah ! je ris de me voir ‘Jewel Song’ (Faust) \u003cbr\u003e\u003cbr\u003eCD 2 \u003cbr\u003eCHARLES GOUNOD (1818–1893)\u003cbr\u003eAh ! Je veux vivre ‘Waltz Song’ (Roméo et Juliette) \u003cbr\u003e\u003cbr\u003eGIUSEPPE VERDI (1813–1901)\u003cbr\u003eMia madre aveva una povera ancella … Piangea cantando ‘Willow Song’ (Otello) \u003cbr\u003e\u003cbr\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr\u003eMartern aller Arten (Die Entführung aus dem Serail) \u003cbr\u003e\u003cbr\u003eGIUSEPPE VERDI (1813–1901)\u003cbr\u003eE’ strano! … Ah, fors’è lui … Sempre libera (La traviata) \u003cbr\u003e\u003cbr\u003eAMBROISE THOMAS (1811–1896)\u003cbr\u003eA vos jeux, mes amis, permettez-moi (Mad scene) (Hamlet) \u003cbr\u003e\u003cbr\u003eLÉO DELIBES (1836–1891)\u003cbr\u003eAh ! Où va la jeune Indoue ? (Bell Song) (Lakmé) \u003cbr\u003e\u003cbr\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr\u003eO beau pays de la Touraine ! (Les Huguenots) \u003cbr\u003e\u003cbr\u003eGIUSEPPE VERDI (1813–1901)\u003cbr\u003eGualtier Maldè … Caro nome (Rigoletto) \u003cbr\u003e\u003cbr\u003eJoan Sutherland, soprano\u003cbr\u003eHarry Dilley, trumpet (Let the Bright Seraphim)\u003cbr\u003eChorus \u0026amp; Orchestra of the Royal Opera House, Covent Garden\u003cbr\u003eFrancesco Molinari-Pradelli\u003c\/p\u003e","brand":"Joan Sutherland","offers":[{"title":"Default Title","offer_id":41285628559551,"sku":"4844325","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/joan-sutherland-the-art-of-the-prima-donna-2cd.jpg?v=1643945077"},{"product_id":"joan-sutherland-the-age-of-bel-canto-2cd","title":"The Age of Bel Canto (2CD)","description":"\u003cp\u003eA groundbreaking Decca album celebrating the glory of both bel canto and the voice of Sutherland in her prime, long unavailable on its own, reissued complete with a booklet introduction from Richard Bonynge.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003e\"What is bel canto?\" Sutherland rhetorically asked the readers of High Fidelity in a 1961 article. \"I believe that it is the essence of opera.\" She and her husband, the conductor Richard Bonynge, had some years previously determined to explore and revive the repertoire of an operatic tradition stretching from Handel to Bellini which had in the previous century become almost forgotten. With their performances and Decca recordings, they placed themselves in the vanguard of this revival. \"I am sure that today we are on the verge of a wonderful new era of singing, and that the opera audience wants more than ever to hear great singing.\"\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr\u003eNICCOLÒ PICCINNI (1728–1800)\u003cbr\u003eFuria di donna irata (La buona figliuola) \u003cbr\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr\u003eCare selve (Atalanta) \u003cbr\u003eGIOVANNI BATTISTA LAMPUGNANI (1706–1786)\u003cbr\u003eSuperbo di me stesso (Meraspe) \u003cbr\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr\u003eWith plaintive note (Samson) \u003cbr\u003eHence, Iris, hence away (Semele) \u003cbr\u003eGIOVANNI BONONCINI (1670–1747)\u003cbr\u003eMio caro ben (Astarto) \u003cbr\u003eTHOMAS ARNE (1710–1778)\u003cbr\u003eOh! too lovely (Artaxerxes) \u003cbr\u003eWILLIAM SHIELD (1748–1829)\u003cbr\u003eLight as thistledown (Rosina) \u003cbr\u003eWhen William at eve (Rosina) \u003cbr\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr\u003eVoi che fausti ognor donate (Il re pastore) \u003cbr\u003eO zittre nicht, mein Lieber Sohn! … Zum Leiden bin ich auserkoren (Die Zauberflöte) \u003cbr\u003eIch baue ganz auf deine Stärke (Die Entführung aus dem Serail) \u003cbr\u003eFRANÇOIS-ADRIEN BOIELDIEU (1775–1834)\u003cbr\u003eMa Fanchette est charmante (Angéla) \u003cbr\u003e\u003cbr\u003eCD 2 \u003cbr\u003eGIOACHINO ROSSINI (1792–1868)\u003cbr\u003eSerbami ognor sì fido (Semiramide) \u003cbr\u003eDANIEL-FRANÇOIS-ESPRIT AUBER (1782–1871)\u003cbr\u003eFerme tes yeux (La Muette de Portici) \u003cbr\u003eCARL MARIA VON WEBER (1786–1826)\u003cbr\u003eUnd ob die Wolke sie verhülle (Der Freischütz)\u003cbr\u003eVINCENZO BELLINI (1801–1835)\u003cbr\u003eAngiol di pace (Beatrice di Tenda) \u003cbr\u003eGAETANO DONIZETTI (1797–1848)\u003cbr\u003eTornami a dir che m’ami (Don Pasquale) \u003cbr\u003eGAETANO DONIZETTI (1797–1848)\u003cbr\u003eIl segreto per esser felici (Lucrezia Borgia) \u003cbr\u003eGIUSEPPE VERDI (1813–1901)\u003cbr\u003eSanto di patria … Allor che i forti corrono … Da te questo or m’è concesso (Attila) \u003cbr\u003eVINCENZO BELLINI (1801–1835)\u003cbr\u003eUn ritratto? … Sventurato il cor che fida (La straniera) \u003cbr\u003eGIOACHINO ROSSINI (1792–1868)\u003cbr\u003eCavatina: Ecco, ridente in cielo (Il barbiere di Siviglia) \u003cbr\u003eLUIGI ARDITI (1822–1903)\u003cbr\u003eBolero \u003cbr\u003e\u003cbr\u003eJoan Sutherland, soprano\u003cbr\u003eMarilyn Horne, mezzo-soprano\u003cbr\u003eRichard Conrad, tenor\u003cbr\u003eNew Symphony Orchestra of London (CD 1)\u003cbr\u003eLondon Symphony Chorus and Orchestra (CD 2)\u003cbr\u003eRichard Bonynge\u003c\/p\u003e","brand":"Joan Sutherland","offers":[{"title":"Default Title","offer_id":41285628592319,"sku":"4844328","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/joan-sutherland-the-age-of-bel-canto-2cd.jpg?v=1643945327"},{"product_id":"wolfgang-holzmair-the-philips-recitals-13cd","title":"Wolfgang Holzmair - The Philips Recitals (13CD)","description":"\u003cp\u003eFrom Haydn to Eisler: the collected Philips recordings of Wolfgang Holzmair, a supreme art-song interpreter, including many long-deleted albums.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eWolfgang Holzmair has long been recognised as one of today’s most accomplished and intelligent Lieder singers. He brings a refinement and subtlety to his performances worthy of the great German Lieder baritones, but it is the silky elegance of his voice that has always seduced listeners and critics: the golden, tenorial top as well as his rich, soulful lower register. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn celebration of his 70th birthday, this set brings together his complete Philips recitals for the first time, as well as his 1995 recording for \u003cem\u003eKoch of the Hollywood Songbook\u003c\/em\u003e by Hanns Eisler. The box is ordered by musical chronology, beginning with the folksong-like simplicity of Haydn’s solo-vocal idiom, a quartet of exquisite Mozart Lieder and the Beethoven cycle – An die ferne Geliebte – that became the keystone for the Romantic artsong tradition.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eAdelaïde, Op. 46 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003eDas Veilchen \u003cbr data-mce-fragment=\"1\"\u003eAn Chloë \u003cbr data-mce-fragment=\"1\"\u003eDas Traumbild \u003cbr data-mce-fragment=\"1\"\u003eDie betrogene Welt \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSEPH HAYDN (1732–1809)\u003cbr data-mce-fragment=\"1\"\u003eLob der Faulheit \u003cbr data-mce-fragment=\"1\"\u003eGegenliebe \u003cbr data-mce-fragment=\"1\"\u003eTrost unglücklicher Liebe \u003cbr data-mce-fragment=\"1\"\u003eDie zu späte Ankunft der Mutter \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003eKleine deutsche Kantate: Die ihr unermesslichen Weltalls Schöpfer ehrt \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSEPH HAYDN (1732–1809)\u003cbr data-mce-fragment=\"1\"\u003eO tuneful voice \u003cbr data-mce-fragment=\"1\"\u003eSailor’s Song \u003cbr data-mce-fragment=\"1\"\u003eSympathy \u003cbr data-mce-fragment=\"1\"\u003eThe Spirit’s Song \u003cbr data-mce-fragment=\"1\"\u003eFidelity \u003cbr data-mce-fragment=\"1\"\u003eContent \u003cbr data-mce-fragment=\"1\"\u003ePiercing Eyes \u003cbr data-mce-fragment=\"1\"\u003eShe never told her love \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eAn die ferne Geliebte, Op. 98 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2 \u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eFOLK SONGS\u003cbr data-mce-fragment=\"1\"\u003eThe sweetest lad was Jamie \u003cbr data-mce-fragment=\"1\"\u003eAgain, my Lyre \u003cbr data-mce-fragment=\"1\"\u003eWaken Lords and Ladies gay \u003cbr data-mce-fragment=\"1\"\u003eOh! Who, my dear Dermot \u003cbr data-mce-fragment=\"1\"\u003eThe Elfin Fairies \u003cbr data-mce-fragment=\"1\"\u003eFaithfu’ Johnie \u003cbr data-mce-fragment=\"1\"\u003eThe Deserter \u003cbr data-mce-fragment=\"1\"\u003eWhen mortals all to rest retire \u003cbr data-mce-fragment=\"1\"\u003eCome fill, fill, my good fellow \u003cbr data-mce-fragment=\"1\"\u003eThe kiss, dear Maid, thy lip has left \u003cbr data-mce-fragment=\"1\"\u003eWhen far from the home \u003cbr data-mce-fragment=\"1\"\u003eMorning a cruel turmoiler is \u003cbr data-mce-fragment=\"1\"\u003eSunset \u003cbr data-mce-fragment=\"1\"\u003eOh! Sweet were the hours \u003cbr data-mce-fragment=\"1\"\u003eCupid’s kindness \u003cbr data-mce-fragment=\"1\"\u003eOn the massacre of Glencoe \u003cbr data-mce-fragment=\"1\"\u003eThe Return to Ulster \u003cbr data-mce-fragment=\"1\"\u003eThe Pulse of an Irishman \u003cbr data-mce-fragment=\"1\"\u003eThe Parting Kiss \u003cbr data-mce-fragment=\"1\"\u003eGood Night \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eTrio Fontenay\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3 \u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT (1797–1828)\u003cbr data-mce-fragment=\"1\"\u003eDie schöne Müllerin, D.795 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4 \u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT (1797–1828)\u003cbr data-mce-fragment=\"1\"\u003eWinterreise, D.911 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5 \u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT (1797–1828)\u003cbr data-mce-fragment=\"1\"\u003eSchwanengesang, D.957 \u003cbr data-mce-fragment=\"1\"\u003e5 Seidl-Lieder\u003cbr data-mce-fragment=\"1\"\u003eDie Taubenpost \u003cbr data-mce-fragment=\"1\"\u003eDer Wanderer an den Mond, D.870 \u003cbr data-mce-fragment=\"1\"\u003eSehnsucht, D.879 \u003cbr data-mce-fragment=\"1\"\u003eIrdisches Glück, D.866 No. 4\u003cbr data-mce-fragment=\"1\"\u003eWiderspruch, D.865 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e9 Rellstab-Lieder\u003cbr data-mce-fragment=\"1\"\u003eLebensmut, D.937 \u003cbr data-mce-fragment=\"1\"\u003eLiebesbotschaft \u003cbr data-mce-fragment=\"1\"\u003eKriegers Ahnung \u003cbr data-mce-fragment=\"1\"\u003eFrühlingssehnsucht \u003cbr data-mce-fragment=\"1\"\u003eStändchen \u003cbr data-mce-fragment=\"1\"\u003eAufenthalt \u003cbr data-mce-fragment=\"1\"\u003eHerbst, D.945 \u003cbr data-mce-fragment=\"1\"\u003eIn der Ferne \u003cbr data-mce-fragment=\"1\"\u003eAbschied \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e6 Heine-Lieder\u003cbr data-mce-fragment=\"1\"\u003eDer Atlas \u003cbr data-mce-fragment=\"1\"\u003eIhr Bild \u003cbr data-mce-fragment=\"1\"\u003eDas Fischermädchen \u003cbr data-mce-fragment=\"1\"\u003eAm Meer \u003cbr data-mce-fragment=\"1\"\u003eDie Stadt\u003cbr data-mce-fragment=\"1\"\u003eDer Doppelgänger \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2 Seidl-Lieder\u003cbr data-mce-fragment=\"1\"\u003eDie Taubenpost \u003cbr data-mce-fragment=\"1\"\u003eWiegenlied, D.867 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6 \u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eLieder auf Gedichte von Heinrich Heine\u003cbr data-mce-fragment=\"1\"\u003eMein Wagen rollet langsam, Op. 142 No. 4 \u003cbr data-mce-fragment=\"1\"\u003eDer arme Peter, Op. 53 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eDu bist wie eine Blume, Op. 25 No. 24 \u003cbr data-mce-fragment=\"1\"\u003eTragödie, Op. 64 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eLehn deine Wang, Op. 142 No. 2 \u003cbr data-mce-fragment=\"1\"\u003eWas will die einsame Träne, Op. 25 No. 21 \u003cbr data-mce-fragment=\"1\"\u003eDie Lotosblume, Op. 25 No. 7 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiederkreis, Op. 24 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDichterliebe, Op. 48 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7 \u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eZwölf Gedichte von Justinus Kerner, Op. 35 \u003cbr data-mce-fragment=\"1\"\u003eWidmung, Op. 25 No. 1 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eDie stille Lotosblume, Op. 13 No. 6 \u003cbr data-mce-fragment=\"1\"\u003eO Lust, O Lust, Op. 23 No. 6 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eDer Himmel hat eine Träne geweint, Op. 37 No. 1 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eGeheimes Flüstern hier und dort, Op. 23 No. 3 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eFreisinn, Op. 25 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eSie liebten sich beide, Op. 13 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856) \u003cbr data-mce-fragment=\"1\"\u003eVenetianisches Lied I, Op. 25 No. 17 \u003cbr data-mce-fragment=\"1\"\u003eVenetianisches Lied II, Op. 25 No. 18 \u003cbr data-mce-fragment=\"1\"\u003eDer Nuβbaum, Op. 25 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eAus dem Schenkenbuch im Divan I, Op. 25 No. 5 \u003cbr data-mce-fragment=\"1\"\u003eAus dem Schenkenbuch im Divan II, Op. 25 No. 6 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eAn einem lichten Morgen, Op. 23 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eIch hab’ in mich gesogen, Op. 37 No. 5 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eLiebeszauber, Op. 13 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eLiebst du um Schönheit, Op. 12 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eAus den ‘Östlichen Rosen’, Op. 25 No. 25 \u003cbr data-mce-fragment=\"1\"\u003eRose, Meer und Sonne, Op. 37 No. 9 \u003cbr data-mce-fragment=\"1\"\u003eZum Schluss, Op. 25 No. 26\u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eEICHENDORFF LIEDER \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN (1809–1847)\u003cbr data-mce-fragment=\"1\"\u003eDas Waldschloβ \u003cbr data-mce-fragment=\"1\"\u003ePagenlied, Op. posth. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT FRANZ (1815–1892)\u003cbr data-mce-fragment=\"1\"\u003eGute Nacht, Op. 5 No. 7 \u003cbr data-mce-fragment=\"1\"\u003eJagdlied, Op. 1 No. 9 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN (1809–1847)\u003cbr data-mce-fragment=\"1\"\u003eNachtlied, Op. 71 No. 6 \u003cbr data-mce-fragment=\"1\"\u003eWanderlied, Op. 57 No. 4 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eLiederkreis, Op. 39 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eARIBERT REIMANN (b. 1936)\u003cbr data-mce-fragment=\"1\"\u003eNachtstück \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHUGO WOLF (1860–1903)\u003cbr data-mce-fragment=\"1\"\u003eGedichte von Joseph v. Eichendorff \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eALEXANDER VON ZEMLINSKY (1871–1942)\u003cbr data-mce-fragment=\"1\"\u003eVor der Stadt \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eERICH WOLFGANG KORNGOLD (1897–1957)\u003cbr data-mce-fragment=\"1\"\u003eNachtwanderer, Op. 9 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHANS PFITZNER (1869–1949)\u003cbr data-mce-fragment=\"1\"\u003eIm Herbst, Op. 9 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eLockung, Op. 9 No. 4 \u003cbr data-mce-fragment=\"1\"\u003eZum Abschied meiner Tochter \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOTHMAR SCHOECK (1886–1957)\u003cbr data-mce-fragment=\"1\"\u003eNachruf \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9 \u003cbr data-mce-fragment=\"1\"\u003eERNST KRENEK (1900–1991)\u003cbr data-mce-fragment=\"1\"\u003eReisebuch aus den österreichischen Alpen, Op. 62 \u003cbr data-mce-fragment=\"1\"\u003eFiedellieder aus dem ‘Liederbuch dreier Freunde’, Op. 64 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eGérard Wyss, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10 \u003cbr data-mce-fragment=\"1\"\u003eHANNS EISLER (1898–1962)\u003cbr data-mce-fragment=\"1\"\u003eHollywood Songbook \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003ePeter Stamm, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 11 \u003cbr data-mce-fragment=\"1\"\u003eGABRIEL FAURÉ (1845–1924)\u003cbr data-mce-fragment=\"1\"\u003eShylock, Op. 57 (excerpts) \u003cbr data-mce-fragment=\"1\"\u003ePrison, Op. 83 No. 1 \u003cbr data-mce-fragment=\"1\"\u003eEn sourdine, Op. 58 No. 2 \u003cbr data-mce-fragment=\"1\"\u003ePoème d’un jour, Op. 21 \u003cbr data-mce-fragment=\"1\"\u003eLa Bonne Chanson, Op. 61 \u003cbr data-mce-fragment=\"1\"\u003eMirages, Op. 113 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHENRI DUPARC (1848–1933)\u003cbr data-mce-fragment=\"1\"\u003eSérénade 2’38\u003cbr data-mce-fragment=\"1\"\u003eChanson triste \u003cbr data-mce-fragment=\"1\"\u003eLe manoir de Rosemonde \u003cbr data-mce-fragment=\"1\"\u003eSoupir 3’11\u003cbr data-mce-fragment=\"1\"\u003eExtase 3’15\u003cbr data-mce-fragment=\"1\"\u003eL’invitation au voyage \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMAURICE RAVEL (1875–1937)\u003cbr data-mce-fragment=\"1\"\u003eCinq Mélodies populaires grecques \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eGérard Wyss, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 12 \u003cbr data-mce-fragment=\"1\"\u003eCHANSONS FRANÇAISES \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHECTOR BERLIOZ (1803–1869)\u003cbr data-mce-fragment=\"1\"\u003eLes Nuits d’été, Op. 7, H.81 (excerpts)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eERNEST CHAUSSON (1855–1899)\u003cbr data-mce-fragment=\"1\"\u003eLe Colibri, Op. 2 No. 7 \u003cbr data-mce-fragment=\"1\"\u003eLes Papillons, Op. 2 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eSérénade italienne, Op. 2 No. 5 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJACQUES IBERT (1890–1962)\u003cbr data-mce-fragment=\"1\"\u003eChanson à Dulcinée \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMAURICE RAVEL (1875–1937)\u003cbr data-mce-fragment=\"1\"\u003eDon Quichotte à Dulcinée, M.84 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJACQUES IBERT (1890–1962)\u003cbr data-mce-fragment=\"1\"\u003eChanson de la mort de Don Quichotte \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDE DEBUSSY (1862–1918)\u003cbr data-mce-fragment=\"1\"\u003eDeux Romances sur la poésie de Paul Bourget, L.79 \u003cbr data-mce-fragment=\"1\"\u003eTrois chansons de France, L.102 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHENRI DUPARC (1848–1933)\u003cbr data-mce-fragment=\"1\"\u003ePhidylé \u003cbr data-mce-fragment=\"1\"\u003eLamento\u003cbr data-mce-fragment=\"1\"\u003eLa vie antérieure \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEUGÈNE ANTHIOME (1836–1916)\u003cbr data-mce-fragment=\"1\"\u003eDeux melodies \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGABRIEL FAURÉ (1845–1924)\u003cbr data-mce-fragment=\"1\"\u003eLes berceaux, Op. 23 No. 1 \u003cbr data-mce-fragment=\"1\"\u003eL’Horizon chimérique, Op. 118 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eMaria Belooussova, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 13 \u003cbr data-mce-fragment=\"1\"\u003eJOHANNES BRAHMS (1833–1897)\u003cbr data-mce-fragment=\"1\"\u003eEin deutsches Requiem, Op. 45 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElizabeth Norberg-Schulz, soprano\u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eSan Francisco Symphony Chorus\u003cbr data-mce-fragment=\"1\"\u003eSan Francisco Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eHerbert Blomstedt\u003c\/p\u003e","brand":"Wolfgang Holzmair","offers":[{"title":"Default Title","offer_id":41304756355263,"sku":"4844474","price":89.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/wolfgang-holzmair-the-philips-recitals-13cd-cvr.jpg?v=1644524749"},{"product_id":"peter-hillier-johann-johannson-drone-mass-cd","title":"Jóhann Jóhannson: Drone Mass (CD)","description":"\u003cp\u003eThe previously unrecorded \u003cem\u003eDrone Mass\u003c\/em\u003e was described by its composer, the late Jóhann Jóhannsson, as “a contemporary oratorio”. Written for voices, string quartet and electronics, it was commissioned and premiered by the American Contemporary Music Ensemble, aka ACME, who toured and recorded with Jóhannsson for almost ten years. Now they have made the world premiere recording of this richly atmospheric work, in collaboration with Grammy Award-winning vocal ensemble Theatre of Voices, conducted by Paul Hillier, also a multiple Grammy Award-winner. The members of both ACME and Theatre of Voices worked closely with the composer many times, both in the studio and in multiple live performances and tours, before his untimely death.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. One is True\u003cbr\u003e2. Two is Apocryphal\u003cbr\u003e3. Triptych in Mass\u003cbr\u003e4. To Fold \u0026amp; Remain Dormant\u003cbr\u003e5. Divine Objects\u003cbr\u003e6. The Low Drone of Circulating Blood, Diminishes with Time\u003cbr\u003e7. Moral Vacuums\u003cbr\u003e8. Take the Night Air\u003cbr\u003e9. The Mountain View, the Majesty of the Snow-Clad Peaks, from a Place of Contemplation and Reflection\u003c\/p\u003e","brand":"Paul Hillier","offers":[{"title":"Default Title","offer_id":41347431694527,"sku":"4837418","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/paul-hillier-johann-johannson-drone-mass-cd_1.jpg?v=1645669634"},{"product_id":"mitsuko-uchida-beethoven-diabelli-variations-cd","title":"Beethoven: Diabelli Variations (CD)","description":"\u003cp\u003eMitsuko Uchida is an incomparable interpreter of the music of Beethoven, Mozart and Schubert. 6 years after her last album with Decca Classics, the pianist presents Beethoven's \u003cem\u003eDiabelli Variations\u003c\/em\u003e on her latest album. The \u003cem\u003eDiabelli Variations\u003c\/em\u003e, completed in 1823, are Ludwig van Beethoven's last major piano work and not only mark the pinnacle of his creations of variations, but are also among the most important and complex contributions to this art form.\u003c\/p\u003e\n\u003cp\u003eRecorded at Snape Maltings, one of the world's great concert halls with which Mitsuko feels a close affinity.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBeethoven: Diabelli Variations, Op. 120\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTema: Vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. I Alla Marcia maestoso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. II Poco Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. III L’istesso tempo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. IV Un poco più vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. V Allegro vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. VI Allegro ma non troppo e serioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. VII Un poco più Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. VIII Poco vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. IX Allegro pesante e risoluto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. X Presto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XI Allegretto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XII Un poco più moto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XIII Vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XIV Grave e maestoso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XV Presto scherzando\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XVI Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XVII Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XVIII Poco moderato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XIX Presto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XX Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXI Allegro con brio – Meno Allegro – Tempo I\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXII Allegro molto (Alla “Notte e giorno faticar” di Mozart)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXIII Allegro assai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXIV Fughetta: Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXV Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXVI (Piacevole)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXVII Vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXVIII AllegroSS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXIX Adagio ma non troppo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXX Andante, sempre cantabile\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXXI Largo, molto espressivo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXXII Fuga: Allegro – Poco Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVar. XXXIII Tempo di Minuetto, moderato\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMitsuko Uchida (piano)\u003c\/span\u003e\u003c\/p\u003e","brand":"Mitsuko Uchida","offers":[{"title":"Default Title","offer_id":41421878919359,"sku":"4852731","price":21.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/mitsuko-uchida-beethoven-diabelli-variations-cd.jpg?v=1647485729"},{"product_id":"grigory-sokolov-at-esterhazy-palace-2cd-bluray-video","title":"Grigory Sokolov at Esterhazy Palace (2CD+Bluray Video)","description":"\u003cp\u003eOne of today's great pianists performs in a venue steeped in history: Grigory Sokolov, whose every recital is storied, at the Haydnsaal of Schloss Esterhazy, Eisenstadt, where Joseph Haydn lived and worked for some three decades. Sokolov, \"the best the classical world has to offer\" (Der Spiegel), plays three Haydn sonatas, the Schubert Impromptus D 935, and a generous selection of encores, all in the spectacular hall in which Haydn himself would have performed countless times. His concert from September 2018 is now available as a combined pack with 2 CDs and a BluRay Video.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eJOSEPH HAYDN (1732–1809)\u003cbr\u003eSonata in G minor Hob. XVI:44\u003cbr\u003eModerato\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eAllegretto\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSonata in B minor Hob. XVI:32\u003cbr\u003eAllegro moderato\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eMenuetto – Trio (Minore)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eFinale. Presto\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSonata in C sharp minor Hob. XVI:36\u003cbr\u003eModerato\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eScherzando. Allegro con brio\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eMenuetto – Trio\u003c\/p\u003e\n\u003cp\u003eCD 2 \/ Blu-Ray Video\u003cbr\u003eFRANZ SCHUBERT (1797–1828)\u003cbr\u003eImpromptus D 935\u003cbr\u003eNo. 1 in F minor: Allegro moderato\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eNo. 2 in A flat major: Allegretto\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eNo. 3 in B flat major: Thema. Andante – Var. I–V\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eNo. 4 in F minor: Allegro scherzando\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEncores\u003cbr\u003eFRANZ SCHUBERT\u003cbr\u003eImpromptu in A flat major D 899\/4\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eJEAN-PHILIPPE RAMEAU (1683–1764)\u003cbr\u003eLe Rappel des oiseaux from Pièces de clavecin\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eFRANZ SCHUBERT\u003cbr\u003eHungarian Melody in B minor D 817\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr\u003ePrélude in D flat major “Raindrop” op. 28\/15\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eALEXANDER GRIBOYEDOV (1795–1829)\u003cbr\u003eWaltz in E minor\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eCLAUDE DEBUSSY (1862–1918)\u003cbr\u003eDes pas sur la neige L 117\/6 from Préludes, Book 1\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlu-Ray Video\u003cbr\u003eOpening\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eJOSEPH HAYDN (1732–1809)\u003cbr\u003eSonata in G minor Hob. XVI:44\u003cbr\u003eModerato\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eAllegretto\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSonata in B minor Hob. XVI:32\u003cbr\u003eAllegro moderato\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eMenuetto – Trio (Minore)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eFinale. Presto\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSonata in C sharp minor Hob. XVI:36\u003cbr\u003eModerato\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eScherzando. Allegro con brio\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eMenuetto – Trio\u003c\/p\u003e\n\u003cp\u003eFRANZ SCHUBERT (1797–1828)\u003cbr\u003eImpromptus D 935\u003cbr\u003eNo. 1 in F minor: Allegro moderato\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eNo. 2 in A flat major: Allegretto\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eNo. 3 in B flat major: Thema. Andante – Var. I–V\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eNo. 4 in F minor: Allegro scherzando\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEncores\u003cbr\u003eFRANZ SCHUBERT\u003cbr\u003eImpromptu in A flat major D 899\/4\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eJEAN-PHILIPPE RAMEAU (1683–1764)\u003cbr\u003eLe Rappel des oiseaux from Pièces de clavecin\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eFRANZ SCHUBERT\u003cbr\u003eHungarian Melody in B minor D 817\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr\u003ePrélude in D flat major “Raindrop” op. 28\/15\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eALEXANDER GRIBOYEDOV (1795–1829)\u003cbr\u003eWaltz in E minor\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003eCLAUDE DEBUSSY (1862–1918)\u003cbr\u003eDes pas sur la neige L 117\/6 from Préludes, Book 1\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eApplause \u0026amp; Credits\u003c\/p\u003e","brand":"Grigory Sokolov","offers":[{"title":"Default Title","offer_id":41421878984895,"sku":"4861849","price":39.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/grigory-sokolov-at-esterhazy-palace-2cd_blurayvideo.jpg?v=1647486122"},{"product_id":"netherlands-wind-ensemble-complete-philips-recordings-17cd","title":"Netherlands Wind Ensemble Complete Philips Recordings (17CD)","description":"\u003cp\u003eIssued complete for the first time, including several albums new to CD, is the Philips catalogue of the Netherlands Wind Ensemble – an ensemble that made a defining contribution to Dutch musical life in the 1970s.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThe Netherlands Wind Ensemble began life in 1959 as a wind quintet, but soon expanded to play Classical-era serenades and divertimenti which were hardly known at the time but have since been recognised and enjoyed as masterpieces of entertainment music, notably the Gran Partita of Mozart, the late Octet by Beethoven and the wonderful Octet-Partitas by his Viennese contemporary, Franz Krommer.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarting to record for Philips in 1968, the Netherlands Wind Ensemble immediately won critical praise for the technical precision of its playing as well as the brilliance and wit of its interpretations, whether led by its regular conductor Edo de Waart (himself a former oboist and member of the ensemble) or played as true chamber music. The ensemble made one of the first comprehensive recordings of Mozart’s wind music, including miniatures, no less delightful for their brevity and rarity, and a precious but little-known collaboration with the much-loved Dutch soprano Elly Ameling.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eMOZART \u003cbr data-mce-fragment=\"1\"\u003eDivertimenti KV 166, 240, 213, 252\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eDivertimenti KV 186, 253, 289\u003cbr data-mce-fragment=\"1\"\u003eAdagio KV 411\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eDivertimenti KV 196f, 270, 196e\u003cbr data-mce-fragment=\"1\"\u003eAdagio KV 410\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eSerenade KV 375\u003cbr data-mce-fragment=\"1\"\u003eSerenade KV 388 ‘Nacht Musik’\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eSerenade KV 361 ‘Gran Partita’\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 6–7\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eNotturni \u003cbr data-mce-fragment=\"1\"\u003eDivertimenti KV 439b\u003cbr data-mce-fragment=\"1\"\u003eDuos for two horns \u003cbr data-mce-fragment=\"1\"\u003eElly Ameling · Elisabeth Cooymans · Peter van der Bilt \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eMOZART (arr. Triebensee)\u003cbr data-mce-fragment=\"1\"\u003eDon Giovanni, KV 527\u003cbr data-mce-fragment=\"1\"\u003eDie Entführung aus dem Serail, KV 384\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eROSSINI (arr. Sedlak)\u003cbr data-mce-fragment=\"1\"\u003eIl barbiere di Siviglia\u003cbr data-mce-fragment=\"1\"\u003eOvertures\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eKROMMER\u003cbr data-mce-fragment=\"1\"\u003eOctet Partitas\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 11\u003cbr data-mce-fragment=\"1\"\u003eBEETHOVEN\u003cbr data-mce-fragment=\"1\"\u003eOctet ∙ March ∙ Rondino\u003cbr data-mce-fragment=\"1\"\u003eSextet ∙ Quintet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 12\u003cbr data-mce-fragment=\"1\"\u003eMARCHES FOR WIND ENSEMBLE\u003cbr data-mce-fragment=\"1\"\u003eC.P.E. Bach · Beethoven · Joseph Haydn · Michael Haydn · Rosetti · Vranický\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 13\u003cbr data-mce-fragment=\"1\"\u003eDVOŘÁK Wind Serenade\u003cbr data-mce-fragment=\"1\"\u003eGOUNOD Petite Symphonie\u003cbr data-mce-fragment=\"1\"\u003eSCHUBERT Minuet and Finale\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 14\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS\u003cbr data-mce-fragment=\"1\"\u003eSonatina ‘From an Invalid’s Workshop’\u003cbr data-mce-fragment=\"1\"\u003eSuite for 13 Wind Instruments\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 15\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS\u003cbr data-mce-fragment=\"1\"\u003eSymphony for Wind Instruments ‘The Happy Workshop’\u003cbr data-mce-fragment=\"1\"\u003eSerenade for Wind Instruments: Andante\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 16\u003cbr data-mce-fragment=\"1\"\u003eSTRAVINSKY\u003cbr data-mce-fragment=\"1\"\u003eConcerto for Piano and Wind Instruments \u003cbr data-mce-fragment=\"1\"\u003eEbony Concerto \u003cbr data-mce-fragment=\"1\"\u003eSymphonies of Wind Instruments · Octet\u003cbr data-mce-fragment=\"1\"\u003eTheo Bruins · George Pieterson · Edo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 17\u003cbr data-mce-fragment=\"1\"\u003eANTHEIL\u003cbr data-mce-fragment=\"1\"\u003eBallet Mécanique\u003cbr data-mce-fragment=\"1\"\u003eA Jazz Symphony\u003cbr data-mce-fragment=\"1\"\u003eViolin Sonatas\u003cbr data-mce-fragment=\"1\"\u003eReinbert de Leeuw ∙ Vera Beths\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSTEREO RECORDINGS · ADD\u003c\/p\u003e","brand":"Netherlands Wind Ensemble","offers":[{"title":"Default Title","offer_id":41460784758975,"sku":"4840240","price":112.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/netherlands-wind-ensemble-complete-philips-recordings-17cd.jpg?v=1648522589"},{"product_id":"hans-knappertsbusch-the-decca-and-westminster-bruckner-recordings-4cd","title":"Hans Knappertsbusch - The Decca \u0026 Westminster Bruckner Recordings (4CD)","description":"\u003cp\u003eNewly remastered and gathered under one roof for the first time, the Decca recordings of Hans Knappertsbusch conducting Bruckner: a legendary combination.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION \u003c\/p\u003e\n\u003cp\u003eFor record collectors in the 1950s and 60s, the names of Bruckner and Knappertsbusch (‘Kna’) were practically synonymous. At a time when the composer’s symphonies were routinely compared to Gothic cathedrals, the rough grandeur, steady pulse and towering climaxes of these readings marked out the conductor as an architect of symphonic majesty.\u003c\/p\u003e\n\u003cp\u003eKnappertsbusch began recording Bruckner for Decca in 1954, with the Third. The Fourth and Fifth quickly followed, also from Vienna, and then the Eighth arrived as an appendix from Munich, first issued on the Westminster label in 1963. By then the conductor’s readings of Romantic repertoire had become less impulsive, even more monumental in concept, but still lightened by a natural feeling for the dance rhythms in Bruckner’s scherzos and Ländler themes.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eANTON BRUCKNER (1824–1896)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003e1–4 Symphony No. 3 in D minor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003e1–4 Symphony No. 4 in E flat major ‘Romantic’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003e1–4 Symphony No. 5 in B flat major\u003cbr data-mce-fragment=\"1\"\u003e5 Symphony No. 8 in C minor (movement I)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003e1–3 Symphony No. 8 in C minor (movements II–IV)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker (Nos. 3, 4 \u0026amp; 5)\u003cbr data-mce-fragment=\"1\"\u003eMünchener Philharmoniker (No. 8)\u003cbr data-mce-fragment=\"1\"\u003eHans Knappertsbusch\u003c\/p\u003e","brand":"Hans Knappertsbusch","offers":[{"title":"Default Title","offer_id":41700613226687,"sku":"4828800","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/hans-knappertsbusch-the-decca-_-westminster-bruckner-recordings-4cd_1.jpg?v=1654719326"},{"product_id":"evgeny-kissin-the-salzburg-recital-2cd","title":"Evgeny Kissin The Salzburg Recital (2CD)","description":"\u003cp\u003eDeutsche Grammophon releases double-disc album of Evgeny Kissin’s sensational recital at last summer’s Salzburg Festival.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Salzburg Recital\u003c\/em\u003e builds dramatic tension across a compelling programme of music by Berg, Chopin, Gershwin and Khrennikov.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eAn adventurously idiosyncratic concert program, the first half of the recital uniting three early 20th-century composers from wholly contrary musical traditions: Austria, Russia and the United States.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second half of the recital is devoted entirely to the music of Frédéric Chopin on whom Kissin noted, “the longer I live, the more I feel that his music is closest to my heart”. After Alban Berg’s incredibly expressive Piano sonata, the rhythmic vitality and light-footedness of Gershwin’s Three Preludes for Piano with their vibes of Charleston, blues and foxtrot are standing next to the meditative nature of three of Chopin’s Impromptus and a brooding Nocturne. Kissin combined them most intriguingly with pieces of Russian composer Tikhon Khrennikov, showing the surprisingly modernist nature of his early compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA most memorable programme culminates in three encores containing Debussy’s “Clair de lun”, a composition of Kissin himself and one of Mendelssohn’s “Lieder ohne Worte”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvgeny Kissin is dedicating both the concert and the album to his beloved teacher\u003c\/p\u003e\n\u003cp\u003eAnna Pavlovna Kantor, who passed away days before the concert: “She was my only piano teacher, and everything I am able to do on the piano I owe to her.”\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eAlban Berg: Piano Sonata Op. 1\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTikhon Khrennikov: Three Pieces for Piano Op. 5: 3. Dance\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTikhon Khrennikov: Five pieces for piano Op. 2\u003cbr data-mce-fragment=\"1\"\u003eVivace\u003cbr data-mce-fragment=\"1\"\u003eAndante con moto\u003cbr data-mce-fragment=\"1\"\u003eModerato\u003cbr data-mce-fragment=\"1\"\u003eAndante\u003cbr data-mce-fragment=\"1\"\u003eAllegro\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGeorge Gershwin: Three Preludes\u003cbr data-mce-fragment=\"1\"\u003eAllegro ben ritmato e deciso\u003cbr data-mce-fragment=\"1\"\u003eAndante con moto e poco rubato\u003cbr data-mce-fragment=\"1\"\u003eAllegro ben ritmato e deciso\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrédéric Chopin: Nocturne in B major Op. 62, No. 1\u003cbr data-mce-fragment=\"1\"\u003eFrédéric Chopin: Impromptu in A-flat major Op. 29\u003cbr data-mce-fragment=\"1\"\u003eFrédéric Chopin: Impromptu in F-sharp major Op. 36\u003cbr data-mce-fragment=\"1\"\u003eFrédéric Chopin: Impromptu in G-flat major Op. 51\u003cbr data-mce-fragment=\"1\"\u003eFrédéric Chopin: Scherzo No. 1 in B minor Op. 20, Presto con fuoco\u003cbr data-mce-fragment=\"1\"\u003eFrédéric Chopin: Polonaise No. 6 In A-flat major Op. 53 ‘Heroic’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eENCORES:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFelix Mendelssohn Bartholdy: Songs without words Op. 38: 6. Andante con Moto in A Flat Major \"Duetto”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvgeny Kissin: Four Piano Pieces Op. 1: 2. Dodecaphonic Tango\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrédéric Chopin: Scherzo No. 2 in B flat minor Op. 31, Presto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eClaude Debussy: Suite bergamasque, L. 75: 3. Clair de lune\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrédéric Chopin: Etude Op. 25, No. 12 ‘Ocean’ (from Verbier) \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Evgeny Kissin","offers":[{"title":"Default Title","offer_id":41759391285439,"sku":"4862990","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/evgeny-kissin-the-salzburg-recital-2cd.jpg?v=1656412162"},{"product_id":"jonathan-tetelman-arias-cd","title":"Arias (CD)","description":"A mix of popular and rare arias by Verdi, Puccini, Giordano, Mascagni, Cilea and more.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his agile technique, dramatic eloquence and rich palette of vocal colours, Tetelman here inhabits a range of roles from the French and Italian repertoire.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This album creates a portrait of what I feel represents my path as an artist, combining a few lesser-known works with arias and duets for the romantic tenor voice.” - Jonathan Tetelman\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Jonathan Tetelman","offers":[{"title":"Default Title","offer_id":41799604502719,"sku":"4862927","price":24.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/jonathan-tetelman-arias-cd.jpg?v=1657755721"},{"product_id":"andrea-matteo-virginia-bocelli-a-family-christmas-exclusive-gold-lp","title":"A Family Christmas (Exclusive Gold LP)","description":"\u003cp\u003eThis holiday season, internationally renowned tenor Andrea Bocelli is teaming up with his 24-year-old son Matteo Bocelli and his 10-year-old daughter Virginia Bocelli for the their first ever album together,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Family Christmas\u003c\/em\u003e. The recording showcases their multi-generational musical talent in a range of festive favourites. “We are offering our small, intimate, and heartfelt gift to anyone who wishes to share in the soundtrack of Christmas in the Bocelli household,” the family says.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cem\u003eA Family Christmas\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecaptures the Bocelli festive spirit in full flow, with new renditions of traditional carols arranged for all three voices, including \"Away in a Manger\" and \"Joy To The World,\" plus popular Christmas tunes from around the world such as \"Feliz Navidad\" and \"Il Giorno Piu Speciale,\" another brand new track written by Federica Abbate, Cheope, Katoo and Andrea Bocelli. The trio of complementary voices intertwine and echo on the song \"Do You Hear What I Hear?,\" which provides a stirring opening to the album. Reflecting on their new album\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Family Christmas\u003c\/em\u003e, Matteo concludes, “Singing each of these songs together, sharing the emotions associated with a holiday that express familial warmth and love, was and will continue to be our personal gift, given and received, to be unwrapped under the tree, which we will cherish the rest of our lives.”\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n1. Do You Hear What I Hear (M, A \u0026amp; V)\u003cbr\u003e 2. Away in a Manger (M, A \u0026amp; V)\u003cbr\u003e 3. Feliz Navidad (M, A \u0026amp; V)\u003cbr\u003e 4. The First Noel (A)\u003cbr\u003e 5. Have Yourself a Merry Little Christmas (M\u0026amp;A)\u003cbr\u003e 6. Over the Rainbow (M, A \u0026amp; V)\u003cbr\u003e 7. Buon Natale (CMaj) (A)\u003cbr\u003e 8. Joy To The World (M, A \u0026amp; V)\u003cbr\u003e 9. The Greatest Gift (M, A \u0026amp; V)\u003cbr\u003e 10. When Christmas Comes to Town (V)\u003cbr\u003e 11. 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At the centrepiece of this collection are all of the original HBO albums released by Philips from 1991–96.\u003c\/p\u003e\n\u003cp\u003eFrom \u003cem\u003eGershwin\u003c\/em\u003e to \u003cem\u003eLigeti\u003c\/em\u003e, \u003cem\u003eThe Firebird\u003c\/em\u003e to \u003cem\u003eEdward Scissorhands\u003c\/em\u003e, The Hollywood Bowl Orchestra breathed new life into the orchestral ‘pops’ repertoire, told new stories and brought in new audiences when it was revived under the conductor John Mauceri in 1990.\u003c\/p\u003e\n\u003cp\u003eFrom the start, they played to capacity audiences at the Hollywood Bowl, where the Los Angeles Philharmonic had been giving concerts since 1922. Now reformed as a separate ensemble – ‘the world’s greatest pick-up band’, auditioned by Mauceri and his colleagues from freelancers across the West Coast – the new Hollywood Bowl Orchestra played a huge repertoire of classical, contemporary, film and Broadway, and recorded the highlights for Philips.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThe mastermind behind their artistic success and uniquely diverse repertoire was Mauceri, a protégé of Leonard Bernstein, who had long worked with equal success in opera, the symphony and musical theatre. Mauceri made the connections that link Holst and Ravel to John Williams and Hans Zimmer, the Korngold and Schoenberg of Vienna to their later identities in California. He showed in sound as well as word how ‘Golden Age’ Hollywood film scores developed from the world of European late-Romanticism and modernism.\u003c\/p\u003e\n\u003cp\u003eMauceri and his colleagues dug deep into studio libraries to unearth the best, the most original and complete scores available for pieces such as \u003cem\u003eThe King and I\u003c\/em\u003e and familiar ‘standards’ often heard in much later orchestrations. They worked with great singers from all backgrounds, including (featured in this set) Julia Andrews, Patti LuPone and Sylvia McNair. Each individual HBO album was curated by Mauceri to tell a familiar story – love scenes, nightmares, waltzes, the space age, the passing of a day – from an unexpected angle.\u003c\/p\u003e\n\u003cp\u003eThe box also includes Mauceri’s Decca albums of \u003cem\u003eMy Fair Lady\u003c\/em\u003e, starring Kiri Te Kanawa and Jeremy Irons, and ‘Schoenberg in Hollywood’ (part of the label’s Entartete Musik series). A booklet essay by Peter Quantrill traces the genesis of the revived Hollywood Bowl Orchestra through Mauceri’s reflections. Costa Pilavachi, who masterminded many of these recordings for Philips offers his own personal insights. 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This dates from October 1955, near the beginning of Decca’s stereo catalogue, whereas the rest of the compilation is taken from later recordings, up to September 1968 in the case of Lalo’s Scherzo.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eAnsermet died the following year, leaving behind a vast catalogue of recordings which document above all his idiomatic feeling and meticulous approach to the scores of the French and Swiss composers whom, in many cases, he knew personally: Debussy, Ravel, and Honegger among them. However, Ansermet was far too complete a musician to be restricted in his sympathies to music of his own heritage, and the rhythmic verve and brilliant attack he cultivated from the Suisse Romande orchestra particularly suits Russian music such as the showpieces by Stravinsky, Borodin, Prokofiev, Mussorgsky and Tchaikovsky items on this album. \u003cbr\u003e \u003cbr\u003eIndeed, the compilation stands as an ideal sampler to the extensive catalogue of the conductor’s work for Decca and systematically reissued by Eloquence. Over the course of 52 years, Ansermet made recordings tirelessly, at a rate of two sessions per year, often late into the night, when the OSR had completed its normal working day of rehearsals, concert or opera. His recorded legacy encompasses 296 works by 63 different composers from Bach to Frank Martin.Though his demeanour often appeared stern, his music-making could smile as well as dazzle. In works such as the Hungarian March, Espana or the Scherzo à la Russe he produced the music with a conjuror’s flourish worthy of Stokowski. With 17 tracks drawn from 11 separate recording sessions, even Ansermet aficionados will find something new here. A booklet appreciation of the conductor’s career is supplied by his biographer, François Hudry. \u003cbr\u003e \u003cbr\u003e\"Not all the pieces are, in origin, orchestral, and certainly not all of them are favourites. But they very soon might be, played and recorded like this… Ansermet gives very effective accounts… throughout the recorded sound is quite excellent.\" Gramophone, June 1956 (‘Orchestral Favourites’)\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eBERLIOZ Marche hongroise (La Damnation de Faust) \u003cbr\u003eCHABRIER España – Rhapsody for Orchestra \u003cbr\u003eCHABRIER Habanera \u003cbr\u003eRAVEL Alborada del gracioso\u003cbr\u003eDEBUSSY Clair de lune (orch. 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Liadov) \u003cbr\u003eTCHAIKOVSKY Waltz of the Flowers (The Nutcracker)\u003c\/p\u003e\n\u003cp\u003eL’Orchestre de la Suisse Romande\u003cbr\u003eErnest Ansermet\u003c\/p\u003e","brand":"Ernest Ansermet","offers":[{"title":"Default Title","offer_id":42789767774399,"sku":"4826158","price":12.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/Ernest-Ansermet-Ansermet-Encores-CD.png?v=1706832760"},{"product_id":"joel-ross-nublues-cd","title":"nublues (CD)","description":"\u003cp\u003eAcclaimed vibraphonist Joel Ross returns with the release of his remarkable album \u003cem\u003enublues\u003c\/em\u003e, a collection of ballads and blues as seen through the lens of one of the most creative modern jazz groups featuring Immanuel Wilkins, Jeremy Corren, Kanoa Mendenhall, and Jeremy Dutton, as well as special guest Gabrielle Garo. The band moves seamlessly across the blues-imbued musical terrain of this 10-track set which includes 7 new Ross originals and pieces by John Coltrane and Thelonious Monk.“\u003c\/p\u003e\n\u003cp\u003eI enjoyed the journey of diving into learning about the blues and understanding the history of the blues, really focusing on developing this band’s sound and band structure,” he says. “For me, it was just about the journey that came from getting into all of the information and figuring out what it was going to be. It’s a constant continuing. It's a snapshot into how we've continued to do the same thing we've been doing and how it's been shifting.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. Early\u003cbr\u003e2. Equinox\u003cbr\u003e3. Mellowdee\u003cbr\u003e4. Chant\u003cbr\u003e5. what am i waiting for?\u003cbr\u003e6. bach (God the Father in Eternity)\u003cbr\u003e7. nublues\u003cbr\u003e8. ya know?\u003cbr\u003e9. 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Without including later duplicate versions, this box compiles for the first time all the ASMF\/Marriner albums made for the Decca family of labels as well as Philips between 1961 and 1997, amounting to a comprehensive survey of the composer’s orchestral music, ornamented with Acis and Galatea, Messiah, Jephtha and the Coronation Anthems.\u003c\/p\u003e\n\u003cp\u003eCritics from the outset praised not just the energy of the Academy and Marriner in Handel’s Concerti grossi, but also their polish, at a time when period-instrument versions were technically unreliable. Soloists such as the oboist Roger Lord emerged naturally from an ensemble of soloists in the first place. A succession of keyboard players pays testament to the determination of Marriner to find a degree of authenticity in 18th-century music that worked practically for him and his colleagues. First of all his friend Thurston Dart, who researched the sources for much of the music played here, and the mercurial choir director and harpsichordist George Malcolm. In a later generation came Andrew Davis and Christopher Hogwood, the organist on the Argo Messiah which was recorded using his edition.\u003c\/p\u003e\n\u003cp\u003eAll the vocal works are cast from strength, including Elly Ameling and Philip Langridge in Messiah, Jill Gomez and Robert Tear in Acis and Galatea, and Anthony Rolfe Johnson and Emma Kirkby in Jephtha. Tear is also heard in a lesser-known 1969 album of German and English arias. From 1997, Dmitri Hvorostovsky is heard in Handel excerpts from his ‘Arie antiche’ album, testifying to the durability of a marriage between ensemble, conductor and composer which survived tumultuous artistic change.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003eMusic for the Royal Fireworks\u003cbr\u003eWater Music: Suites Nos. 1–3\u003c\/p\u003e\n\u003cp\u003eCD 2\u003cbr\u003eConcerti Grossi, Op. 3\u003c\/p\u003e\n\u003cp\u003eCD 3–5\u003cbr\u003eConcerti Grossi, Op. 6\u003c\/p\u003e\n\u003cp\u003eCD 6\u003cbr\u003eOboe Concertos; Recorder Concertos; \u003cbr\u003eBerenice; Solomon (excerpts)\u003cbr\u003eRoger Lord · Bernard Krainis\u003c\/p\u003e\n\u003cp\u003eCD 7–9\u003cbr\u003eOrgan Concertos\u003cbr\u003eGeorge Malcolm\u003c\/p\u003e\n\u003cp\u003eCD 10\u003cbr\u003eBallet Music – Alcina; Ariodante; Il pastor fido\u003c\/p\u003e\n\u003cp\u003eCD 11–12\u003cbr\u003eMessiah\u003cbr\u003eAmeling; Reynolds; Langridge; Howell\u003c\/p\u003e\n\u003cp\u003eCD 13–14\u003cbr\u003eAcis and Galatea; Arias\u003cbr\u003eGomez; Tear; Langridge; Luxon\u003c\/p\u003e\n\u003cp\u003eCD 15–17\u003cbr\u003eJephtha \u003cbr\u003eRolfe Johnson; Keyte; Esswood; Hodgson; Marshall; Kirkby\u003c\/p\u003e\n\u003cp\u003eCD 18 [Philips recordings]\u003cbr\u003eConcerto Grosso, HWV 318\u003cbr\u003eOverture, HWV 337\/338\u003cbr\u003eConcerti a due cori\u003cbr\u003eThe Arrival of the Queen of Sheba\u003c\/p\u003e\n\u003cp\u003eCD 19 [Philips recordings]\u003cbr\u003eCoronation Anthems\u003cbr\u003eJudas Maccabaeus (excerpts)\u003cbr\u003eArias\u003cbr\u003eMessiah (choruses)\u003cbr\u003eDmitri Hvorostovsky\u003c\/p\u003e","brand":"Neville Marriner","offers":[{"title":"Default Title","offer_id":42869951463615,"sku":"4845351","price":124.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/Handel-Marriner-The-Decca-Legacy-Box-Set.png?v=1708919359"},{"product_id":"orchestre-national-de-france-cristian-macelaru-enescu-symphonies-nos-1-3-3cd","title":"Enescu: Symphonies Nos. 1 - 3 (3CD)","description":"\u003cp\u003eCristian Măcelaru and the Orchestra National de France present the complete symphonies of Romania’s greatest composer, George Enescu (1881-1955). Also included are the much-loved Romanian Rhapsodies Nos. 1 and 2.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eAs well as being Romania’s greatest composer, George Enescu was a true Renaissance man – a violinist, conductor and teacher whose influence on what was then the younger generation of musicians was considerable: Yehudi Menuhin said of him that he would ‘always remain the Absolute by which I judge others’, while the Belgian violinist-composer Eugène Ysaÿe dedicated his Third Sonata for Solo Violin to Enescu as an act of homage. Enescu’s own considerable output includes three symphonies, all composed between 1905 and 1918, as well as the torsos of another two begun in 1935 and 1941 but still left unfinished at the time of his death in 1955.\u003c\/p\u003e\n\u003cp\u003e\"The five compositions presented here offer perfect examples of the artistic development of one of the greatest artists of the twentieth century. From the youthful brilliance of the Romanian Rhapsody No. 1 to the profound, ethereal, philosophical ending of the Third Symphony, one can discover and relive the journey of this great genius, and my personal hero, George Enescu\" says conductor Cristian Măcelaru.\u003c\/p\u003e\n\u003cp\u003eGRAMMY Award-winning conductor Cristian Măcelaru is Artistic Director of the George Enescu Festival and Competition, Music Director of the Orchestre National de France, Chief Conductor of the WDR Sinfonieorchester, Artistic Director and Principal Conductor of the Interlochen Center for the Arts’ World Youth Symphony Orchestra, and Music Director and Conductor of the Cabrillo Festival of Contemporary Music.\u003c\/p\u003e\n\u003cp\u003eAt the 2023 George Enescu Festival, his inaugural season as Artistic Director, Măcelaru conducted the George Enescu Philharmonic, WDR Sinfonieorchester and Orchestre National de France alongside the Romanian Youth Orchestra.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eGEORGE ENESCU\u003cbr\u003eSymphonies Nos. 1–3\u003cbr\u003eRomanian Rhapsodies, Op. 11 Nos. 1 \u0026amp; 2\u003c\/p\u003e","brand":"Orchestre National de France, Cristian Macelaru","offers":[{"title":"Default Title","offer_id":42971511914687,"sku":"4865505","price":53.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/files\/Orchestre-National-de-France-Cristian-Macelaru-Enescu-Symphonies-Nos-1-3-3-CD_2_3b76f805-728a-478b-bcc9-d866ea2372da.png?v=1711509752"}],"url":"https:\/\/classicsdirect.com.au\/collections\/autumn-sale-2026.oembed?page=4","provider":"Classics Direct","version":"1.0","type":"link"}