{"title":"Eloquence Sale","description":"\u003cp\u003eEloquence Sale collection.\u003c\/p\u003e","products":[{"product_id":"agnelle-bundervoet-complete-recordings-on-decca-france-2cd","title":"Complete Recordings on Decca France (2CD)","description":"\u003cp\u003eThree exceptionally rare Decca LPs of a much prized French pianist, newly remastered and released on CD for the first time.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eRheumatism forced Agnelle Bundervoët to retire from the platform at the peak of her career in the late 1950s, though she continued to pass on to her students at the Conservatoire of Versailles the beautifully defined articulation, mastery of high expressive contrasts, and remarkable rhythmic drive that distinguish the recordings of Schumann, Brahms and Liszt on this collection, which will attract the attention of all pianophiles. One of those students was Frédéric Gaussin, who contributes a personal memoir and authoritative survey of her life and career to this Eloquence collection. He remembers Bundervoët as a very demanding teacher: ‘implacable but fair, generous, an acute psychologist, a spiritual person, dispensing pieces, studies and writing exercises with the knowledge and far-sightedness of a world-class physician’.\u003c\/p\u003e\n\u003cp\u003eBorn in 1922, Bundervoët began to learn the piano at the age of four, and within three years she was enrolled at the conservatoire in Marseilles. She was accepted at the Paris Conservatoire by the age of ten, even though she was too young to undertake the formal program of study, but the pedagogue Lazare-Levy recognised her exceptional intellect, prodigious technique and innate musical gifts. She was awarded the conservatoire’s Premier Prix for six years in succession, and her talents extended beyond the piano to singing, organ playing and choir directing.\u003c\/p\u003e\n\u003cp\u003eHer first album, a Bach recital, was awarded a Grand Prix du Disque, but she was dissatisfied with the engineering of the Ducretet-Thomson recording; the trio of Decca albums (recorded in 1955–57) enjoys a far wider dynamic range and a much richer timbral palette, more faithfully capturing the elegance and refinement of her playing in the flesh. They hardly reflect the breadth of her repertoire, which took in much new music, but they now count as a precious testament to a notable if now little-known inheritor of the French piano tradition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The musical pleasures of Agnelle Bundervoët’s performance cannot be overstated … the poetic spell, the magic of contrasts, the visionary unity mark this interpretation with the seal of Schumannesque authenticity … The excellent recording, sympathetic to the quick reflexes of Agnelle Bundervoët, should appeal to all Schumann enthusiasts.\"\u003c\/em\u003e - Vie et Bonté, December 1956\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003eFRANZ LISZT (1811–1886)\u003c\/p\u003e\n\u003cp\u003e1 Rhapsodie espagnole, S.254\u003cbr\u003e2 Au bord d’une source (No. 4 of Années de pèlerinage, Première année: Suisse, S.160)\u003cbr\u003e3 Valse oubliée, S.215 No. 1\u003cbr\u003e4 Gnomenreigen (No. 2 of Études de concert, S.145)\u003c\/p\u003e\n\u003cp\u003eGrandes Études de Paganini, S.141\u003c\/p\u003e\n\u003cp\u003e5 No. 4 in E major (Arpeggio)\u003cbr\u003e6 No. 5 in E major (La Chasse)\u003cbr\u003e7 No. 6 in A minor (Theme and Variations)\u003c\/p\u003e\n\u003cp\u003e8 Mephisto Valse No. 1, S.514\u003c\/p\u003e\n\u003cp\u003eJOHANNES BRAHMS (1833–1897)\u003c\/p\u003e\n\u003cp\u003e9–35 Variations and Fugue on a theme by Handel, Op. 24\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003eJOHANNES BRAHMS (1833–1897)\u003c\/p\u003e\n\u003cp\u003e1 Rhapsody in B minor, Op. 79 No. 1\u003cbr\u003e2 Rhapsody in G minor, Op. 79 No. 2\u003cbr\u003e3 Rhapsody in E flat major, Op. 119 No. 4\u003c\/p\u003e\n\u003cp\u003eROBERT SCHUMANN (1810–1856)\u003c\/p\u003e\n\u003cp\u003e4–9 Intermezzi, Op. 4\u003c\/p\u003e\n\u003cp\u003e10 Toccata in C major, Op. 7\u003c\/p\u003e\n\u003cp\u003e11–17 Fantasiestücke, Op. 12\u003c\/p\u003e\n\u003cp\u003eAgnelle Bundervoët, piano\u003c\/p\u003e","brand":"Agnelle Bundervoet","offers":[{"title":"Default Title","offer_id":37768304165055,"sku":"4841507","price":11.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/agnelle-bundervoet-complete-recordings-on-decca-france-2cd.jpg?v=1608080894"},{"product_id":"alfredo-campoli-the-bel-canto-violin-vol-5-2cd","title":"Alfredo Campoli: The Bel Canto Violin - Vol. 5 (2CD)","description":"\u003cp\u003eCampoli in England and Scotland: his unmatched recording of the Elgar concerto, his little-known recording of Bruch's Scottish Fantasy and music by Bliss.\u003c\/p\u003e","brand":"Alfredo Campoli \/ London Philharmonic Orchestra \/ Adrian Boult","offers":[{"title":"Default Title","offer_id":37768304427199,"sku":"4825143","price":11.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/alfredo-campoli-the-bel-canto-violin-vol-5-2cd.jpg?v=1608078007"},{"product_id":"herbert-von-karajan-radetzky-march-marches-polkas-cd","title":"20 Favourite Marches (CD)","description":"\u003cp\u003eHerbert von Karajan turns his attention to the swaggering pomp of favourite marches by the ‘other’ Strauss family and many others in this good natured and emblazoned romp.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. JOHANN STRAUSS, Sr Radetzky March\u003cbr\u003e2. JOHANN STRAUSS,Jr Annen-Polka Perpetuum mobile Tritsch-Tratsch Polka Thunder and Lightning – Polka Egyptian March* Hunting – Polka Persian March Old Comrades*\u003cbr\u003e3. JOHANN SCHRAMMEL (arr. W. Schmidt-Petersen) Vienna forever*\u003cbr\u003e4. JULIUS FUCIK Florentine March*\u003cbr\u003e5. JOHANN \u0026amp; JOSEF STRAUSS Pizzicato Polka\u003cbr\u003e6. JOHANN STRAUSS, Jr (arr. M. Villinger) The Gypsy Baron: Entrance March\u003cbr\u003e7. FRANZ VON SUPPE Overture: Light Cavalry\u003cbr\u003e8. LUDWIG VAN BEETHOVEN (arr. J. Schade) York March*\u003cbr\u003e9. FERDINAND PREIS, after SUPPE (arr. L. Doblinger) You, my Austria*\u003cbr\u003e10. JOSEF FRANZ WAGNER (arr. K. Mosheimer) Under the Double Eagle*\u003cbr\u003e11. ANTON SEIFERT Carinthian March\u003cbr\u003e12. JOSEF FRANZ WAGNER (arr. S. Tanzer) Tirolean Woodcutters – March*\u003cbr\u003e13. KARL MUHLBERGER (arr. S. Tanzer) The Emperor’s Marksmen – March* Berlin Philharmonic Orchestra Winds of the BPO Herbert von Karajan\u003c\/p\u003e","brand":"Berliner Philharmoniker \/ Herbert von Karajan","offers":[{"title":"Default Title","offer_id":37768306950335,"sku":"4696502","price":5.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/herbert-von-karajan-radetzky-march-marches-_-polkas-cd.jpg?v=1608193283"},{"product_id":"charles-munch-the-legacy-of-charles-munch-box-set-14cd","title":"The Legacy of Charles Munch (14CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe inspirational French maestro on disc: an unrivalled retrospective, covering three decades of incandescent music-making, including recordings new to CD and long unavailable, newly remastered and comprehensively documented.\u003c\/span\u003e\u003c\/p\u003e","brand":"Charles Munch","offers":[{"title":"Default Title","offer_id":37768307933375,"sku":"4840219","price":53.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/charles-munch-the-legacy-of-charles-munch-box-set-14cd.jpg?v=1608288193"},{"product_id":"colin-davis-dvorak-symphonic-variations-cd","title":"Dvorak: Symphonic Variations; Serenade for Strings (CD)","description":"\u003cp\u003eAn original Philips album of two light-orchestral masterpieces by Dvorak, with the Serenade for Strings receiving a first international reissue on CD.\u003c\/p\u003e","brand":"Colin Davis","offers":[{"title":"Default Title","offer_id":37768308162751,"sku":"4829380","price":7.77,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/colin-Davis-Dvorak-Symphonic-Variations-cd.jpg?v=1608082136"},{"product_id":"danny-kaye-hans-christian-andersen-cd","title":"Hans Christian Andersen and Tubby the Tuba (CD)","description":"\u003cp\u003eHans Christian Andersen, the film, was produced in the spring of 1952 and released on 25 November in New York, with general release following in December that year. It was one of the top ten grossing films of the year, but was not well received in Andersen’s hometown of Odense, when it was released in Denmark in September 1953. It was nominated for six Academy Awards: Best Colour Cinematography, Best Art Direction and Set Decoration (Colour), Best Costume Design (Colour), Best Scoring of a Musical Picture (Walter Scharf), Best Song ('Thumbelina'), and Best Sound Recording. Decca (US) recorded the soundtrack in August that year and the songs were originally released as a series of four 78rpm singles, with two songs per disc, a 45rpm album, and a ten-inch LP.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eDanny Kaye took the lead, and when the album was reissued (on Decca and MCA) on a twelve-inch LP, four further tracks were added: Tubby the Tuba as well as its less-well-known sequel, Tubby the Tuba at the Circus, and two additional songs written by Kaye's wife, Sylvia Fine.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eHans Christian Andersen\u003cbr\u003eWords and Music by Frank Loesser (1910-1969)\u003c\/p\u003e\n\u003cp\u003e1. I’m Hans Christian Andersen\u003cbr\u003e2. Anywhere I Wander\u003cbr\u003e3. The Ugly Duckling\u003cbr\u003e4. The Inch Worm\u003cbr\u003e5. Thumbelina\u003cbr\u003e6. No Two People [with Jane Wyman]\u003cbr\u003e7. The King's New Clothes\u003cbr\u003e8. Wonderful Copenhagen\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDanny Kaye, vocals\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGordon Jenkins and his Chorus and Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e9. Tubby the Tuba\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusic by George Klensinger (1914-1982)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStory and Lyrics by Paul Tripp (1911-2002)\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e10. Tubby the Tuba at the Circus\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusic by George Klensinger (1914-1982)\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eStory and Lyrics by Paul Tripp (1911-2002)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e11. Uncle Pockets\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusic and Lyrics by Sylvia Fine (1913-1991)\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e12. There's a Hole in the Bottom of the Sea\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusic and Lyrics by Sylvia Fine (1913-1991)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDanny Kaye, vocals\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVictor Young and his Orchestra\u003c\/em\u003e\u003c\/p\u003e","brand":"Danny Kaye","offers":[{"title":"Default Title","offer_id":37768308719807,"sku":"4841361","price":7.77,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/danny-kaye-Hans-Christian-Andersen-cd.jpg?v=1608083082"},{"product_id":"dmitri-hvorostovsky-russian-folk-songs-2cd","title":"Russian Folk Songs (2CD)","description":"\u003cp\u003e\u003cem\u003e\"Russian folk culture is one the richest I know. In recent years, some of it lighter aspects have been commandeered by the entertainment and tourist industries: with this recording I wanted to go backwards and present songs I have so often heard - but never sung myself - in a direct and unvarnished, yet classical way. The songs I selected [for CD 1] I feel are truly Russian - many are melancholy, most are bittersweet, with the kind of mocking irony which counterbalances sentimentality. Two, I decided to sing alone, in honour of Chaliapin but in my own way. For the rest of this program I was privileged to work with the magnificent Ossipov Russian Folk Orchestra who live and breathe this music. They made me feel a welcome guest in repertoire far from my operatic home but very close to my heart.\"\u003c\/em\u003e - Dmitri Hvorostovsky\u003c\/p\u003e","brand":"Dmitri Hvorostovsky \/ St.Petersburg Chamber Choir \/ Nikolai Korniev","offers":[{"title":"Default Title","offer_id":37768309342399,"sku":"4800472","price":8.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/russian-folk-songs-cd.jpg?v=1608281194"},{"product_id":"george-malcolm-bach-goldberg-variations-cd","title":"Bach: Goldberg Variations (CD)","description":"\u003cp\u003eEndowed with a prodigious and versatile musical talent, the harpsichordist George Malcolm brought a consummate polish to both performance and recording.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003c\/p\u003e\n\u003cp\u003e1-32 Aria mit 30 Veränderungun, BWV 988 ‘Goldberg Variations’\u003c\/p\u003e\n\u003cp\u003eGeorge Malcolm, harpsichord\u003c\/p\u003e","brand":"George Malcolm","offers":[{"title":"Default Title","offer_id":37768310522047,"sku":"4828439","price":7.79,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/george-malcolm-bach-goldberg-variations-cd.jpg?v=1608078720"},{"product_id":"horst-stein-the-sibelius-recordings-3cd","title":"Horst Stein - The Sibelius Recordings (3CD)","description":"\u003cp\u003eTo mark the 150th anniversary of the birth of Sibelius, Decca Eloquence collects together the four LPs of the composer’s music that Horst Stein recorded for Decca between 1971 and 1981. They include all the important tone poems, the Second Symphony (receiving its first international release on CD) and music for the theatre. All were critically acclaimed in their time. Known in particular for his work in Bayreuth, Stein conducted 76 performances there between 1969 and 1986. He also held principal positions with the Bamberg, Basel, NHK (Japan) and Suisse Romande Orchestras and all his Sibelius recordings were made with this Swiss orchestra.\u003c\/p\u003e","brand":"Horst Stein \/ L'Orchestre de la Suisse Romande","offers":[{"title":"Default Title","offer_id":37768311636159,"sku":"4823922","price":13.17,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/horst-stein-the-sibelius-recordings-3cd.jpg?v=1608273291"},{"product_id":"ida-haendel-the-decca-legacy-box-set-6cd","title":"The Decca Legacy (6CD)","description":"\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eJEAN-MARIE LECLAIR\u003cbr data-mce-fragment=\"1\"\u003eSarabande and Tambourin°\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN\u003cbr data-mce-fragment=\"1\"\u003eSonata No. 8 in G major for Piano and Violin, Op. 30 No. 3\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT\u003cbr data-mce-fragment=\"1\"\u003eSonatina in G minor for Violin and Piano, Op. 137 No. 3 (D.408)\u003cbr data-mce-fragment=\"1\"\u003eRosamunde – Ballet Music (arr. Kreisler)* \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANNES BRAHMS\u003cbr data-mce-fragment=\"1\"\u003eWaltz in A major, Op. 39 No. 15 (arr. Hochstein)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRITZ KREISLER\u003cbr data-mce-fragment=\"1\"\u003eTambourin chinois, Op. 3\u003cbr data-mce-fragment=\"1\"\u003eCaprice viennois, Op. 2*\u003cbr data-mce-fragment=\"1\"\u003eSchön Rosmarin\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in E minor, Op. 64°\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano (1–2, 6–14)\u003cbr data-mce-fragment=\"1\"\u003eNoël Mewton-Wood, piano (3–5)\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra \/ Malcolm Sargent (15–17)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eANTONÍN DVOŘÁK\u003cbr data-mce-fragment=\"1\"\u003eSlavonic Dance No. 2 in E minor, Op. 46 (B.83) No. 2 (arr. Kreisler)*\u003cbr data-mce-fragment=\"1\"\u003eHumoresque, Op. 107 (B.187) No. 7*\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eANTONÍN DVOŘÁK\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in A minor, Op. 53 (B.108)°\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eKarl Rankl\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePIOTR ILYICH TCHAIKOVSKY\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in D major, Op. 35°\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eBasil Cameron\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eBAZZINI La Ronde des lutins, Op. 25*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHENRYK WIENIAWSKI\u003cbr data-mce-fragment=\"1\"\u003ePolonaise brillante No. 2 in A major, Op. 21*\u003cbr data-mce-fragment=\"1\"\u003eScherzo-Tarantelle in G minor, Op. 16 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePABLO DE SARASATE\u003cbr data-mce-fragment=\"1\"\u003eCarmen – Fantasie de concert, Op. 25*\u003cbr data-mce-fragment=\"1\"\u003eZapateado, Op. 23 No. 2 (from Danzas Españolas)\u003cbr data-mce-fragment=\"1\"\u003eZigeunerweisen, Op. 20 No. 1*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eALBÉNIZ Malagueña, Op. 165 No. 3 (arr. Kreisler) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMANUEL DE FALLA\u003cbr data-mce-fragment=\"1\"\u003eMiller’s Dance (from El Sombrero de Tres Picos, arr. Szigeti)*\u003cbr data-mce-fragment=\"1\"\u003eDanza No. 1 (from La Vida Breve, arr. Kreisler as Danse espagnole)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSAINT-SAËNS Introduction et Rondo Capriccioso, Op. 28*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMASSENET Méditation (from Thaïs)*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRAVEL Tzigane* \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIBERT Le petit âne blanc*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano (1–6, 8–9, 11, 13)\u003cbr data-mce-fragment=\"1\"\u003eNoël Mewton-Wood, piano (7)\u003cbr data-mce-fragment=\"1\"\u003eIvor Newton, piano (12)\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra \/ Basil Cameron (10)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eJOSEPH ACHRON Hebrew Melody, Op. 33 (arr. Auer)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eERNEST BLOCH Abodah*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGRIGORAŞ DINICU Hora staccato*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKAROL SZYMANOWSKI\u003cbr data-mce-fragment=\"1\"\u003eRoxana’s Song (from King Roger, Op. 46, arr. Kochanski)\u003cbr data-mce-fragment=\"1\"\u003eNotturno e Tarantella, Op. 28\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIGOR STRAVINSKY\u003cbr data-mce-fragment=\"1\"\u003eDivertimento (after the ballet, ‘Le baiser de la fée’, arr. Dushkin)°\u003cbr data-mce-fragment=\"1\"\u003eDanse russe (from Petrouchka, arr. Dushkin)°\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBÉLA BARTÓK\u003cbr data-mce-fragment=\"1\"\u003eHungarian Folk Tunes (arr. Szigeti)*\u003cbr data-mce-fragment=\"1\"\u003eRomanian Folk Dances, Sz.56 (BB 68) (arr. Székely)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePABLO DE SARASATE Zigeunerweisen, Op. 20 No. 1*\u003cbr data-mce-fragment=\"1\"\u003eMANUEL DE FALLA Danza No. 1 (from La Vida Breve, arr. Kreisler as Danse espagnole)*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eAlice Haendel, piano (1)\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano (2–6, 26)\u003cbr data-mce-fragment=\"1\"\u003eIvor Newton, piano (7–25)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eKAROL SZYMANOWSKI\u003cbr data-mce-fragment=\"1\"\u003eMythes\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGEORGE ENESCU\u003cbr data-mce-fragment=\"1\"\u003eViolin Sonata No. 3, Op. 25 (dans le caractère populaire roumain)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBÉLA BARTÓK\u003cbr data-mce-fragment=\"1\"\u003eRhapsody No. 1 for Violin and Piano, BB 94a\u003cbr data-mce-fragment=\"1\"\u003eRomanian Folk Dances, Sz.56 (BB 68) (arr. Székely)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eVladimir Ashkenazy, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eANTONIO VIVALDI\u003cbr data-mce-fragment=\"1\"\u003eConcerto grosso in B minor for Four Violins, Op. 3 No. 10, RV 580\u003cbr data-mce-fragment=\"1\"\u003efrom L’Estro Armonico\u003cbr data-mce-fragment=\"1\"\u003eIsaac Stern, violin I · Ivry Gitlis, violin II\u003cbr data-mce-fragment=\"1\"\u003eIda Haendel, violin III · Shlomo Mintz, violin IV\u003cbr data-mce-fragment=\"1\"\u003eIsrael Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003eZubin Mehta\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN SIBELIUS\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in D minor, Op. 47°\u003cbr data-mce-fragment=\"1\"\u003eIda Haendel, violin\u003cbr data-mce-fragment=\"1\"\u003eIsrael Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003eZubin Mehta\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRALPH VAUGHAN WILLIAMS\u003cbr data-mce-fragment=\"1\"\u003eThe Lark Ascending*\u003cbr data-mce-fragment=\"1\"\u003eIda Haendel, violin\u003cbr data-mce-fragment=\"1\"\u003eLondon Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003eSir Roger Norrington\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvans Mirageas talks about Ida Haendel*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*PREVIOUSLY UNPUBLISHED\u003cbr data-mce-fragment=\"1\"\u003e°FIRST CD RELEASE ON DECCA\u003c\/p\u003e","brand":"Ida Haendel","offers":[{"title":"Default Title","offer_id":37768311865535,"sku":"4841688","price":23.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/ida-haendel-the-decca-legacy-box-set-6cd.jpg?v=1608287783"},{"product_id":"joan-sutherland-bernadette-greevy-handel-arias-2cd","title":"Handel: Arias (2CD)","description":"\u003cp\u003eA newly compiled anthology of Decca recordings on Eloquence surveys the healthy state of Handel singing in England in the 1960s, before this music became the preserve of musicians and singers within the period-instrument movement.\u003c\/p\u003e","brand":"Joan Sutherland \/ Bernadette Greevy \/ Forbes Robinson","offers":[{"title":"Default Title","offer_id":37768312946879,"sku":"4824759","price":11.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/joan-suther-land-handel-2cd.jpg?v=1608272809"},{"product_id":"nadia-boulanger-icon-the-american-decca-recordings-box-set-5cd","title":"Icon: The American Decca Recordings (5CD)","description":"\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDIO MONTEVERDI (1567–1643)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 No. 2: O Mirtillo, Mirtill’anima mia\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2 No. 3: Era l’anima mia\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eScherzi musicali\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e3 Damigella tutta bella\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 9\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4 O come vaghi\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e5 Sfogava con le stelle, SV 78\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e6 Dolcissimo uscignuolo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e7 Interotte speranze\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e8 A un giro sol de’begl’occhi\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eScherzi musicali, cioè arie, et madrigali in stil recitativo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e9 Quel sguardo sdegnosetto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e10 Su, su pastorelli vezzosi\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e11 No. 7: Qui rise, O Tirsi – five voices (Marini, 1614)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFlore Wend, Donna Rumsey, Geneviève Massignon, sopranos\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNancy Waugh, mezzo-soprano · Violette Journaux, contralto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHugues Cuénod, Paul Derenne, tenors · Bernard Cottret, Doda Conrad, basses\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstrumental Ensemble\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNadia Boulanger, harpsichord \/ conductor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFIRST CD RELEASE ON DEUTSCHE GRAMMOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRENCH RENAISSANCE VOCAL MUSIC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSQUIN DES PREZ (c.1450–1521)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Mille regretz \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLÉMENT JANEQUIN (c.1485–1558)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2 Ce moys de may \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDE LE JEUNE (c.1528–1600)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e3 Hellas, mon Dieu ton ire s’est tournée\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eORLANDE DE LASSUS (1532–1594)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4 Bonjour, mon Coeur (No. 1 of Quatriesme livre des chansons a 4 et 5 parties)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGUILLAUME COSTELEY (1530–1606)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e5 Noblesse gît au Coeur\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eORLANDE DE LASSUS (1532–1594)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e6 Quand mon mari vient de dehors (No. 4 of Quatriesme livre des chansons a 4 et 5 parties)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTraditional\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e7 A déclarer mon affection\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGUILLAUME COSTELEY (1530–1606)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e8 Mignonne, allon voir si la roze\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDIN DE SERMISY (c.1490–1562)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e9 Hau, hau, hau le boys (31 Chansons musicales)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDE LE JEUNE (c.1528–1600)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e10 Revecy venir du printemps (Le Printemps, 1513)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJACQUES MAUDUIT (1557–1627)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e11 Vous me tuez si doucement (Chansonettes mesurées)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDE LE JEUNE (c.1528–1600)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e12 Tu ne l’enten pas, c’est latin\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDIN DE SERMISY (c.1490–1562)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e13 Au Joly boys \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePIERRE BONNET (c.1600)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e14 Francion vint l’autre jour \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLÉMENT JANEQUIN (c.1485–1558)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e15 Le Chant des oiseaux \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFlore Wend, Monda Million, Geneviève Massignon, sopranos\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNancy Waugh, mezzo-soprano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eViolette Journeaux, contralto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHugues Cuénod, Paul Derenne, tenors\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDoda Conrad, Bernard Cottret, basses\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNadia Boulanger, conductor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFIRST CD RELEASE ON DEUTSCHE GRAMMOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 3\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMARC-ANTOINE CHARPENTIER (1643–1704)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1–21 Medée (Excerpts)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFlore Wend, Nadine Sautereau, sopranos\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIrma Kolassi, Maria Férès, mezzo-sopranos\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eViolette Journeaux, contralto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaul Derenne, tenor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBernard Demigny, bass-baritone\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDoda Conrad, bass\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstrumental and Vocal Ensemble\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNadia Boulanger\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFIRST CD RELEASE ON DEUTSCHE GRAMMOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 4\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN-PHILIPPE RAMEAU (1683–1764)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExcerpts from:\u003cbr data-mce-fragment=\"1\"\u003e1–4 Dardanus \u003cbr data-mce-fragment=\"1\"\u003e5 Castor et Pollux \u003cbr data-mce-fragment=\"1\"\u003e6 Hippolyte et Aricie \u003cbr data-mce-fragment=\"1\"\u003e7 Dardanus \u003cbr data-mce-fragment=\"1\"\u003e8 Les Indes Galantes \u003cbr data-mce-fragment=\"1\"\u003e9–10 Hippolyte et Aricie \u003cbr data-mce-fragment=\"1\"\u003e11 Castor et Pollux \u003cbr data-mce-fragment=\"1\"\u003e12 Les fêtes d’Hébé\u003cbr data-mce-fragment=\"1\"\u003e13 Acanthe et Céphise\u003cbr data-mce-fragment=\"1\"\u003e14–15 Les fêtes d’Hébé\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFlore Wend, Nadine Sautereau, sopranos\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIrma Kolassi, Maria Férès, mezzo-sopranos\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaul Derenne, Jean Maciet, tenors\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBernard Demigny, bass-baritone\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDoda Conrad, bass\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstrumental and Vocal Ensemble\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNadia Boulanger\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFIRST CD RELEASE ON DEUTSCHE GRAMMOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 5\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANNES BRAHMS (1833–1897)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1–15 Neue Liebeslieder Walzer, Op. 65 \u003cbr data-mce-fragment=\"1\"\u003e16–18 Three Quartets, Op. 64 \u003cbr data-mce-fragment=\"1\"\u003e19 O schöne Nacht, Op. 92 No. 1 \u003cbr data-mce-fragment=\"1\"\u003e20 Sehnsucht, Op. 112 No. 1 \u003cbr data-mce-fragment=\"1\"\u003e21 Nächtens, Op. 112 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFlore Wend, soprano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNancy Waugh, mezzo-soprano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHugues Cuénod, tenor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDoda Conrad, bass\u003cbr 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Anthony Burton provides the insightful notes.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eEDWARD ELGAR\u003cbr\u003eVariations on an Original Theme, Op. 36 ‘Enigma’\u003c\/p\u003e\n\u003cp\u003ePomp and Circumstance – Marches, Op. 39\u003cbr\u003eNo. 1 in D major\u003cbr\u003eNo. 3 in C minor\u003cbr\u003eNo. 4 in G major\u003cbr\u003eNo. 5 in C major\u003c\/p\u003e\n\u003cp\u003eRoyal Philharmonic Orchestra\u003cbr\u003eNorman Del Mar\u003c\/p\u003e","brand":"Norman Del Mar \/ Royal Philharmonic Orchestra","offers":[{"title":"Default Title","offer_id":37768316813503,"sku":"4821993","price":7.77,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/norman-del-mar-elgar-enigma-variations-pomp-and-circumstance-marches-cd.jpg?v=1608082168"},{"product_id":"various-artists-the-piano-concertos-cd","title":"Saint-Saens: Piano Concertos Nos. 1-5 (2CD)","description":"\u003cp\u003eSaint-Saëns’s complete piano concertos on a 2CD Eloquence set presents some truly rare recordings – Campanella’s of the Fourth and Tagliaferro’s of the Fifth. 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The most successful of them transferred to record with musical accompaniments supervised by experienced Hollywood hands, none more so than Bernard Herrmann, Alfred Hitchcock's composer of choice, who in 1944 composed and conducted a score to an adaptation by Orson Welles of Oscar Wilde’s tale of The Happy Prince. Bing Crosby took the part of the Prince, and two years later became narrator for a new story by Charles Tazewell, The Small One.\u003c\/p\u003e\n\u003cp\u003eTwo further Tazewell stories for radio captured the imagination of the American public in 1948 and became Christmas-time fixtures, rather likeThe Snowman on British TV in the 1980s. The Littlest Angel and Lullaby of Christmas both told a touching tale, in the tradition of Andersen’s Little Match Girl but with a happy ending, of a child whose fortunes are transformed at Christmas time. When Decca released them as 78s and 10-inch LPs, they were narrated by Loretta Young and Gregory Peck respectively. According to Peck, 'This is the holiday drama I've always hoped to find'.\u003c\/p\u003e\n\u003cp\u003eEnglish leads were used for the two English stories recorded by American Decca: Ronald Colman as Scrooge in A Christmas Carol, and Charles Laughton as Mr. Pickwick in another Dickensian picture of poor souls redeemed by kindness at Christmas time - this last scored by none other than Hanns Eisler, seven years before he fled the US after being denounced by the Committee for Un-American Activities. In all these tales, there is a warmth and a delight in the telling that struck a chord in their audiences of the 40s and 50s, and will do so again in these newly remastered transfers.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1-9 The Happy Prince\u003c\/p\u003e\n\u003cp\u003eAn Oscar Wilde Fairy Tale\u003cbr\u003eAdapted and directed by Orson Welles\u003cbr\u003eMusical Score composed by Bernard Herrmann\u003cbr\u003eOrson Welles, Bing Crosby, Lurene Tuttle\u003cbr\u003eOrchestra directed by Victor Young\u003c\/p\u003e\n\u003cp\u003e10-14 A Christmas Carol\u003c\/p\u003e\n\u003cp\u003eAdapted from Charles Dickens by George Wells\u003cbr\u003eRonald Colman, Eric Snowden, Barbara Jean Wong\u003cbr\u003eVictor Young, musical director, Ken Darby, vocal director\u003c\/p\u003e\n\u003cp\u003e15-17 Mr. Pickwick's Christmas\u003c\/p\u003e\n\u003cp\u003eStory by Charles Dickens\u003cbr\u003eOrchestral accompaniment composed by Hanns Eisler\u003cbr\u003eCharles Laughton, narrator\u003cbr\u003eEnsemble conducted by Hanns Eisler\u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003e1-5 The Small One\u003c\/p\u003e\n\u003cp\u003eA Christmas Story\u003cbr\u003eStory by Charles Tazewell\u003cbr\u003eMusical Score Composed by Victor Young\u003cbr\u003eBing Crosby, narrator\u003cbr\u003eOrchestra directed by Victor Young\u003c\/p\u003e\n\u003cp\u003e6-12 The Littlest Angel\u003cbr\u003eStory by Charles Tazewell\u003cbr\u003eOriginal Musical Score by Charles Paul\u003cbr\u003eLoretta Young, narrator\u003cbr\u003eKen Darby Choir\u003cbr\u003eOrchestra directed by Victor Young\u003c\/p\u003e\n\u003cp\u003e13-20 Lullaby of Christmas\u003cbr\u003eStory by Charles Tazewell\u003cbr\u003eMusical Score by Carmen Dragon\u003cbr\u003eGregory Peck, narrator\u003cbr\u003eChoir and Orchestra directed by Carmen Dragon\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":37768323760319,"sku":"4841365","price":11.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/various-artists-stories-stories-for-christmas-cd.jpg?v=1608283047"},{"product_id":"various-artists-opera-gala-box-set-20cd","title":"Opera Gala (20CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Adam to Zandonai, from 1954 to 1996, 20 CDs made up of no less than 28 Decca opera recordings, most of them recorded as highlights albums, many long unavailable, newly remastered and all featuring the greatest singers of their age. \u003c\/span\u003e\u003c\/p\u003e","brand":"ORCHESTRA OF THE ROYAL OPERA HOUSE, COVENT GARDEN","offers":[{"title":"Default Title","offer_id":37768325136575,"sku":"4841398","price":65.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/Opera-Gala.jpg?v=1608278514"},{"product_id":"various-artists-from-melba-to-sutherland-australian-singers-on-record-4cd","title":"From Melba To Sutherland: Australian Singers On Record (4CD)","description":"\u003cp\u003eA cavalcade of Australia’s greatest singers – in a unique new 4-CD set, complete with biographies of each of the 80 artists, rare photographs, all contained within a 68-page booklet.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMELBA AND THE MARCHESI SCHOOL\u003c\/strong\u003e\u003cbr\u003eNELLIE MELBA soprano 1861–1931\u003cbr\u003eGounod: Ah! Je ris (Jewel Song) (Faust)\u003cbr\u003eLandon Ronald, piano\u003cbr\u003eRecorded: 4 September 1905\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNELLIE MELBA\u003c\/strong\u003e\u003cbr\u003eBemberg: Nymphs et sylvains\u003cbr\u003eLandon Ronald, piano\u003cbr\u003eRecorded: March 1904\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNELLIE MELBA\u003c\/strong\u003e\u003cbr\u003eBROWNING MUMMERY tenor 1888–1974\u003cbr\u003eJOHN BROWNLEE baritone 1900–1969\u003cbr\u003ePuccini: Addio, dolce svegliare (Quartet) (La bohème)\u003cbr\u003ewith Aurora Rettore, soprano\u003cbr\u003eOrchestra of the Royal Opera House, Covent Garden\u003cbr\u003eVincenzo Bellezza\u003cbr\u003eRecorded live: 8 June 1926\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFRANCES SAVILLE\u003c\/strong\u003e soprano 1862–1935\u003cbr\u003eMassenet: Obéissons, quand leur voix appelle (Gavotte) (Manon)\u003cbr\u003ewith piano\u003cbr\u003eRecorded: Vienna, 1902–3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eADA CROSSLEY\u003c\/strong\u003e contralto 1871–1929\u003cbr\u003eMallinson: New Year Song\u003cbr\u003eChristopher H. H. Booth, piano\u003cbr\u003eRecorded: Philadelphia, PA, 30 April 1903\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFRANCES ALDA\u003c\/strong\u003e soprano 1879–1952\u003cbr\u003eVerdi: Miserere (Il trovatore) with Enrico Caruso, tenor\u003cbr\u003ewith orchestra\u003cbr\u003eRecorded: Camden, New Jersey, 27 December 1909\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFRANCES ALDA\u003c\/strong\u003e\u003cbr\u003ePuccini: In quelle trine morbide (Manon Lescaut)\u003cbr\u003eOrchestra\/Rosario Bourdon\u003cbr\u003eRecorded: Liederkranz Hall, New York, 26 June 1928\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMY CASTLES\u003c\/strong\u003e soprano 1880–1951\u003cbr\u003eVerdi: Caro nome (Rigoletto)\u003cbr\u003ewith piano\u003cbr\u003eRecorded: London, 16 September 1906\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIRENE AINSLEY\u003c\/strong\u003e contralto 1883–1968\u003cbr\u003eMetcalf: Absent with piano\u003cbr\u003eRecorded: London, 1907\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEVELYN SCOTNEY\u003c\/strong\u003e soprano 1887–1967\u003cbr\u003eAuber: C’est l’histoire amoureuse (Manon Lescaut)\u003cbr\u003eOrchestra\/Eugene Goossens\u003cbr\u003eRecorded: 20 January 1925\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTELLA POWER\u003c\/strong\u003e soprano 1896–1977\u003cbr\u003eDonizetti: Regnava nel silenzio (Lucia di Lammermoor)\u003cbr\u003eOrchestra\/Frank St. Leger\u003cbr\u003eRecorded: 23 December 1919\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOTHER EARLY SOPRANOS\u003c\/strong\u003e\u003cbr\u003eMARIE NARELLE soprano 1870–1941\u003cbr\u003eBalfe: Killarney\u003cbr\u003ewith orchestra\u003cbr\u003eRecorded: New York, 1910\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLALLA MIRANDA\u003c\/strong\u003e soprano 1871–1940\u003cbr\u003eVerdi: Follie! Follie! … Sempre libera (La traviata) (sung in French)\u003cbr\u003ewith orchestra\u003cbr\u003eRecorded: France c.1904\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROSINA BUCKMAN\u003c\/strong\u003e soprano 1881–1848\u003cbr\u003ePuccini: One fine day (Un bel dì vedremo) (Madama Butterfly)\u003cbr\u003eRoyal Albert Hall Orchestra\/Eugene Goossens\u003cbr\u003eRecorded: London, 4 April 1924\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGERTRUDE JOHNSON\u003c\/strong\u003e soprano 1894–1973\u003cbr\u003eScott: Lullaby\u003cbr\u003eCyril Scott, piano\u003cbr\u003eRecorded: London, 1929\u003cbr\u003eOTHER EARLY MEZZOS AND CONTRALTOS\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eELLA CASPERS\u003c\/strong\u003e contralto 1887–1971\u003cbr\u003eMolloy: Darby and Joan\u003cbr\u003ewith piano\u003cbr\u003eRecorded: London, 1913\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDOROTHY HELMRICH\u003c\/strong\u003e mezzo-soprano 1889–1984\u003cbr\u003eSchumann: Thou art so like a flower (Du bist wie eine Blume) (Myrthen)\u003cbr\u003eHubert Foss, piano\u003cbr\u003eRecorded: 8 November 1933\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEILEEN BOYD\u003c\/strong\u003e contralto 1890–1975\u003cbr\u003eBrahe: I passed by your window with piano\u003cbr\u003eRecorded: Sydney, 9 February 1927\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCLARA SERENA\u003c\/strong\u003e contralto 1890–1972\u003cbr\u003eSaint-Saëns: Tonight … O love, from thy power (Samson … Amour, viens aider) (Samson et Dalila)\u003cbr\u003eOrchestra\/Stanford Robinson\u003cbr\u003eRecorded: 25 February 1929\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eESSIE ACKLAND\u003c\/strong\u003e contralto 1896–1975\u003cbr\u003eBrahe: Bless this house\u003cbr\u003eHerbert Dawson, Kingsway Hall organ\u003cbr\u003eRecorded: Kingsway Hall, London, 10 March 1933 · HMV B 4439\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEARLY TENORS\u003c\/strong\u003e\u003cbr\u003eALFRED HILL tenor 1869–1960\u003cbr\u003eHill: Waiata Poi\u003cbr\u003eMirrie Hill, piano\u003cbr\u003eRecorded: 9 July 1926 · Matrix Bb 8717–I · HMV test recording S\/S 6-2688 unpublished\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWALTER KIRBY\u003c\/strong\u003e tenor 1877–1934\u003cbr\u003eKneass: Ben Bolt (Trilby’s Song)\u003cbr\u003ewith piano\u003cbr\u003eRecorded: Sydney, 20 January 1927\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBROWNING MUMMERY\u003c\/strong\u003e tenor 1888–1974\u003cbr\u003eLeoncavallo: No! Punchinello, no more (No! Pagliaccio non son) (Pagliacci)\u003cbr\u003eOrchestra\/John Barbirolli\u003cbr\u003eRecorded: London, 17 July 1929\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eALFRED O’SHEA\u003c\/strong\u003e tenor 1889–1954\u003cbr\u003eMacMorrough: Macushla with orchestra\u003cbr\u003eRecorded: Sydney, May 1928\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLIONELLO CECIL\u003c\/strong\u003e tenor 1893–1957\u003cbr\u003ePuccini: Amore o grillo (Madama Butterfly)\u003cbr\u003ewith Vittorio Weinberg, baritone\u003cbr\u003eOrchestra of La Scala, Milan\/Carlo Sabajno\u003cbr\u003eRecorded: Milan, 25 October 1929 · HMV C 1951\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEARLY BARITONES AND BASSES\u003c\/strong\u003e\u003cbr\u003eHORACE STEVENS bass-baritone 1876–1950\u003cbr\u003eElgar: Jesu! by that shuddering dread (The Dream of Gerontius)\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eEdward Elgar\u003cbr\u003eRecorded live: Hereford Cathedral, 6 September 1927\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eANDREW BLACK\u003c\/strong\u003e baritone 1859–1920\u003cbr\u003eSullivan: Time was when love and I (Curate’s Song) (The Sorcerer)\u003cbr\u003ewith piano\u003cbr\u003eRecorded: London, November 1905 · G\u0026amp;T 3–2327\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePETER DAWSON\u003c\/strong\u003e bass-baritone 1882–1962\u003cbr\u003eHandel: Honour and Arms (Samson)\u003cbr\u003eOrchestra\u003cbr\u003eGeorge Byng\u003cbr\u003eRecorded: London, 1 November 1927 · HMV C 1500\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePETER DAWSON\u003c\/strong\u003e\u003cbr\u003eJames: Six Australian Bush Songs\u003cbr\u003eNo. 1 The Land of Who Knows Where\u003cbr\u003eNo. 2 Bush Silence\u003cbr\u003eNo. 4 Comrades of Mine\u003cbr\u003eNo. 5 Bush Night Song\u003cbr\u003eNo. 6 The Stockrider’s Song\u003cbr\u003eGerald Moore, piano\u003cbr\u003eRecorded: London, 12 October 1927\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePETER DAWSON\u003c\/strong\u003e\u003cbr\u003eTrad. Cornish arr. Moss: The Floral Dance\u003cbr\u003eGerald Moore, piano\u003cbr\u003eRecorded: London, 14 January 1927\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMALCOLM McEACHERN\u003c\/strong\u003e bass 1883–1945\u003cbr\u003eHandel: O ruddier than the cherry (Acis and Galatea)\u003cbr\u003eOrchestra\u003cbr\u003eClarence Raybould\u003cbr\u003eRecorded: London, 21 June 1935\u003c\/p\u003e\n\u003cp\u003eHAROLD WILLIAMS baritone 1893–1976\u003cbr\u003eCowan: Onaway, awake beloved\u003cbr\u003eOrchestra\u003cbr\u003eClarence Raybould\u003cbr\u003eRecorded: London, 11 December 1931\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHAROLD WILLIAMS\u003c\/strong\u003e\u003cbr\u003eVillaume: Old John Bax\u003cbr\u003eMaynard Wilkinson, piano\u003cbr\u003eRecorded: Sydney, March 1955, unpublished\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOHN BROWNLEE\u003c\/strong\u003e baritone 1900–1969\u003cbr\u003eMozart: Deh vieni alla finestra (Serenade) (Don Giovanni)\u003cbr\u003eGlyndebourne Festival Orchestra\u003cbr\u003eFritz Busch\u003cbr\u003eRecorded: Glyndebourne Opera House, 5 July 1936\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRICHARD WATSON\u003c\/strong\u003e bass 1903–1968\u003cbr\u003eSullivan: When a felon’s not engaged in his employment (Policeman’s Song)(The Pirates of Penzance)\u003cbr\u003eD’Oyly Carte Opera Chorus\u003cbr\u003eNew Promenade Orchestra\u003cbr\u003eIsadore Godfrey\u003cbr\u003eRecorded: London, 29 July 1949\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWAGNERIANS AND OTHER DRAMATICS\u003c\/strong\u003e\u003cbr\u003eLEMPRIÈRE PRINGLE bass 1868–1914\u003cbr\u003eWagner: The King’s Prayer (Lohengrin) (sung in English)\u003cbr\u003ewith orchestra\u003cbr\u003eRecorded: London, c.1910\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eELSA STRALIA\u003c\/strong\u003e soprano 1881–1945\u003cbr\u003eWagner: Elisabeth’s Greeting (Tannhäuser) (sung in English)\u003cbr\u003eOrchestra\u003cbr\u003eHamilton Harty\u003cbr\u003eRecorded: 5 May 1920\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFLORENCE AUSTRAL\u003c\/strong\u003e soprano 1892– 1968\u003cbr\u003eWagner: Ho-jo-to-ho (Brünnhilde’s Battlecry) (Die Walküre)\u003cbr\u003eOrchestra\u003cbr\u003eSpencer Clay\u003cbr\u003eRecorded: Hayes, 7 September 1922\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFLORENCE AUSTRAL\u003c\/strong\u003e\u003cbr\u003eFREDERICK COLLIER bass 1885–1964\u003cbr\u003eWagner: Welches Unholds List (Götterdämmerung)\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eAlbert Coates\u003cbr\u003eRecorded: Kingsway Hall, London, 18 October 1928\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMARGHERITA GRANDI\u003c\/strong\u003e soprano 1894–1972\u003cbr\u003eVerdi: La luce langue (Macbeth)\u003cbr\u003eScottish Orchestra\u003cbr\u003eBerthold Goldschmidt\u003cbr\u003eRecorded live: King’s Theatre, Edinburgh, 27 August 1947\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMARJORIE LAWRENCE\u003c\/strong\u003e soprano 1907–1979\u003cbr\u003eWagner: Starke Scheite (Brünnhilde’s Immolation) (Götterdämmerung) opening(sung in French)\u003cbr\u003eOrchestre de l’Association des Concerts Pasdeloup\u003cbr\u003ePiero Coppola\u003cbr\u003eRecorded: Paris, 23 October 1933\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMARJORIE LAWRENCE\u003c\/strong\u003e\u003cbr\u003eRachmaninov: Floods of Spring, Op. 14 No. 11\u003cbr\u003eIvor Newton, piano\u003cbr\u003eRecorded: London, 2 July 1946\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSYLVIA FISHER\u003c\/strong\u003e soprano 1910–1996\u003cbr\u003eBritten: Is this all you can bring? (Albert Herring)\u003cbr\u003ewith Johanna Peters contralto\u003cbr\u003eEnglish Chamber Orchestra\u003cbr\u003eBenjamin Britten\u003cbr\u003eRecorded: Jubilee Hall, Aldeburgh, 1–8 April 1964\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMUSIC HALL AND VARIETY\u003c\/strong\u003e\u003cbr\u003eSYRIA LAMONTE soprano 1869–1935\u003cbr\u003eTrad: Comin’ thro’ the rye\u003cbr\u003ewith piano\u003cbr\u003eRecorded: 31 Maiden Lane, London, 2 September 1898\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHAMILTON HILL\u003c\/strong\u003e baritone 1868–1910\u003cbr\u003eHill: The Boys’ Brigade\u003cbr\u003ewith military band\u003cbr\u003eRecorded: 24 August 1906\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVIOLET MOUNT\u003c\/strong\u003e (L’INCOGNITA) soprano 1875–1972\u003cbr\u003eBishop: Lo! Here the gentle lark\u003cbr\u003eJohn Amadio, flute\u003cbr\u003eOrchestra\u003cbr\u003eGeorge W. Byng\u003cbr\u003eRecorded: London, 23 September 1921\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eALBERT WHELAN\u003c\/strong\u003e music hall singer and whistler 1875‒1961\u003cbr\u003eThurban: The Whistling Bowery Boy\u003cbr\u003ewith orchestra\u003cbr\u003eRecorded: London, 7 November 1905\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFLORRIE FORDE\u003c\/strong\u003e contralto 1876–1940\u003cbr\u003eMurphy \u0026amp; Lipton: Oh! Oh! Antonio\u003cbr\u003ewith orchestra\u003cbr\u003eRecorded: London, 22 September 1908\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBILLY WILLIAMS\u003c\/strong\u003e comedian 1878–1915\u003cbr\u003eWeston \u0026amp; Barnes: When father papered the parlour\u003cbr\u003ewith orchestra\u003cbr\u003eRecorded: London, 18 February 1910\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 3\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMUSICAL THEATRE, RADIO AND COMEDY\u003c\/strong\u003e\u003cbr\u003eGLADYS MONCRIEFF soprano 1892–1976\u003cbr\u003eFraser-Simson: Love will find a way (The Maid of the Mountains)\u003cbr\u003eColumbia Concert Orchestra\u003cbr\u003eGilbert Dechelette\u003cbr\u003eRecorded: Sydney, 12 December 1928\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROBERT CHISHOLM\u003c\/strong\u003e baritone 1894–1960\u003cbr\u003eGLADYS MONCRIEFF\u003cbr\u003eTate: A Paradise for Two (The Maid of the Mountains)\u003cbr\u003ewith orchestra\u003cbr\u003eRecorded: London, June 1926\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTRELLA WILSON\u003c\/strong\u003e soprano 1894–1989\u003cbr\u003eFriml: Some Day (The Vagabond King)\u003cbr\u003ewith chorus and orchestra of radio program ‘Show of Shows’\u003cbr\u003eRecorded: Sydney, 26 September 1941\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCLEMENT Q. WILLIAMS\u003c\/strong\u003e baritone 1898–1957\u003cbr\u003eO’Hagan: Let’s take a trip to Melbourne\u003cbr\u003ewith orchestra\u003cbr\u003eRecorded: Sydney, 19 October 1934\u003c\/p\u003e\n\u003cp\u003eMALCOLM McEACHERN bass 1883–1945\u003cbr\u003eHilliam \u0026amp; McEachern: Is ’e an Aussie, Lizzie, is ’e?\u003cbr\u003eFlotsam and Jetsam (with B. C. Hilliam, tenor \u0026amp; piano)\u003cbr\u003eRecorded: London, 20 October 1939\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROSINA RAISBECK\u003c\/strong\u003e mezzo-soprano 1916–2006\u003cbr\u003eRodgers: Climb Every Mountain (The Sound of Music)\u003cbr\u003eOrchestra of the Princess Theatre, Melbourne\u003cbr\u003eEric Clapham\u003cbr\u003eRecorded: Princess Theatre, Melbourne, 1961\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJUNE BRONHILL\u003c\/strong\u003e soprano 1929–2005\u003cbr\u003eRodgers: The Sound of Music (The Sound of Music)\u003cbr\u003eOrchestra of the Princess Theatre, Melbourne\u003cbr\u003eEric Clapham\u003cbr\u003eRecorded: Princess Theatre, Melbourne, 1961 · OCSD 7580\u003cbr\u003eP 1961 EMI Australia Ltd\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSOPRANOS AFTER WORLD WAR II\u003c\/strong\u003e\u003cbr\u003eJOAN HAMMOND soprano 1912–1996\u003cbr\u003ePuccini: O my beloved father (O mio babbino caro) (Gianni Schicchi)\u003cbr\u003eHallé Orchestra\u003cbr\u003eLeslie Heward\u003cbr\u003eRecorded: Belle Vue, Manchester, 29 September 1941\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOAN HAMMOND\u003c\/strong\u003e\u003cbr\u003eCharpentier: Depuis le jour (Louise)\u003cbr\u003eHallé Orchestra\u003cbr\u003eWarwick Braithwaite\u003cbr\u003eRecorded: Houldsworth Hall, Manchester, 28 September 1942\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGLENDA RAYMOND\u003c\/strong\u003e soprano 1922–2003\u003cbr\u003eThomas: I am Titania (Je suis Titania) (Mignon)\u003cbr\u003eAustralian Symphony Orchestra\u003cbr\u003eHector Crawford\u003cbr\u003eRecorded: 1947–53\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eELSIE MORISON\u003c\/strong\u003e soprano 1924–2016\u003cbr\u003eJOHN CAMERON baritone 1918–2002\u003cbr\u003eBerlioz: O mon cher fils (L’Enfance du Christ)\u003cbr\u003eSt. Anthony Singers\u003cbr\u003eGoldsbrough Orchestra\u003cbr\u003eColin Davis\u003cbr\u003eRecorded: Battersea Town Hall, London, October 1960\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eANGELINA ARENA\u003c\/strong\u003e soprano born 1926\u003cbr\u003eVerdi: Saper vorreste (Un ballo in maschera)\u003cbr\u003eQueensland Symphony Orchestra\u003cbr\u003eWilfred Lehmann\u003cbr\u003eRecorded: 1974\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMARIE COLLIER\u003c\/strong\u003e soprano 1927–1971\u003cbr\u003eRichard Strauss: Ich kann nicht sitzen (Elektra)\u003cbr\u003ewith Birgit Nilsson, soprano\u003cbr\u003eWiener Philharmoniker \/ Georg Solti\u003cbr\u003eRecorded: Sofiensaal, Vienna, 14 June, 30 November 1966, 22 February \u0026amp; 14–15 June 1967\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNANCE GRANT\u003c\/strong\u003e soprano born 1931\u003cbr\u003eWagner: Du bist der Lenz (Die Walküre)\u003cbr\u003eMelbourne Symphony Orchestra\u003cbr\u003eLeif Segerstam\u003cbr\u003eRecorded: Melbourne Town Hall, September 1979\u003c\/p\u003e\n\u003cp\u003eRITA HUNTER soprano 1933–2001\u003cbr\u003ePonchielli: Suicidio! (La Gioconda)\u003cbr\u003eTasmanian Symphony Orchestra\u003cbr\u003eDobbs Franks\u003cbr\u003eRecorded: Government House, Hobart, August 1989\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMEZZOS AFTER WORLD WAR II\u003c\/strong\u003e\u003cbr\u003eLORNA SYDNEY mezzo-soprano 1910–1974\u003cbr\u003eMahler: Urlicht (Symphony No. 2 ‘Resurrection’)\u003cbr\u003eWiener Staatsopernorchester\u003cbr\u003eFelix Prohaska\u003cbr\u003eRecorded: Vienna, 1951\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYVONNE MINTON\u003c\/strong\u003e mezzo-soprano born 1938\u003cbr\u003eMahler: Rheinlegendchen (Des Knaben Wunderhorn)\u003cbr\u003eChicago Symphony Orchestra\u003cbr\u003eGeorg Solti\u003cbr\u003eRecorded: Medinah Temple, Chicago, 1 \u0026amp; 7 April 1970\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTENORS AND BARITONES AFTER WORLD WAR II\u003c\/strong\u003e\u003cbr\u003eMAX WORTHLEY tenor 1913–1999\u003cbr\u003ePurcell: All our days and our nights (The Masque in Dioclesian)\u003cbr\u003eChoir and Orchestra of the Concentus Musicus, Wien\u003cbr\u003eNikolaus Harnoncourt\u003cbr\u003eRecorded: Palais Schönburg, Vienna, 1965\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONALD SMITH\u003c\/strong\u003e tenor 1922–1998\u003cbr\u003e19 Verdi: O figli miei! … Ah, la paterna mano (Macbeth, Act IV)\u003cbr\u003eTasmanian Symphony Orchestra\u003cbr\u003eVanco Cavdarski\u003cbr\u003eRecorded: ABC Studios, Hobart, 1973\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHAROLD BLAIR\u003c\/strong\u003e tenor 1924–1976\u003cbr\u003eTrad. Aboriginal arr: Loam: Maranoa Lullaby\u003cbr\u003ewith piano accompaniment\u003cbr\u003eRecorded: 1950 · Private recording\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOHN CAMERON\u003c\/strong\u003e baritone 1918–2002\u003cbr\u003e21 German: The Yeomen of England (Merrie England)\u003cbr\u003eNew Symphony Orchestra \u0026amp; Chorus\u003cbr\u003eVictor Olof\u003cbr\u003eRecorded: Decca Studios, West Hampstead, London, 9–11 March 1953\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 4\u003c\/strong\u003e\u003cbr\u003eRONALD DOWD tenor 1914–1990\u003cbr\u003eBerlioz: Sanctus (Grand Messe des Morts, Op. 5)\u003cbr\u003eWandsworth School Boys’ Choir\u003cbr\u003eLondon Symphony Chorus \u0026amp; Orchestra\u003cbr\u003eColin Davis\u003cbr\u003eRecorded: Westminster Cathedral, London, November 1969\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKENNETH NEATE\u003c\/strong\u003e tenor 1914–1997\u003cbr\u003ePuccini: Nessun dorma (Turandot)\u003cbr\u003eOrchestre Philharmonique de Paris\u003cbr\u003eNapoleone Annovazzi\u003cbr\u003eRecorded: Salle Wagram, Paris, 1956\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAYMOND NILSSON\u003c\/strong\u003e tenor 1920–1998\u003cbr\u003eJOHN LANIGAN tenor 1921–1996\u003cbr\u003eBritten: People! … No! I will speak! (Peter Grimes)\u003cbr\u003ewith James Pease, baritone\u003cbr\u003eJean Watson, contralto\u003cbr\u003eClaire Watson, soprano\u003cbr\u003eOrchestra and Chorus of the Royal Opera House\u003cbr\u003eBenjamin Britten\u003cbr\u003eRecorded: Walthamstow Assembly Hall, December 1958\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOHN LANIGAN\u003c\/strong\u003e\u003cbr\u003eGLENDA RAYMOND soprano 1922–2003\u003cbr\u003ePuccini: Lovely maid in the moonlight (O soave fanciulla) (La Bohème)\u003cbr\u003eAustralian Symphony Orchestra\u003cbr\u003eHector Crawford\u003cbr\u003eRecorded: 1947–1953\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eALBERT LANCE\u003c\/strong\u003e tenor 1925–2013\u003cbr\u003eBizet: La fleur que tu m’avais jetée (Carmen)\u003cbr\u003eOrchestre du Théâtre National de l’Opéra de Paris\u003cbr\u003eRoberto Benzi\u003cbr\u003eRecorded: Paris, June 1960\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUTHERLAND AND HER CIRCLE\u003c\/strong\u003e\u003cbr\u003eJOHN SHAW baritone 1924–2003\u003cbr\u003eDonizetti: Cruda, funesta smania … La pietada in suo favore (Lucia di Lammermoor)\u003cbr\u003ewith Robert Bowman, tenor · Joseph Rouleau, bass\u003cbr\u003eOrchestra and Chorus of the Royal Opera House\u003cbr\u003eTullio Serafin\u003cbr\u003eRecorded: London, 1959\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROBERT ALLMAN\u003c\/strong\u003e bass-baritone 1927–2013\u003cbr\u003eVerdi: Una fatale del mio destino (La forza del destino)\u003cbr\u003eSydney Symphony Orchestra\u003cbr\u003eEric Clapham\u003cbr\u003eRecorded: ABC Music Studios, Sydney, 1978\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCLIFFORD GRANT\u003c\/strong\u003e bass born 1930\u003cbr\u003eMassenet: De l’autel vénéré … O divine Esclarmonde! (Esclarmonde)\u003cbr\u003eJohn Alldis Choir\u003cbr\u003eNational Philharmonic Orchestra\u003cbr\u003eRichard Bonynge\u003cbr\u003eRecorded: Kingsway Hall, London, 2–5 \u0026amp; 9–15 July 1975\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCLIFFORD GRANT\u003c\/strong\u003e\u003cbr\u003eGEOFFREY CHARD baritone born 1930\u003cbr\u003eHEATHER BEGG mezzo-soprano 1929–2009\u003cbr\u003eMeale: I am behind you, Voss … Nothing could be safer or more solid (Voss)\u003cbr\u003eSydney Symphony Orchestra\u003cbr\u003eStuart Challender\u003cbr\u003eRecorded: Sydney, 1987\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eROBERT GARD\u003c\/strong\u003e tenor born 1927\u003cbr\u003eMeale: I am looking at the map of my hand (Voss)\u003cbr\u003eSydney Symphony Orchestra\u003cbr\u003eStuart Challender\u003cbr\u003eRecorded: Sydney, 1987\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEIL WARREN-SMITH\u003c\/strong\u003e bass-baritone 1930–1981\u003cbr\u003eVerdi: Vieni o levita … Tu sul labbro (Nabucco)\u003cbr\u003eEnsemble of cellos led by Gregory Elmaloglou\u003cbr\u003eSydney Symphony Orchestra\u003cbr\u003eEric Clapham\u003cbr\u003eRecorded: ABC Music Studios, Sydney, 1978\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLAURIS ELMS\u003c\/strong\u003e mezzo-soprano born 1931\u003cbr\u003eGraun: Se il dovere in quest’addio (Montezuma)\u003cbr\u003eGeoffrey Parsons, Valda Aveling, harpsichords\u003cbr\u003eLondon Philharmonic Orchestra\u003cbr\u003eRichard Bonynge\u003cbr\u003eRecorded: Kingsway Hall, London, 21–30 March, 1 April \u0026amp; 2 September 1966\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMARGRETA ELKINS\u003c\/strong\u003e mezzo-soprano 1930–2009\u003cbr\u003eElgar: In Haven (Capri) (Sea Pictures, Op. 37)\u003cbr\u003eQueensland Symphony Orchestra\u003cbr\u003eWerner Andreas Albert\u003cbr\u003eRecorded: ABC Studios, Brisbane, August 1983\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOAN SUTHERLAND\u003c\/strong\u003e soprano 1926–2010\u003cbr\u003eRossini: La fioraia fiorentina\u003cbr\u003eRichard Bonynge, piano\u003cbr\u003eRecorded: London, 20 June 1958\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOAN SUTHERLAND\u003c\/strong\u003e\u003cbr\u003eDonizetti: Ah! tardai troppo … O luce di quest’anima (Linda di Chamounix)\u003cbr\u003eOrchestre de la Société des Concerts du Conservatoire\u003cbr\u003eNello Santi\u003cbr\u003eRecorded: La Maison de la Chimie, Paris, 28–30 April 1959\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOAN SUTHERLAND\u003c\/strong\u003e\u003cbr\u003eGounod: Oh Dieu! Que de bijoux … Ah! Je ris (Jewel Song) (Faust)\u003cbr\u003eOrchestra of the Royal Opera House\u003cbr\u003eFrancesco Molinari-Pradelli\u003cbr\u003eRecorded: Kingsway Hall, London, 12 July \u0026amp; 15–18 August, 1960\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS TRACKS\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJOAN CARDEN\u003c\/strong\u003e soprano born 1937\u003cbr\u003e18 Catalani: Ebben? … Ne andrò lontana (La Wally)\u003cbr\u003eQueensland Philharmonic Orchestra\u003cbr\u003eRoderick Brydon\u003cbr\u003eRecorded: Brisbane, 29 January 1996\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYVONNE KENNY\u003c\/strong\u003e soprano born 1950\u003cbr\u003eNovello: We’ll gather lilacs (Perchance to Dream)\u003cbr\u003eMelbourne Symphony Orchestra\u003cbr\u003eVladimir Kamirski\u003cbr\u003eRecorded: Melbourne, 1993 · ABC Classics 442 509-2\u003cbr\u003eP 1994 Australian Broadcasting Corporation\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDEBORAH RIEDEL\u003c\/strong\u003e soprano 1958–2009\u003cbr\u003eKálmán: Mary kam vom gold’nen Strande (Die Herzogin von Chicago)\u003cbr\u003eBerlin Radio Symphony Orchestra\u003cbr\u003eRichard Bonynge\u003cbr\u003eRecorded: SFB Studios, Berlin, 2–8 February 1998\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEMMA MATTHEWS\u003c\/strong\u003e soprano born 1970\u003cbr\u003eGounod: Dieu ! quel frisson … Amour, ranime mon courage (Roméo et Juliette)\u003cbr\u003eOrchestre Philharmonique de Monte-Carlo\u003cbr\u003eBrad Cohen\u003cbr\u003eRecorded: Auditorium Rainier III, Monte Carlo, 16 September 2008\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":37768326316223,"sku":"4825892","price":17.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/From-Melba-To-Sutherland--Australian-Singers-On-Record.jpg?v=1608271707"},{"product_id":"colin-davis-beethoven-odyssey-12cd","title":"Colin Davis – Beethoven Odyssey (12CD)","description":"\u003cp\u003eA master Beethoven conductor in his prime – a 12-CD set presenting the ‘London’ Beethoven recordings of Sir Colin Davis, including the Symphonies, a selection of Overtures, the five Piano Concertos (Stephen Kovacevich), Violin Concerto (Arthur Grumiaux) and the two Masses. These broadly-sung and spacious performances, unexaggerated yet alive, are collected together for the first time.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTRACKLIST\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 1 in C major, Op. 21*°\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in D major, Op. 36*\u003c\/li\u003e\n\u003cli\u003eOverture – Leonore No. 3, Op. 72b*\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra (Symphonies Nos. 1 \u0026amp; 2)\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003e*FIRST CD RELEASE ON DECCA\u003c\/li\u003e\n\u003cli\u003e°PREVIOUSLY UNPUBLISHED ON PHILIPS\/DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 3 in E flat major, Op. 55 ‘Eroica’*\u003c\/li\u003e\n\u003cli\u003eOverture – Coriolan, Op. 62°\u003c\/li\u003e\n\u003cli\u003eOverture – Leonore No. 1, Op. 138\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003e*FIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/li\u003e\n\u003cli\u003e°FIRST CD RELEASE ON DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOverture – Egmont, Op. 84*\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in B flat major, Op. 60°\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F major, Op. 93°\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003e*FIRST CD RELEASE ON DECCA\u003c\/li\u003e\n\u003cli\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 5 in C minor, Op. 67\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F major, Op. 68 ‘Pastoral’\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003eFIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 6 in F major, Op. 68 ‘Pastoral’*\u003c\/li\u003e\n\u003cli\u003eOverture – Die Geschöpfe des Prometheus*\u003c\/li\u003e\n\u003cli\u003eOverture – Leonore No. 2, Op. 72a°\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003e*FIRST CD RELEASE ON DECCA\u003c\/li\u003e\n\u003cli\u003e°PREVIOUSLY UNPUBLISHED\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 7 in A major, Op. 92\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003cli\u003eFIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymphony No. 9 in D minor, Op. 125 ‘Choral’\u003c\/li\u003e\n\u003cli\u003eHelen Donath, soprano\u003c\/li\u003e\n\u003cli\u003eTrudeliese Schmidt, mezzo-soprano\u003c\/li\u003e\n\u003cli\u003eKlaus König, tenor\u003c\/li\u003e\n\u003cli\u003eSimon Estes, bas\u003c\/li\u003e\n\u003cli\u003eChor des Bayerischen Rundfunks Josef Schmidhuber, chorus master Symphonieorchester des Bayerischen Rundfunks\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCD 8\u003c\/p\u003e\n\u003cp\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eViolin Concerto in D major, Op. 61\u003c\/li\u003e\n\u003cli\u003eArthur Grumiaux, violin Concertgebouworkest\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis Piano Concerto No. 1 in C major, Op. 15\u003c\/li\u003e\n\u003cli\u003eStephen Kovacevich, piano\u003c\/li\u003e\n\u003cli\u003eBBC Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCD 9\u003c\/p\u003e\n\u003cp\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003ePiano Concerto No. 2 in B flat major, \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eOp. 19\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003ePiano Concerto No. 4 in G major, \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eOp. 58\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eStephen Kovacevich, piano\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eBBC Symphony Orchestra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eSIR COLIN DAVIS\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCD 10\u003c\/p\u003e\n\u003cp\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003ePiano Concerto No. 3 in C minor, Op. 37\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003ePiano Concerto No. 5 in E flat major, Op. 73 ‘Emperor’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eStephen Kovacevich, piano\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eBBC Symphony Orchestra (No. 3)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eLondon Symphony Orchestra (No. 5)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1em;\"\u003eSir Colin Davis\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCDs 11 \u0026amp; 12\u003c\/p\u003e\n\u003cp\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMass in C major, Op. 86\u003c\/li\u003e\n\u003cli\u003eChristiane Eda-Pierre, soprano\u003c\/li\u003e\n\u003cli\u003ePatricia Payne, mezzo-soprano\u003c\/li\u003e\n\u003cli\u003eRobert Tear, tenor\u003c\/li\u003e\n\u003cli\u003eKurt Moll, bass\u003c\/li\u003e\n\u003cli\u003eLeslie Pearson, John Constable, organ\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Chorus\u003c\/li\u003e\n\u003cli\u003eRichard Hickox, chorus master\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Colin Davis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMass in D major, Op. 123 ‘Missa Solemnis’\u003c\/li\u003e\n\u003cli\u003eAnna Tomowa-Sintow, soprano\u003c\/li\u003e\n\u003cli\u003ePatricia Payne, mezzo-soprano\u003c\/li\u003e\n\u003cli\u003eRobert Tear, tenor\u003c\/li\u003e\n\u003cli\u003eRobert Lloyd, bass\u003c\/li\u003e\n\u003cli\u003eJohn Constable, organ\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Chorus\u003c\/li\u003e\n\u003cli\u003eRichard Hickox, chorus master\u003c\/li\u003e\n\u003cli\u003eLondon Symphony Orchestra\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Colin Davis","offers":[{"title":"Default Title","offer_id":37908167491775,"sku":"4841728","price":50.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/colin-davis-beethoven-odyssey-box-set-cd-3.jpg?v=1610945028"},{"product_id":"gillian-weir-a-celebration-22cd-1","title":"Gillian Weir – A Celebration (22CD)","description":"\u003cp\u003eA 22-CD celebration of the doyenne of organists on her 80th birthday (17 January 2021) spanning her illustrious career of nearly five decades.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eIt presents Gillian Weir’s complete Argo recordings, selected recordings on other labels that have reverted to her, and most enticingly, no fewer than ten discs of previously unpublished BBC radio broadcasts – selected by Dame Gillian. The first twelve CDs in the set are made up of studio recordings and the remaining ten CDs comprise previously unpublished recordings of BBC broadcasts. (Note: the BBC recordings are not included on digital services for streaming or download.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe set features sixteen organs from six countries and includes a 13,000-word booklet includes informative introductions to the recordings, with Gillian Weir’s reminiscences and amusing anecdotes from the recording sessions and from her encounters with composers such as Olivier Messiaen and William Mathias.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Weir is to the organ what Heifetz was to the violin, and Casals to the cello – a phenomenon,’ pronounced the celebrated broadcaster John Amis.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eTHE STUDIO RECORDINGS (CDs 1–12)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eNICOLAUS BRUHNS (1665–1697)\u003cbr data-mce-fragment=\"1\"\u003ePræludium in G major\u003cbr data-mce-fragment=\"1\"\u003ePræludium in E minor ‘Großes’\u003cbr data-mce-fragment=\"1\"\u003ePræludium in E minor ‘Kleines’\u003cbr data-mce-fragment=\"1\"\u003eFantasia on Nun komm, der Heiden Heiland\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSAMUEL SCHEIDT (1587–1654)\u003cbr data-mce-fragment=\"1\"\u003ePassamezzo, SSWV 107\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Clare College, Cambridge\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eJEAN-FRANÇOIS DANDRIEU (1682–1738)\u003cbr data-mce-fragment=\"1\"\u003ePremier Livre de Pièces d’Orgue\u003cbr data-mce-fragment=\"1\"\u003ePièces en A. Mi La majeur\u003cbr data-mce-fragment=\"1\"\u003eMagnificat\u003cbr data-mce-fragment=\"1\"\u003ePièces en G. Ré sol mineur\u003cbr data-mce-fragment=\"1\"\u003eMagnificat\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organs of Leonhardskirche, Basel and the Great Organ of the Church of Saint-Maximin de Thionville\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eLOUIS MARCHAND (1669–1732)\u003cbr data-mce-fragment=\"1\"\u003ePremier livre d’orgue excerpts\u003cbr data-mce-fragment=\"1\"\u003eTroisième livre d’orgue excerpt\u003cbr data-mce-fragment=\"1\"\u003eQuatrième livre d’orgue\u003cbr data-mce-fragment=\"1\"\u003eCinquième livre d’orgue\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Great Organ of the Church of Saint-Maximin de Thionville\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eToccata, Adagio and Fugue in C major, BWV 564\u003cbr data-mce-fragment=\"1\"\u003eFantasia in G major, BWV 572\u003cbr data-mce-fragment=\"1\"\u003eTrio Sonata No. 1 in E flat major, BWV 525\u003cbr data-mce-fragment=\"1\"\u003ePassacaglia in C minor, BWV 582\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Laurenskerk, Rotterdam\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eFRANÇOIS COUPERIN (1668–1733)\u003cbr data-mce-fragment=\"1\"\u003eMesse pour les Paroisses\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Prediger-Kirche, Zürich\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eFRANÇOIS COUPERIN (1668–1733)\u003cbr data-mce-fragment=\"1\"\u003eMesse pour les Couvents\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Prediger-Kirche, Zürich\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS-NICOLAS CLÉRAMBAULT (1676–1749)\u003cbr data-mce-fragment=\"1\"\u003eLivre d’Orgue\u003cbr data-mce-fragment=\"1\"\u003eSuite du Premier Ton (G minor)\u003cbr data-mce-fragment=\"1\"\u003eSuite du Deuxième Ton (D minor)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Prediger-Kirche, Zürich\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eFRANÇOIS ROBERDAY (1624–1680)\u003cbr data-mce-fragment=\"1\"\u003eFugue et Caprices pour orgue\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Leonhardskirche, Basel\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eCHARLES CAMILLERI (1931–2009)\u003cbr data-mce-fragment=\"1\"\u003eMissa Mundi\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of the Royal Festival Hall\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eTHE ORGAN AT HEXHAM ABBEY\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eAllegro (Symphony No. 6, Op. 42 No. 2)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS VIERNE (1870–1937)\u003cbr data-mce-fragment=\"1\"\u003eImpromptu (Pièces de Fantaisie)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHN BULL (1562–1628)\u003cbr data-mce-fragment=\"1\"\u003eDr. Bull’s My Selfe\u003cbr data-mce-fragment=\"1\"\u003eDr. Bull’s Jewell\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNICOLAS DE GRIGNY (1672–1703)\u003cbr data-mce-fragment=\"1\"\u003eRécit de Tierce en Taille (Premier Livre d’Orgue)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHENRI MULET (1878–1967)\u003cbr data-mce-fragment=\"1\"\u003eTu es Petra (Esquisses byzantines)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS-CLAUDE DAQUIN (1694–1772)\u003cbr data-mce-fragment=\"1\"\u003eNoël XII: Noël Suisse\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMARCEL DUPRÉ (1886–1971)\u003cbr data-mce-fragment=\"1\"\u003eFileuse (Suite Bretonne, Op. 21 No. 2)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN LANGLAIS (1907–1991)\u003cbr data-mce-fragment=\"1\"\u003eDialogue sur les mixtures (Suite Brève)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHOMAS TOMKINS (1572–1656)\u003cbr data-mce-fragment=\"1\"\u003eWorster Braules\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJAN PIETERSZOON SWEELINCK (1562–1621)\u003cbr data-mce-fragment=\"1\"\u003eMein junges Leben hat ein End\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHÉODORE DUBOIS (1837–1924)\u003cbr data-mce-fragment=\"1\"\u003eToccata in G minor (12 Pièces Nouvelles)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of Hexham Abbey\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN (1809–1847)\u003cbr data-mce-fragment=\"1\"\u003eHör mein Bitten (Hear my Prayer)\u003cbr data-mce-fragment=\"1\"\u003eMotet, Op. 39 No. 1: Veni, Domine\u003cbr data-mce-fragment=\"1\"\u003eAve Maria, Op. 23 No. 2\u003cbr data-mce-fragment=\"1\"\u003eFelicity Palmer, soprano (Hör mein Bitten)\u003cbr data-mce-fragment=\"1\"\u003eJohn Elwes, tenor (Ave Maria)\u003cbr data-mce-fragment=\"1\"\u003eHeinrich Schütz Choir and Chorale\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir, organ\u003cbr data-mce-fragment=\"1\"\u003eRoger Norrington\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eZOLTÁN KODÁLY (1882–1967)\u003cbr data-mce-fragment=\"1\"\u003ePsalm 114, from the Geneva Psalter\u003cbr data-mce-fragment=\"1\"\u003eLaudes Organi – Fantasia on a 12th-century sequence\u003cbr data-mce-fragment=\"1\"\u003eBrighton Festival Chorus\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir, organ\u003cbr data-mce-fragment=\"1\"\u003eLászló Heltay\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 11\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eLe Banquet Céleste\u003cbr data-mce-fragment=\"1\"\u003eLes Corps Glorieux\u003cbr data-mce-fragment=\"1\"\u003eApparition de l’Église Éternelle\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of the Royal Festival Hall, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 12\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eVerset pour la Fête de la Dédicace\u003cbr data-mce-fragment=\"1\"\u003eL’Ascension (excerpts)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Organ of the Royal Festival Hall, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMARCEL DUPRÉ (1886–1971)\u003cbr data-mce-fragment=\"1\"\u003eVariations sur un Noël, Op. 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCAMILLE SAINT-SAËNS (1835–1921)\u003cbr data-mce-fragment=\"1\"\u003eFantaisie No. 1 in E flat major\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS VIERNE (1870–1937)\u003cbr data-mce-fragment=\"1\"\u003e3 Pièces de Fantaisie\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJACQUES CHARPENTIER (1933–2017)\u003cbr data-mce-fragment=\"1\"\u003eL’Ange à la Trompette\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMARCEL DUPRÉ (1886–1971)\u003cbr data-mce-fragment=\"1\"\u003eDeuxième Symphonie, Op. 26\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the Hradetzky organ in the Royal Northern College of Music, Manchester\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBBC RECORDINGS (CDs 13–22)\u003cbr data-mce-fragment=\"1\"\u003eLive Recordings from the BBC – Previously Unpublished\u003cbr data-mce-fragment=\"1\"\u003eCD 13\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLOUIS VIERNE (1870–1937)\u003cbr data-mce-fragment=\"1\"\u003eNaïades (Pièces de Fantaisie)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eCombat de la Mort et de la Vie (Les Corps Glorieux)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWILLIAM MATHIAS (1934–1992)\u003cbr data-mce-fragment=\"1\"\u003eVariations on a Hymn Tune ‘Braint’, Op. 20\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGILLIAN WEIR\u003cbr data-mce-fragment=\"1\"\u003eat the Cathedral and Abbey Church of St. Alban, St. Albans, Hertfordshire\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDIETERICH BUXTEHUDE (1637–1707)\u003cbr data-mce-fragment=\"1\"\u003eToccata in F major, BuxWV 156\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGIROLAMO FRESCOBALDI (1583–1643)\u003cbr data-mce-fragment=\"1\"\u003eAria detto to Balletto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLUIGI ROSSI (1597–1653)\u003cbr data-mce-fragment=\"1\"\u003eToccata Settima\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eARTHUR HONEGGER (1892–1955)\u003cbr data-mce-fragment=\"1\"\u003eFugue\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eANTON HEILLER (1923–1979)\u003cbr data-mce-fragment=\"1\"\u003eSuite: In Festo Corporis Christi\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Chapel of Clare College, Cambridge\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 14\u003cbr data-mce-fragment=\"1\"\u003eTHE ORGAN DANCES\u003cbr data-mce-fragment=\"1\"\u003eANTONIO VALENTE (1520–1580)\u003cbr data-mce-fragment=\"1\"\u003eLo ballo dell’ Intorcia\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eChoral No. 2\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eANTON HEILLER (1923–1979)\u003cbr data-mce-fragment=\"1\"\u003eTanz-Toccata\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePETR EBEN (1929–2007)\u003cbr data-mce-fragment=\"1\"\u003eWalpurgisnacht (from Faust)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEHAN ALAIN (1911–1940)\u003cbr data-mce-fragment=\"1\"\u003eTrois Danses\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eTransports de joie d’une âme devant la gloire du Christ qui est la sienna (L’Ascension)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the Royal Albert Hall, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 15\u003cbr data-mce-fragment=\"1\"\u003eMARCEL DUPRÉ (1886–1971)\u003cbr data-mce-fragment=\"1\"\u003eLe Monde dans l’attente du Sauveur (Symphonie-Passion, Op. 23)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEHAN ALAIN (1911–1940)\u003cbr data-mce-fragment=\"1\"\u003eIntermezzo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES TOURNEMIRE (1870–1939)\u003cbr data-mce-fragment=\"1\"\u003eChoral-paraphrase sur le Victimae Paschali (transc. Duruflé)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Birmingham Oratory, Birmingham\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEHAN ALAIN (1911–1940)\u003cbr data-mce-fragment=\"1\"\u003eDeux Fantaisies\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the Royal Festival Hall, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN LANGLAIS (1907–1991)\u003cbr data-mce-fragment=\"1\"\u003eIncantation pour un jour saint\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMAURICE DURUFLÉ (1902–1986)\u003cbr data-mce-fragment=\"1\"\u003ePrélude sur l’Introït de l’Epiphanie\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLÉON BOËLLMANN (1862–1897)\u003cbr data-mce-fragment=\"1\"\u003eVersets sur ‘Adoro Te’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEANNE DEMESSIEUX (1921–1968)\u003cbr data-mce-fragment=\"1\"\u003eDeux Choral Préludes, Op. 8\u003cbr data-mce-fragment=\"1\"\u003eTe Deum, Op. 11*\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Aarhus Domkirke, Aarhaus, Denmark\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 16\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eChoral No. 1 in E major (Trois Chorals)\u003cbr data-mce-fragment=\"1\"\u003eCantabile (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003eGrande Pièce Symphonique (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eFantaisie in A major (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003ePrélude, Fugue et Variation, Op. 18 (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003ePièce héroïque (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Saint-Sernin, Toulouse, France\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 17\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eChoral No. 2 in B minor (Trois Chorals)\u003cbr data-mce-fragment=\"1\"\u003ePastorale (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003ePrière, Op. 20 (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eChoral No. 3 in A minor (Trois Chorals)\u003cbr data-mce-fragment=\"1\"\u003eFantaisie in C major, Op. 16 (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eAndantino in G minor\u003cbr data-mce-fragment=\"1\"\u003eFinal, Op. 21 (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of Saint-Sernin, Toulouse, France\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 18\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eLe Banquet Céleste\u003cbr data-mce-fragment=\"1\"\u003eDiptyque\u003cbr data-mce-fragment=\"1\"\u003eApparition de l’Église Éternelle\u003cbr data-mce-fragment=\"1\"\u003eL’Ascension\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 19\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eLa Nativité du Seigneur\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 20\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eLes Corps Glorieux\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 21\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eMesse de la Pentecôte\u003cbr data-mce-fragment=\"1\"\u003eVerset pour la Fête de la Dédicace\u003cbr data-mce-fragment=\"1\"\u003eLivre d’Orgue\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 22\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eMéditations sur le Mystère de la Sainte Trinité\u003cbr data-mce-fragment=\"1\"\u003eGillian Weir at the organ of the National Shrine of the Immaculate Conception, Washington DC\u003c\/p\u003e","brand":"Gillian Weir","offers":[{"title":"Default Title","offer_id":37998998847679,"sku":"4841435","price":71.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/gilliaweir-acelebration.png?v=1647468482"},{"product_id":"eugen-jochum-choral-recordings-on-philips-13cd","title":"Eugen Jochum - Choral Recordings on Philips (13CD)","description":"\u003cp\u003eEugen Jochum’s complete recordings of choral \/ sacred music for Philips collected together for the first time. Includes the rare Rudolf Mengelberg Magnificat.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThis Eloquence box is offered as a companion to Jochum’s complete orchestral recordings for Philips. It is enhanced by some of the finest Bach singers of their day – Ernst Haefliger, Walter Berry and Agnes Giebel notable among them – and the superb principals of the Concertgebouw such as Han de Vries (oboe), Hubert Barwahser (flute) and Anner Bijlsma (cello), all of whom went on to pursue careers as solo-musicians. The Christmas Oratorio and The Creation feature the Bavarian Radio Symphony Orchestra and local choirs, with whom Jochum had enjoyed a fruitful relationship since becoming their principal conductor in 1949. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eåNiek Nelissen provides the insightful notes, including fascinating observations surrounding the recording sessions, and the booklet is enhanced with several rare photographs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This performance is shaped by a first-class musician. The choral lines, as for example in the great fugue of the Kyrie, are moulded with loving care … The orchestra is unfailingly eloquent, and special praise is due to the various instrumental soloists.” High Fidelity, October 1958 (Bach: Mass in B minor)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A soft gently and dignified approach to the score that stresses its contemplative aspects.” Choral Music on Record, 1991 (Bach: Mass in B minor)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Jochum has apparently chosen the ‘big’ approach. And yet, despite the size of his performing bodies, he has avoided the pitfall of having them get lost in a mass of sound, by the expedient of keeping them moving.” Stereo Review, December 1958 (Bach: Mass in B minor)\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCDs 1–2 \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMass in B minor, BWV 232\u003c\/li\u003e\n\u003cli\u003eLois Marshall, soprano I\u003c\/li\u003e\n\u003cli\u003eHertha Töpper, soprano II\u003c\/li\u003e\n\u003cli\u003ePeter Pears, tenor\u003c\/li\u003e\n\u003cli\u003eKim Borg, Hans Braun, bass\u003c\/li\u003e\n\u003cli\u003eChor und Symphonieorchester des Bayerischen Rundfunks\u003c\/li\u003e\n\u003cli\u003eEUGEN JOCHUM\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCDs 3–5\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMatthäus-Passion, BWV 244 (St. Matthew Passion)\u003c\/li\u003e\n\u003cli\u003eErnst Haefliger, tenor (Evangelist)\u003c\/li\u003e\n\u003cli\u003eWalter Berry, bass (Jesus)\u003c\/li\u003e\n\u003cli\u003eAgnes Giebel, soprano\u003c\/li\u003e\n\u003cli\u003eMarga Höffgen, alto\u003c\/li\u003e\n\u003cli\u003eJohn van Kesteren, tenor (arias)\u003c\/li\u003e\n\u003cli\u003eFranz Crass, Leo Ketelaars, bass (arias)\u003c\/li\u003e\n\u003cli\u003eNetherlands Radio Chorus\u003c\/li\u003e\n\u003cli\u003eBoys’ Chorus of St. Willibrord’s, Amsterdam\u003c\/li\u003e\n\u003cli\u003eConcertgebouworkest\u003c\/li\u003e\n\u003cli\u003eEUGEN JOCHUM\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCDs 6–7\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJohannes-Passion, BWV 245 (St. John Passion)\u003c\/li\u003e\n\u003cli\u003eErnst Haefliger, tenor (Evangelist)\u003c\/li\u003e\n\u003cli\u003eWalter Berry, bass (Jesus)\u003c\/li\u003e\n\u003cli\u003eAgnes Giebel, soprano (arias \u0026amp; Ancilla)\u003c\/li\u003e\n\u003cli\u003eMarga Höffgen, alto (arias)\u003c\/li\u003e\n\u003cli\u003eAlexander Young, tenor (arias \u0026amp; Servus)\u003c\/li\u003e\n\u003cli\u003eFranz Crass, bass (arias \u0026amp; Petrus, Pilatus)\u003c\/li\u003e\n\u003cli\u003eNetherlands Radio Chorus\u003c\/li\u003e\n\u003cli\u003eConcertgebouworkest\u003c\/li\u003e\n\u003cli\u003eEUGEN JOCHUM\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCDs 8–10\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWeihnachts-Oratorium, BWV 248 (Christmas Oratorio)\u003c\/li\u003e\n\u003cli\u003eElly Ameling, soprano (arias \u0026amp; Engel)\u003c\/li\u003e\n\u003cli\u003eBrigitte Fassbaender, alto (arias)\u003c\/li\u003e\n\u003cli\u003eHorst R. Laubenthal, tenor (arias \u0026amp; Evangelist)\u003c\/li\u003e\n\u003cli\u003eHermann Prey, bass (arias \u0026amp; Herodes)\u003c\/li\u003e\n\u003cli\u003eTölzer Knabenchor\u003c\/li\u003e\n\u003cli\u003eChor und Symphonieorchester des Bayerischen Rundfunks\u003c\/li\u003e\n\u003cli\u003eEUGEN JOCHUM\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCDs 11–12\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJOSEPH HAYDN (1732–1809)\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDie Schöpfung, Hob. XXI:2 (The Creation)\u003c\/li\u003e\n\u003cli\u003eAgnes Giebel, soprano (Gabriel, Eva)\u003c\/li\u003e\n\u003cli\u003eWaldemar Kmentt, tenor (Uriel)\u003c\/li\u003e\n\u003cli\u003eGottlob Frick, bass (Raphael, Adam)\u003c\/li\u003e\n\u003cli\u003eChor und Symphonieorchester des Bayerischen Rundfunks\u003c\/li\u003e\n\u003cli\u003eEUGEN JOCHUM\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRUDOLF MENGELBERG (1892–1959)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMagnificat\u003c\/li\u003e\n\u003cli\u003eAnnie Woud, alto\u003c\/li\u003e\n\u003cli\u003eConcertgebouworkest\u003c\/li\u003e\n\u003cli\u003eEUGEN JOCHUM\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 13\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMissa solemnis, Op. 123\u003c\/li\u003e\n\u003cli\u003eAgnes Giebel, soprano\u003c\/li\u003e\n\u003cli\u003eMarga Höffgen, alto\u003c\/li\u003e\n\u003cli\u003eErnst Haefliger, tenor\u003c\/li\u003e\n\u003cli\u003eKarl Ridderbusch, bass\u003c\/li\u003e\n\u003cli\u003eNetherlands Radio Chorus\u003c\/li\u003e\n\u003cli\u003eConcertgebouworkest\u003c\/li\u003e\n\u003cli\u003eEUGEN JOCHUM\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Eugen Jochum","offers":[{"title":"Default Title","offer_id":38162497306815,"sku":"4842000","price":59.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/eugen-jochum-choral-recordings-on-philips-box-set-13cd-1.jpg?v=1613094120"},{"product_id":"jeanne-demessieux-the-decca-legacy-8cd","title":"Jeanne Demessieux – The Decca Legacy (8CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFrom her legendary debut through the succeeding years, Jeanne Demessieux brought virtuosity allied to intellect and sensitivity, and went on to become the glory of the French organ school. This 8-CD celebration of one of the instrument’s most spoken-of, yet enigmatic figures, brings together for the first time her complete Decca recordings and a previously unpublished BBC Radio broadcast, and is released to mark the centenary of her birth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eIt includes Demessieux’s legendary Franck recordings; her recordings from St. Mark’s, North Audley Street, London, many released for the first time since the original 78s; little-known recordings of sacred songs with Demessieux accompanying the Belgian soprano, Suzanne Danco; and an improvisation on a submitted theme from the only extant BBC radio broadcast with Demessieux, which also includes Bach, Buxtehude, Widor and Messiaen.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll recordings have been carefully remastered by Mark Obert-Thorn and Chris Bernauer.\u003cbr data-mce-fragment=\"1\"\u003eThe accompanying booklet includes details of Demessieux’s unpublished recordings, rare photos and facsimiles of some of her programs, extensive notes, including details of some of the recording sessions; and notes on the instruments and full specifications for each of the five organs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eREVIEWS\u003cbr data-mce-fragment=\"1\"\u003e“This young French player has an amazing technique and uses a considerable variety of touch” Gramophone, October 1947 (Bach, BWV 565 – 1947 recording)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This really is that very rare thing, organ playing with imagination … Without pretending to authority, I feel that I had stepped into Westminster Abbey in Purcell’s time I might have heard organ playing which sounded like this” Gramophone, September 1948 (Clarke, attr. Purcell)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“… a deep dream of peace to soothe a tortured world … Miss Demessieux gives a most restrained and finely-phrased performance” Gramophone, August 1950 (Franck: Cantabile – 1949 recording)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“a wonderful piece of engineering, as faithful a reproduction of organ sound as I have ever heard” Gramophone, June 1954 (Bach: LW 5095)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750) \u003cbr data-mce-fragment=\"1\"\u003eToccata and Fugue in D minor, BWV 565 (Rec. 1947)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN (1587–1654)\u003cbr data-mce-fragment=\"1\"\u003eSonata in A major, Op. 65 No. 3 – Maestoso\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEREMIAH CLARKE (1674–1707)\u003cbr data-mce-fragment=\"1\"\u003eTrumpet Tune (formally attrib. Henry Purcell \/ Trans. Marcel Dupré)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eToccata (Symphonie V, Op. 42 No. 1)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eCantabile (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003ePastorale (Six Pièces)\u003cbr data-mce-fragment=\"1\"\u003eFantaisie (Trois Pièces)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003ePrelude and Fugue in D major, BWV 532\u003cbr data-mce-fragment=\"1\"\u003eToccata and Fugue in D minor, BWV 565 (Rec. 1951)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of St. Mark’s, North Audley Street, London\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eToccata, Adagio and Fugue in C major, BWV 564\u003cbr data-mce-fragment=\"1\"\u003ePrelude and Fugue in A minor, BWV 543\u003cbr data-mce-fragment=\"1\"\u003eChorale Prelude: Wenn wir in höchsten Nöten sein, BWV 641 (from Orgelbüchlein)\u003cbr data-mce-fragment=\"1\"\u003eChorale Prelude: Nun komm’ der Heiden Heiland, BWV 659 (from 18 Chorale Preludes)\u003cbr data-mce-fragment=\"1\"\u003eChorale Prelude: Jesus Christus, unser Heiland, BWV 688 (from Clavierübung III)\u003cbr data-mce-fragment=\"1\"\u003eFugue in G major (à la gigue), BWV 577\u003cbr data-mce-fragment=\"1\"\u003eToccata and Fugue in D minor, BWV 565\u003cbr data-mce-fragment=\"1\"\u003eFantasia and Fugue in G minor, BWV 542\u003cbr data-mce-fragment=\"1\"\u003eConcerto in A minor, BWV 593 (Based on Vivaldi's Concerto in A minor, Op. 3 No. 8, RV 522)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Victoria Hall, Geneva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 3\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eTrois Chorals\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ LISZT (1811–1886)\u003cbr data-mce-fragment=\"1\"\u003eFantasia and Fugue on ‘Ad nos, as salutarem undam’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eVariations (Symphonie gothique, Op. 70)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Victoria Hall, Geneva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 4\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr data-mce-fragment=\"1\"\u003eOrgan Concerto in G minor, Op. 4 No. 1, HWV 289 \u003cbr data-mce-fragment=\"1\"\u003eOrgan Concerto in B flat major, Op. 4 No. 2, HWV 290 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Victoria Hall, Geneva\u003cbr data-mce-fragment=\"1\"\u003eL’Orchestre de la Suisse Romande\u003cbr data-mce-fragment=\"1\"\u003eErnest Ansermet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHEINRICH SCHÜTZ (1585–1672)\u003cbr data-mce-fragment=\"1\"\u003eEile mich, Gott, zu erretten, SWV 282\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750) \u003cbr data-mce-fragment=\"1\"\u003eBist du bei mir, BWV 508\u003cbr data-mce-fragment=\"1\"\u003eKomm, süßer Tod, komm, selge Ruh’, BWV 478\u003cbr data-mce-fragment=\"1\"\u003eWarum betrübst du dich, BWV 516\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSuzanne Danco, soprano\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Victoria Hall, Geneva\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ LISZT (1811–1886)\u003cbr data-mce-fragment=\"1\"\u003ePrelude and Fugue on B.A.C.H\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eAllegro (Symphony No. 6, Op. 42 No. 2)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÉDOUARD MIGNAN (1884–1969)\u003cbr data-mce-fragment=\"1\"\u003eToccata médiévale\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN BERVEILLER (1904–1976)\u003cbr data-mce-fragment=\"1\"\u003eMouvement\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEANNE DEMESSIEUX (1921–1968)\u003cbr data-mce-fragment=\"1\"\u003eTe Deum, Op. 11\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of La Madeleine, Paris\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 5\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eChoral Prelude: O Mensch, bewein’ dein’ Sünde groß, BWV 622 (from Orgelbüchlein)\u003cbr data-mce-fragment=\"1\"\u003eChorale Prelude: Christ unser Herr zum Jordan kam, BWV 684 (from Clavierübung III)\u003cbr data-mce-fragment=\"1\"\u003eFantasia in G major, BWV 572\u003cbr data-mce-fragment=\"1\"\u003eSinfonia from Cantata No. 29, BWV 29 (Trans: Marcel Dupré)\u003cbr data-mce-fragment=\"1\"\u003eChorale-Prelude: Erbarm’ dich mein, o Herre Gott, BWV 721\u003cbr data-mce-fragment=\"1\"\u003eToccata and Fugue in F major, BWV 540\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003eAdagio and Fugue in C minor, KV 546 \/ 426 (Adagio: transc. Demessieux; Fugue: transc. Dupré)\u003cbr data-mce-fragment=\"1\"\u003eFantasia in F minor, KV 608\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of La Madeleine, Paris\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 6\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eSix Pièces\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of La Madeleine, Paris\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 7\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCÉSAR FRANCK (1822–1890)\u003cbr data-mce-fragment=\"1\"\u003eTrois Pièces \u003cbr data-mce-fragment=\"1\"\u003eTrois Chorals\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of La Madeleine, Paris\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 8\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eOLIVIER MESSIAEN (1908–1992)\u003cbr data-mce-fragment=\"1\"\u003eTransports de joie d’une âme devant la gloire du Christ qui est la sienne (L’Ascension)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eChoral Prelude: Liebster Jesu, wir sind hier, BWV 731\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN BERVEILLER (1904–1976)\u003cbr data-mce-fragment=\"1\"\u003eMouvement\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eToccata (Symphonie V, Op. 42 No. 1)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Liverpool Metropolitan Cathedral\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLive Recording from the BBC – Previously Unpublished\u003cbr data-mce-fragment=\"1\"\u003eDIETERICH BUXTEHUDE (1637–1707)\u003cbr data-mce-fragment=\"1\"\u003eFugue in C major, BuxWV 174\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eChoral Prelude: Liebster Jesu, wir sind hier, BWV 731\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCHARLES-MARIE WIDOR (1844–1937)\u003cbr data-mce-fragment=\"1\"\u003eAllegro vivace (Symphonie V, Op. 42 No. 1)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEANNE DEMESSIEUX (1921–1968)\u003cbr data-mce-fragment=\"1\"\u003eImprovisation on a theme submitted by Adrian Beaumont\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeanne Demessieux at the organ of Colston Hall, Bristol \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlease note: CD 8 is released in physical format only and is not available on digital services\u003c\/p\u003e","brand":"Jeanne Demessieux","offers":[{"title":"Default Title","offer_id":38162524373183,"sku":"4841424","price":35.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/jeanne-demessieux-the-decca-legacy-box-set-8cd-1.jpg?v=1613094506"},{"product_id":"max-rostal-twentieth-century-violin-sonatas-2cd","title":"Max Rostal - 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This unique retrospective chronicles more than 100 fascinating performances. They were recorded by 77 pianists during seven events over two decades (1992–2016).\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eOver its 14 hours, the eleven CDs in this Limited Edition encompass music by more than 55 composers from Agnew to Zaderetsky and the anthology is categorised in seven themes: Baroque, Classical, Romantic, Twentieth Century, Transcriptions \u0026amp; Encores, Australian Piano Music and Piano Concertos. Anyone who has followed The Sydney will recognize the excitement, the fever pitch as this great quadrennial festival of pianism heads towards the final rounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe booklet includes full recording details, and introduction by The Sydney’s chairman Virginia Braden, and notes by Piers Lane (Artistic Director of The Sydney), and Cyrus Meher-Homji, who initiated a long-running series of recordings from The Sydney from 1992 onwards and curated this boxed set.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1: BAROQUE\u003cbr\u003eJ.S. Bach · Scarlatti · Handel · Bach\/Busoni\u003c\/p\u003e\n\u003cp\u003eCD 2\u003cbr\u003eBeethoven · Haydn · Mozart · Schubert\u003c\/p\u003e\n\u003cp\u003eCDs 3–4: THE ROMANTICS\u003cbr\u003eBrahms · Chopin · Granados · Liszt · Mendelssohn · Rachmaninov · Schumann · Taneyev\u003c\/p\u003e\n\u003cp\u003eCDs 5–7: THE TWENTIETH CENTURY\u003cbr\u003eBerg · Copland · Debussy · Fábregas · Ginastera · Kaputsin · Ligeti · Menotti · Poulenc · Prokofiev · Ravel · Scriabin · Shchedrin · Shostakovich · Sibelius · Stravinsky · Zaderatsky\u003c\/p\u003e\n\u003cp\u003eCD 8: TRANSCRIPTIONS \u0026amp; ENCORES\u003c\/p\u003e\n\u003cp\u003eBalakirev · Gluck\/Sgambati · J. Strauss\/Schulz-Evler · Liszt · Macdowell · Mendelssohn\/Rachmaninov · Paganini\/Liszt · Rimsky-Korsakov\/Rachmaninov · Schubert\/Liszt · Schumann\/Liszt · Sancan · R. Strauss\/Grainger · Tchaikovsky\/Grainger · Tchaikovsky\/Pletnev · Wagner\/Liszt · Weber\u003c\/p\u003e\n\u003cp\u003eCD 9: AUSTRALIAN PIANO MUSIC\u003cbr\u003eAgnew · Benjamin · Carr-Boyd · Dean · Ford · Hair · Kats-Chernin · Kerry · Sculthorpe · Smalley · Vine\u003c\/p\u003e\n\u003cp\u003eCDs 10–11: PIANO CONCERTOS\u003cbr\u003eLiszt · Rachmaninov · Prokofiev\u003c\/p\u003e\n\u003cp\u003eARTISTS\u003cbr\u003eAlbright · Arimori · Bogdanov · Bolla · Broberg · Cazal · John Chen · Moye Chen · Cominati · Cyba · Del Pino · Deng · Fung · Fushiki · Gifford · Gillham · Gortler · Goto · Gough · Grigortsevich · Gugnin · Ham · Hill · Janssen · Joamets · Jurinic · Kameneva · Khairutdinov · Kim · Kitamura · Kolesova · Kolomiitseva · Jianing Kong · Xiang-Dong Kong · Kudo · Kurbatov · Kuzmin · Lakissova · Lee · Leske · Li · Liu · Lopatynskiy · Malikova · Malmgren · Masliouk · Melnikov · O’Callaghan · Owen · Pegoraro · Rashkovsky · Samoschko · Samossoueva · Sato · Scott · Shamray · Sim · Soo Rhee · Takada · Takao ·\u003cbr\u003eTarasevich-Nikolaev · Tarasov · Tsvetkov · Uehara · Ukhanov · Urassin · Vetruccio · Volodin · Wallisch · Wisniewski · Wright · Xie · Yemtsov · Young · Yu · Zabaleta · Zheng\u003c\/p\u003e\n\u003cp\u003eSydney Symphony Orchestra \/ Eduard Tchivzhel · János Fürst\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":39620321181887,"sku":"4819497","price":44.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/various-artists-virtuoso-pianists-of-the-sydney-international-piano-competition-1992-2016-11cd.jpg?v=1618983676"},{"product_id":"lindsay-string-quartet-beethoven-complete-string-quartets-10cd","title":"Beethoven: Complete String Quartets (10CD)","description":"\u003cp\u003eThe Lindsay String Quartet’s award-winning and first Beethoven cycle (1979–83), originally recorded for ASV: risk-taking musicianship at the highest level.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLIMITED EDITION.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003e‘We had spent more time on rehearsing and trying to understand Beethoven than any other composer: he was a God to us,’ writes cellist Bernard Gregor-Smith. Through the course of their 40-year career, the Lindsay String Quartet was synonymous above all with the string quartets of Beethoven. They began playing together in 1966 while still students at the Royal Academy of Music in London. Six years later, Ronald Birks took the second violin chair to join leader Peter Cropper, violist Roger Bigley and cellist Bernard Gregor-Smith. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstantly recognisable even now and quite distinct from the ensembles of note who came before and after them, the Lindsays always sounded like a quartet of four discrete and entirely individual personalities. They soon became celebrated for a fierce, even ferocious commitment to both the notes on the page (taking Beethoven’s repeat marks seriously when it was still unfashionable to do so) and to the sometimes rough, often tough and yet elevated spirit of music that still sets a benchmark for both ensembles and listeners. The Lindsays left nothing in the rehearsal studio, even when the red light was on.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in F major, Op. 18 No. 1\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in G major, Op. 18 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in D major, Op. 18 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in C minor, Op. 18 No. 4 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in A major, Op. 18 No. 5 \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in B flat major, Op. 18 No. 6 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in F major, Op. 59 No. 1 ‘Razumovsky No. 1’ \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in E minor, Op. 59 No. 2 ‘Razumovsky No. 2’ \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in C major, Op. 59 No. 3 ‘Razumovsky No. 3’ \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in E flat major, Op. 74 ‘Harp’ \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in F minor, Op. 95 ‘Serioso’ \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in E flat major, Op. 127 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in B flat major, Op. 130 (with Grosse Fuge, Op. 133) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in C sharp minor, Op. 131 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eString Quartet in A minor, Op. 132 \u003cbr data-mce-fragment=\"1\"\u003eString Quartet in F major, Op. 135 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLINDSAY STRING QUARTET\u003cbr data-mce-fragment=\"1\"\u003ePeter Cropper, violin I \u003cbr data-mce-fragment=\"1\"\u003eRonald Birks, violin II \u003cbr data-mce-fragment=\"1\"\u003eRoger Bigley, viola \u003cbr data-mce-fragment=\"1\"\u003eBernard Gregor-Smith, cello\u003c\/p\u003e","brand":"Lindsay String Quartet","offers":[{"title":"Default Title","offer_id":40163502063807,"sku":"4843069","price":50.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/lindsay-string-quartet-beethoven-complete-string-quartets-10cd-cover.jpg?v=1625691545"},{"product_id":"sir-neville-marriner-academy-chorus-of-st-martin-in-the-fields-christmas-with-the-academy-cd","title":"Christmas With The Academy (CD)","description":"\u003cp\u003eWith their typical clean, vital, buoyant style, Neville Marriner and the Academy bring a liveliness and joy to this selection, which begins and ends with the sound of church bells, and interweaves favourite carols with Christmas classics by Bach and Berlioz.\u003cbr\u003e\u003c\/p\u003e","brand":"Sir Neville Marriner \/ Academy \u0026 Chorus of St Martin in the Fields","offers":[{"title":"Default Title","offer_id":40752027926719,"sku":"4806555","price":7.77,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/sir-neville-marriner-academy-_-chorus-of-st-martin-in-the-fields-christmas-with-the-academy-cd.jpg?v=1632362146"},{"product_id":"ruggiero-ricci-complete-decca-recordings-20cd","title":"Ruggiero Ricci Complete Decca Recordings (20CD)","description":"\u003cp\u003ePraised for his ‘natural elegance’ (Gramophone), ‘finesse and astute interpretative insight’ (American Record Guide), ‘faultlessly brilliant technique’ and ‘astonishingly assured combination of virtuosity and poetic sensibility’ (High Fidelity), RUGGIERO RICCI made recordings for Decca from 1950 to 1974. This tribute to the fiendish fingers and sublime artistry of a true virtuoso collects together his complete recordings for the British label – concertos, solo violin works, encore pieces and sonatas, including a previously unpublished set of the Brahms Violin Sonatas with Julius Katchen recorded in 1954. By way of bonus, the set also includes excerpts from the Fistoulari recording of Tchaikovsky’s Swan Lake where Ricci plays the violin solos, as well as Ansermet’s complete performances of the composer’s Suites Nos. 3 and 4, both of whose obbligato violin parts are performed by the violinist.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eAn Original Jackets Limited Edition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr data-mce-fragment=\"1\"\u003eBEETHOVEN Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eSir Adrian Boult · Sir Malcolm Sargent\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003ePAGANINI Violin Concerto Nos. 1 \u0026amp; 2\u003cbr data-mce-fragment=\"1\"\u003eRAVEL Tzigane\u003cbr data-mce-fragment=\"1\"\u003eAnthony Collins · Ernest Ansermet \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eSIBELIUS Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Sérénade mélancolique; Scherzo \u003cbr data-mce-fragment=\"1\"\u003eKHACHATURIAN Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eOivin Fjeldstad ∙ Anatole Fistoulari\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eMENDELSSOHN Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eBRUCH Violin Concerto No. 1\u003cbr data-mce-fragment=\"1\"\u003ePiero Gamba\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003ePROKOFIEV Violin Concertos Nos. 1 \u0026amp; 2\u003cbr data-mce-fragment=\"1\"\u003eErnest Ansermet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eLALO Symphone espagnole\u003cbr data-mce-fragment=\"1\"\u003eSARASATE Carmen Fantaisie; Zigeunerweisen\u003cbr data-mce-fragment=\"1\"\u003eSAINT-SAËNS Havanaise; Introduction et Rondo Capriccioso\u003cbr data-mce-fragment=\"1\"\u003eErnest Ansermet ∙ Piero Gamba\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eDVOŘÁK Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eSir Malcolm Sargent\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eMENDELSSOHN Violin Concerto\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Violin Concerto; Swan Lake (excerpts)\u003cbr data-mce-fragment=\"1\"\u003eJean Fournet · Anatole Fistoulari\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eTCHAIKOVSKY Suites Nos. 3 \u0026amp; 4\u003cbr data-mce-fragment=\"1\"\u003eErnest Ansermet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003ePAGANINI Caprices (1950 Recording)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 11\u003cbr data-mce-fragment=\"1\"\u003ePAGANINI Caprices (1959 Recording)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 12\u003cbr data-mce-fragment=\"1\"\u003eWORKS FOR SOLO VIOLIN\u003cbr data-mce-fragment=\"1\"\u003eBartók ∙ Stravinsky · Prokofiev ∙ Hindemith\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 13\u003cbr data-mce-fragment=\"1\"\u003eJ.S. BACH Sonata No. 1; Partita No. 2 \u003cbr data-mce-fragment=\"1\"\u003eWEBER Six Sonates Progressives\u003cbr data-mce-fragment=\"1\"\u003eCarlo Bussotti\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 14\u003cbr data-mce-fragment=\"1\"\u003eR. STRAUSS Violin Sonata \u003cbr data-mce-fragment=\"1\"\u003ePROKOFIEV Violin Sonata No. 2\u003cbr data-mce-fragment=\"1\"\u003eCarlo Bussotti\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 15\u003cbr data-mce-fragment=\"1\"\u003eBEETHOVEN Violin Sonatas Nos. 7 \u0026amp; 10\u003cbr data-mce-fragment=\"1\"\u003eFriedrich Gulda\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 16\u003cbr data-mce-fragment=\"1\"\u003eBRAHMS Violin Sonatas Nos. 1–3 (1954 Recording)\u003cbr data-mce-fragment=\"1\"\u003eJulius Katchen\u003cbr data-mce-fragment=\"1\"\u003ePREVIOUSLY UNPUBLISHED\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 17\u003cbr data-mce-fragment=\"1\"\u003eBRAHMS Violin Sonatas Nos. 2 \u0026amp; 3 (1957 Recording)\u003cbr data-mce-fragment=\"1\"\u003eJulius Katchen\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 18\u003cbr data-mce-fragment=\"1\"\u003eSARASATE Danzas Españolas \u003cbr data-mce-fragment=\"1\"\u003eLouis Persinger\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 19\u003cbr data-mce-fragment=\"1\"\u003eA PAGANINI RECITAL\u003cbr data-mce-fragment=\"1\"\u003eLouis Persinger \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 20\u003cbr data-mce-fragment=\"1\"\u003eVIRTUOSO SHOWPIECES\u003cbr data-mce-fragment=\"1\"\u003eErnest Lush\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRUGGIERO RICCI, violin\u003c\/p\u003e","brand":"Ruggiero Ricci","offers":[{"title":"Default Title","offer_id":40752028418239,"sku":"4842150","price":86.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/ruggiero-ricci-complete-decca-recordings-20cd-cover.jpg?v=1632361368"},{"product_id":"ruggiero-ricci-complete-american-decca-recordings-9cd","title":"Ruggiero Ricci Complete American Decca Recordings (9CD)","description":"\u003cp\u003eCollected together for the first time are all of RUGGIERO RICCI’s nine solo albums taped for American Decca between 1960 and 1970. The sessions brought concertos by Vivaldi (The Four Seasons with an all-Stradivarius ensemble), Paganini and Saint-Saëns as well as several concept albums. ‘The Glory of Cremona’, a recording ‘that all fiddle fanciers will insist on having’ (Stereo Review) saw him play fifteen priceless violins. The 1967 traversal of the complete Bach Sonatas and Partitas for solo violin were described by Gramophone as ‘a miracle’. One of the last century’s most spell-binding technicians on the violin, Ricci was a complete musician, to whom this set pays eloquent tribute. \u003cbr data-mce-fragment=\"1\"\u003eAn Original Jackets Limited Edition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACK LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr data-mce-fragment=\"1\"\u003eVIVALDI The Four Seasons\u003cbr data-mce-fragment=\"1\"\u003eStradivarius Chamber Orchestra\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2 \u003cbr data-mce-fragment=\"1\"\u003ePAGANINI Violin Concerto No. 2\u003cbr data-mce-fragment=\"1\"\u003eSAINT-SAËNS Violin Concerto No. 1\u003cbr data-mce-fragment=\"1\"\u003eCincinnati Symphony Orchestra \/ Max Rudolf\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 3–4\u003cbr data-mce-fragment=\"1\"\u003eJ.S. BACH Sonatas and Partitas for Solo Violin\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5 \u003cbr data-mce-fragment=\"1\"\u003eSARASATE Spanish Dances; Introduction et Tarantelle; Caprice Basque; Serenata andaluza\u003cbr data-mce-fragment=\"1\"\u003eBrooks Smith\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eA TRIBUTE TO KREISLER\u003cbr data-mce-fragment=\"1\"\u003eMeet the Music – interview with Victor Alexander\u003cbr data-mce-fragment=\"1\"\u003eBrooks Smith\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eTHE GLORY OF CREMONA\u003cbr data-mce-fragment=\"1\"\u003eIncluding Bruch, demonstrated on 15 different violins\u003cbr data-mce-fragment=\"1\"\u003eLeon Pommers\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eBRAVURA!\u003cbr data-mce-fragment=\"1\"\u003eLocatelli · Paganini · Ernst · Vecsey · Wieniawski\u003cbr data-mce-fragment=\"1\"\u003eLeon Pommers\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eVIOLIN PLUS 1\u003cbr data-mce-fragment=\"1\"\u003eVivaldi · Saint-Saëns · Paganini · Villa-Lobos · Prokofiev\u003cbr data-mce-fragment=\"1\"\u003eKenneth Cooper · Gloria Agostini · Rolando Valdés-Blain · Lee Venora · David Nadien\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRUGGIERO RICCI, violin\u003c\/p\u003e","brand":"Ruggiero Ricci","offers":[{"title":"Default Title","offer_id":40752029204671,"sku":"4841988","price":44.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/ruggiero-ricci-complete-american-decca-recordings-9cd-cover.jpg?v=1632361289"},{"product_id":"sir-adrian-boult-pierre-colombo-handel-messiah-bach-magnificat-3cd","title":"Handel: Messiah; Bach Magnificat (3CD)","description":"\u003cp\u003eSir Adrian Boult’s first Messiah for Decca, newly remastered and coupled with a rare L’Oiseau-Lyre recording of the \u003cem\u003eBach Magnificat\u003c\/em\u003e, new to CD.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sir Adrian Boult \/ Pierre Colombo","offers":[{"title":"Default Title","offer_id":40783386149055,"sku":"4840411","price":13.17,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/sir-adrian-boult-pierre-colombo-handel-messia-bach-magnificat-3cd.jpg?v=1632800572"},{"product_id":"vera-lynn-kenneth-mckellar-the-wonderful-world-of-nursery-rhymes-cd","title":"The Wonderful World of Nursery Rhymes (CD)","description":"\u003cp\u003eIn March 1959 and May 1963, respectively, Vera Lynn and Kenneth McKellar – two of Decca’s best-selling exclusive artists – went into the studio to record albums of nursery rhymes. Simply, but deliciously scored, with several touches of humour, the two collections were brought together by Decca in 1976 and issued as \u003cem\u003eThe Wonderful World of Nursery Rhymes\u003c\/em\u003e. A gatefold sleeve for the 1976 LP (SPA 485) was commissioned and it included an illustration that encompassed all 54 nursery rhymes featured on the album. Now, for the first complete CD reissue of that LP, the same illustration is used and the original sequencing of the nursery rhymes retained. Additionally, the lyrics for all the nursery rhymes are printed in the booklet, ensuring that this becomes something of a collector’s item as well as the perfect gift for the young at heart.\u003cbr\u003e\u003c\/p\u003e","brand":"Vera Lynn \/ Kenneth McKellar","offers":[{"title":"Default Title","offer_id":40884251099327,"sku":"4428681","price":5.97,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/vera-lynn-kenneth-mckellar-the-wonderful-world-of-nursery-rhymes-cd.jpg?v=1634254868"},{"product_id":"clemens-krauss-complete-decca-recordings-16cd","title":"Clemens Krauss Complete Decca Recordings (16CD)","description":"\u003cp\u003eThis limited edition featuring original jackets presents Clemens Krauss’s legacy of studio recordings, made between July 1947 and March 1954.\u003c\/p\u003e\n\u003cp\u003eA friend and supreme conductor of Richard Strauss, Krauss also excelled in the music of the other Strauss dynasty, represented here with what Carlos Kleiber considered to be the definitive Fledermaus as well as the three New Year Concerts records made for Decca. Limited Edition Original Jackets Edition.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eOverture – Leonore No. 1, Op. 138*\u003cbr data-mce-fragment=\"1\"\u003eOverture – Leonore No. 2, Op. 72a \u003cbr data-mce-fragment=\"1\"\u003eOverture – Leonore No. 3, Op. 72b\u003cbr data-mce-fragment=\"1\"\u003eOverture – Fidelio, Op. 72\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 2 in B flat major, Op. 19\u003cbr data-mce-fragment=\"1\"\u003eWilhelm Backhaus, piano; Wiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 4 in G major, Op. 58\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 5 in E flat major, Op. 73 ‘Emperor’\u003cbr data-mce-fragment=\"1\"\u003eWilhelm Backhaus, piano; Wiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eJOHANNES BRAHMS (1883–1897)\u003cbr data-mce-fragment=\"1\"\u003eAlto Rhapsody, Op. 53\u003cbr data-mce-fragment=\"1\"\u003eKathleen Ferrier, contralto; London Philharmonic Choir (Frederic Jackson, chorus master); London Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003eAcademic Festival Overture, Op. 80*\u003cbr data-mce-fragment=\"1\"\u003eVariations on a theme by Haydn, Op. 56a*\u003cbr data-mce-fragment=\"1\"\u003eHungarian Dances Nos. 1 \u0026amp; 3 (orch. Brahms)*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eANTONÍN DVOŘÁK (1841–1904)\u003cbr data-mce-fragment=\"1\"\u003eSlavonic Dances, Op. 46 (B.83) Nos. 3, 5 \u0026amp; 8*\u003cbr data-mce-fragment=\"1\"\u003eLondon Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eDon Juan, Op. 20\u003cbr data-mce-fragment=\"1\"\u003eTill Eulenspiegels lustige Streiche, Op. 28\u003cbr data-mce-fragment=\"1\"\u003eEin Heldenleben, Op. 40\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eAlso sprach Zarathustra, Op. 30 \u003cbr data-mce-fragment=\"1\"\u003eDon Quixote, Op. 35\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker; Pierre Fournier, cello; Ernst Moraweg, viola\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eSymphonia domestica, Op. 53\u003cbr data-mce-fragment=\"1\"\u003eLe Bourgeois gentilhomme – Suite, Op. 60\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eAus Italien, Op. 16\u003cbr data-mce-fragment=\"1\"\u003eTill Eulenspiegels lustige Streiche, Op. 28*\u003cbr data-mce-fragment=\"1\"\u003eTod und Verklärung, Op. 24*\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker (Aus Italien)\u003cbr data-mce-fragment=\"1\"\u003eOrchestra del Teatro alla Scala (Till Eulenspiegels lustige Streiche)\u003cbr data-mce-fragment=\"1\"\u003eLondon Philharmonic Orchestra (Tod und Verklärung)\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 8–9\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eSalome, Op. 54\u003cbr data-mce-fragment=\"1\"\u003eHerod: Julius Patzak\u003cbr data-mce-fragment=\"1\"\u003eHerodias: Margareta Kenney\u003cbr data-mce-fragment=\"1\"\u003eSalome: Christel Goltz\u003cbr data-mce-fragment=\"1\"\u003eJochanaan: Hans Braun\u003cbr data-mce-fragment=\"1\"\u003eNarraboth: Anton Dermota\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eOverture – Fidelio, Op. 72*\u003cbr data-mce-fragment=\"1\"\u003eLondon Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRICHARD WAGNER (1813–1883)\u003cbr data-mce-fragment=\"1\"\u003eTristan und Isolde: Prelude and Liebestod (concert version)\u003cbr data-mce-fragment=\"1\"\u003eParsifal: Karfreitagszauber (concert version)\u003cbr data-mce-fragment=\"1\"\u003eLondon Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS (1864–1949)\u003cbr data-mce-fragment=\"1\"\u003eDer Rosenkavalier: Hab mir’s gelobt\u003cbr data-mce-fragment=\"1\"\u003eTiana Lemnitz, soprano\u003cbr data-mce-fragment=\"1\"\u003eErna Berger, soprano\u003cbr data-mce-fragment=\"1\"\u003eViorica Ursuleac, soprano\u003cbr data-mce-fragment=\"1\"\u003eOrchester der Staatsoper Berlin \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003eDon Giovanni: Deh vieni*\u003cbr data-mce-fragment=\"1\"\u003eLe nozze di Figaro: Se vuol ballare*\u003cbr data-mce-fragment=\"1\"\u003ePaul Schöffler, bass-baritone\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLe nozze di Figaro: Voi che sapete; Giunse alfin il momento … Deh vieni \u003cbr data-mce-fragment=\"1\"\u003eIdomeneo: Se il padre; Non più, tutto ascoltai … Non temer, amato bene, KV 490\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGIUSEPPE VERDI (1813–1901)\u003cbr data-mce-fragment=\"1\"\u003eRigoletto: Caro nome; Tutte le feste … Ah, solo per me\u003cbr data-mce-fragment=\"1\"\u003eHilde Gueden, soprano\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 11–12\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eDie Fledermaus\u003cbr data-mce-fragment=\"1\"\u003eGabriel von Eisenstein: Julius Patzak\u003cbr data-mce-fragment=\"1\"\u003eRosalinde: Hilde Gueden\u003cbr data-mce-fragment=\"1\"\u003eDr. Falke: Alfred Poell\u003cbr data-mce-fragment=\"1\"\u003eAdele: Wilma Lipp\u003cbr data-mce-fragment=\"1\"\u003ePrinz Orlofsky: Sieglinde Wagner\u003cbr data-mce-fragment=\"1\"\u003eFrank: Kurt Preger\u003cbr data-mce-fragment=\"1\"\u003eAlfred: Anton Dermota\u003cbr data-mce-fragment=\"1\"\u003eDr. Blind: August Jaresch\u003cbr data-mce-fragment=\"1\"\u003eWiener Staatsopernchor\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 13–14\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eDer Zigeunerbaron\u003cbr data-mce-fragment=\"1\"\u003eGraf Peter Homonay: Alfred Poell\u003cbr data-mce-fragment=\"1\"\u003eConte Carnero: Karl Dönch\u003cbr data-mce-fragment=\"1\"\u003eSándor Barinkay: Julius Patzak\u003cbr data-mce-fragment=\"1\"\u003eKálman Zsupán: Kurt Preger\u003cbr data-mce-fragment=\"1\"\u003eArsena: Emmy Loose\u003cbr data-mce-fragment=\"1\"\u003eMirabella: Steffi Leverenz\u003cbr data-mce-fragment=\"1\"\u003eOttokar: August Jaresch\u003cbr data-mce-fragment=\"1\"\u003eCzipra: Rosette Anday\u003cbr data-mce-fragment=\"1\"\u003eSaffi: Hilde Zadek\u003cbr data-mce-fragment=\"1\"\u003ePali: Franz Bierback\u003cbr data-mce-fragment=\"1\"\u003eWiener Staatsopernchor\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNEW YEAR CONCERTS\u003cbr data-mce-fragment=\"1\"\u003eCD 15\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eG’schichten aus dem Wienerwald – Walzer, Op. 325\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSEF STRAUSS (1827–1870)\u003cbr data-mce-fragment=\"1\"\u003eDie Libelle – Polka mazurka, Op. 204\u003cbr data-mce-fragment=\"1\"\u003eMein Lebenslauf ist Lieb und Lust! – Walzer, Op. 263\u003cbr data-mce-fragment=\"1\"\u003eJokey – Polka schnell, Op. 278\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899)\u003cbr data-mce-fragment=\"1\"\u003eÉljen a Magyar! – Polka, Op. 332 \u003cbr data-mce-fragment=\"1\"\u003eÄgyptischer Marsch, Op. 335\u003cbr data-mce-fragment=\"1\"\u003eIm Krapfenwald’l – Polka, Op. 336\u003cbr data-mce-fragment=\"1\"\u003eVergnügungszug – Polka, Op. 281\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN STRAUSS II (1825–1899) \u0026amp; 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With his third-prize finish at the 1955 Chopin International Competition, listeners and critics alike were astonished to encounter a mature and seemingly instinctive feel for Chopin’s music, under the fingers of a 21-year-old from Shanghai. This set brings together his complete Westminster\u003cem\u003e recordings\u003c\/em\u003e, ranging from Baroque music through five Mozart concertos, Beethoven and Schubert sonatas, to his poetic accounts of the music of Chopin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eDOMENICO SCARLATTI (1685–1757)\u003cbr data-mce-fragment=\"1\"\u003eKeyboard Sonatas\u003cbr data-mce-fragment=\"1\"\u003eSonata in C major, Kk 132 (L.457) \u003cbr data-mce-fragment=\"1\"\u003eSonata in C minor, Kk 73 (L.217)\u003cbr data-mce-fragment=\"1\"\u003eSonata in F major, Kk 82 (L.82)\u003cbr data-mce-fragment=\"1\"\u003eSonata in B minor, Kk 27 (L.449)\u003cbr data-mce-fragment=\"1\"\u003eSonata in E major, Kk 380 (L.23)\u003cbr data-mce-fragment=\"1\"\u003eSonata in F major, Kk 483 (L.483)\u003cbr data-mce-fragment=\"1\"\u003eSonata in G major, Kk 124 (L.482)\u003cbr data-mce-fragment=\"1\"\u003eSonata in F major, Kk 151 (L.238)\u003cbr data-mce-fragment=\"1\"\u003eSonata in F major, Kk 256 (L.256)\u003cbr data-mce-fragment=\"1\"\u003eSonata in E major, Kk 206 (L.257)\u003cbr data-mce-fragment=\"1\"\u003eSonata in C minor, Kk 11 (L.352)\u003cbr data-mce-fragment=\"1\"\u003eSonata in C major, Kk 255 (L.255)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr data-mce-fragment=\"1\"\u003eChaconne in G major, HWV 435\u003cbr data-mce-fragment=\"1\"\u003eSuite No. 14 in G major, HWV 441\u003cbr data-mce-fragment=\"1\"\u003eMinuet in G minor, HWV 434\/4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANN SEBASTIAN BACH (1685–1750)\u003cbr data-mce-fragment=\"1\"\u003eChromatic Fantasia and Fugue in D minor, BWV 903\u003cbr data-mce-fragment=\"1\"\u003eCapriccio on the departure of a beloved brother, in B flat major, BWV 992\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003ePiano Sonata No. 30 in E major, Op. 109\u003cbr data-mce-fragment=\"1\"\u003ePiano Sonata No. 31 in A flat major, Op. 110\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT (1797–1828)\u003cbr data-mce-fragment=\"1\"\u003ePiano Sonata No. 14 in A minor, D.784\u003cbr data-mce-fragment=\"1\"\u003ePiano Sonata No. 21 in B flat major, D.960\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003eMazurkas\u003cbr data-mce-fragment=\"1\"\u003eMazurka in E major, Op. 6 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eMazurka in A minor, Op. 7 No. 2 \u003cbr data-mce-fragment=\"1\"\u003eMazurka in E minor, Op. 17 No. 2 \u003cbr data-mce-fragment=\"1\"\u003eMazurka in A minor, Op. 17 No. 4 \u003cbr data-mce-fragment=\"1\"\u003eMazurka in G minor, Op. 24 No. 1 \u003cbr data-mce-fragment=\"1\"\u003eMazurka in C major, Op. 24 No. 2 \u003cbr data-mce-fragment=\"1\"\u003eMazurka in B flat minor, Op. 24 No. 4 \u003cbr data-mce-fragment=\"1\"\u003eMazurka in C minor, Op. 30 No. 1\u003cbr data-mce-fragment=\"1\"\u003eMazurka in B minor, Op. 30 No. 2\u003cbr data-mce-fragment=\"1\"\u003eMazurka in B minor, Op. 33 No. 4\u003cbr data-mce-fragment=\"1\"\u003eMazurka in E minor, Op. 41 No. 2\u003cbr data-mce-fragment=\"1\"\u003eMazurka in C sharp minor, Op. 50 No. 3\u003cbr data-mce-fragment=\"1\"\u003eMazurka in C minor, Op. 56 No. 3\u003cbr data-mce-fragment=\"1\"\u003eMazurka in A minor, Op. 59 No. 1\u003cbr data-mce-fragment=\"1\"\u003eMazurka in G minor, Op. 67 No. 2\u003cbr data-mce-fragment=\"1\"\u003eMazurka in A minor, Op. 67 No. 4\u003cbr data-mce-fragment=\"1\"\u003eMazurka in A minor, Op. 68 No. 2\u003cbr data-mce-fragment=\"1\"\u003eMazurka in F minor, Op. 68 No. 4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003eBallades Nos. 1–4\u003cbr data-mce-fragment=\"1\"\u003ePrélude in A flat major, Op. posth. \u003cbr data-mce-fragment=\"1\"\u003ePrélude in C sharp minor, Op. 45\u003cbr data-mce-fragment=\"1\"\u003eBerceuse in D flat major, Op. 57\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto in A minor, Op. 54\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRÉDÉRIC CHOPIN (1810–1849)\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 2 in F minor, Op. 21\u003cbr data-mce-fragment=\"1\"\u003eLondon Symphony Orchestra \/ Peter Maag\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 9 in E flat major, KV 271 ‘Jeunehomme’\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 12 in A major, KV 414\u003cbr data-mce-fragment=\"1\"\u003eVienna Radio Orchestra \/ Brian Priestman\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 25 in C major, KV 503\u003cbr data-mce-fragment=\"1\"\u003ePiano Concerto No. 27 in B flat major, KV 595\u003cbr data-mce-fragment=\"1\"\u003eOrchester der Wiener Staatsoper \/ Victor Desarzens\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003eConcerto for Three Pianos and Orchestra (No. 7) in F major, KV 242 ‘Lodron’\u003cbr data-mce-fragment=\"1\"\u003eConcerto for Two Pianos and Orchestra (No. 10) in E flat major, KV 365\u003cbr data-mce-fragment=\"1\"\u003eVladimir Ashkenazy, Daniel Barenboim, Fou Ts’ong; English Chamber Orchestra\u003c\/p\u003e","brand":"Fou Ts'ong","offers":[{"title":"Default Title","offer_id":40990615109823,"sku":"4843712","price":47.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/fou-tsong-complete-westminster-recordings-10cd-cvr.jpg?v=1636335207"},{"product_id":"neville-marriner-haydn-symphonies-15cd","title":"Neville Marriner Haydn Symphonies (15CD)","description":"\u003cp\u003eWith the delightful original LP cover illustrations specially commissioned for these recordings, this presentation brings together for the first time the 33 Haydn Symphonies recorded by Marriner and the Academy of St. Martin in the Fields over a twenty-year period, from 1970–90. Both, the polish and refinement of these “masterly” (High Fidelity) performances, as well as the recording quality “of exceptional vividness and presence” (Gramophone) received widespread critical acclaim. Limited Edition Original Jackets Box.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003eSymphony No. 6 in D major, Hob. I:6 ‘Le Matin’\u003cbr\u003eSymphony No. 7 in C major, Hob. I:7 ‘Le Midi’\u003cbr\u003eSymphony No. 8 in G major, Hob. I:8 ‘Le Soir’\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003eSymphony No. 22 in E flat major, Hob. I:22 ‘Der Philosoph’ (The Philosopher)\u003cbr\u003eSymphony No. 55 in E flat major, Hob. I:55 ‘Der Schulmeister’ (The Schoolmaster)\u003cbr\u003e\u003cbr\u003eCD 3\u003cbr\u003eSymphony No. 31 in D major, Hob. I:31 ‘mit dem Hornsignal’ (Horn Signal)\u003cbr\u003eSymphony No. 73 in D major, Hob. I:‘La Chasse’ (The Hunt)\u003cbr\u003e\u003cbr\u003eCD 4\u003cbr\u003eSymphony No. 43 in E flat major, Hob. I:43 ‘Merkur’ (Mercury)\u003cbr\u003eSymphony No. 59 in A major, Hob. I:59 ‘Feuer-Symphonie’ (Fire)\u003cbr\u003e\u003cbr\u003eCD 5\u003cbr\u003eSymphony No. 44 in E minor, Hob. I:44 ‘Trauer-Symphonie’ (Mourning)\u003cbr\u003eSymphony No. 49 in F minor, Hob. I:49 ‘La Passione’ (Passion)\u003cbr\u003e\u003cbr\u003eCD 6\u003cbr\u003eSymphony No. 45 in F sharp minor, Hob. I:45 ‘Abschieds-Symphonie’ (Farewell)\u003cbr\u003eSymphony No. 101 in D major, Hob. I:101 ‘The Clock’\u003cbr\u003e\u003cbr\u003eCD 7\u003cbr\u003eSymphony No. 48 in C major, Hob. I:48 ‘Maria Theresia’\u003cbr\u003eSymphony No. 85 in B flat major, Hob. I:85 ‘La Reine’\u003cbr\u003e\u003cbr\u003eCD 8\u003cbr\u003eSymphony No. 52 in C minor, Hob. I:52\u003cbr\u003eSymphony No. 53 in D major, Hob. I:53 ‘L’Impériale’ (Imperial)\u003cbr\u003e\u003cbr\u003eCD 9\u003cbr\u003eSymphony No. 60 in C major, Hob. I:60 ‘Il Distratto’\u003cbr\u003eSymphony No. 63 in C major, Hob. I:63 ‘La Roxelane’\u003cbr\u003eSymphony No. 69 in C major, Hob. I:69 ‘Laudon’\u003cbr\u003e\u003cbr\u003eCD 10\u003cbr\u003eSymphony No. 82 in C major, Hob. I:82 ‘L’Ours’ (The Bear)\u003cbr\u003eSymphony No. 83 in G minor, Hob. I:83 ‘La Poule’ (The Hen)\u003cbr\u003e\u003cbr\u003eCD 11\u003cbr\u003eSymphony No. 84 in E flat major, Hob. I:84\u003cbr\u003eSymphony No. 86 in D major, Hob. I:86\u003cbr\u003eSymphony No. 87 in A major, Hob. I:87\u003cbr\u003e\u003cbr\u003eCD 12\u003cbr\u003eSymphony No. 92 in G major, Hob. I:92 ‘Oxford’\u003cbr\u003eSymphony No. 104 in D major, Hob. I:104 ‘London’\u003cbr\u003e\u003cbr\u003eCD 13\u003cbr\u003eSymphony No. 94 in G major, Hob. I:94 ‘mit dem Paukenschlag’ (Surprise)\u003cbr\u003eSymphony No. 96 in D major, Hob. I:96 ‘The Miracle’\u003cbr\u003e\u003cbr\u003eCD 14\u003cbr\u003eSymphony No. 99 in E flat major, Hob. I:99\u003cbr\u003eSymphony No. 102 in B flat major, Hob. I:102\u003cbr\u003e\u003cbr\u003eCD 15\u003cbr\u003eSymphony No. 100 in G major, Hob. I:100 ‘Militaire’ (Military)\u003cbr\u003eSymphony No. 103 in E flat major, Hob. I:103 ‘mit dem Paukenwirbel’ (Drum Roll).\u003c\/p\u003e","brand":"Neville Marriner","offers":[{"title":"Default Title","offer_id":40990615961791,"sku":"4843214","price":59.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/neville-marriner-haydn-symphonies-15cd-cvr.jpg?v=1636335349"},{"product_id":"hans-knappertsbusch-the-opera-edition-19cd","title":"Hans Knappertsbusch The Opera Edition (19CD)","description":"\u003cp\u003eThis Original Jackets collection offers the opportunity to celebrate the art of Hans Knappertsbusch, held in the deepest affection by many of the musicians and singers who worked with him. He was considered by many as High Priest of Bayreuth, and accordingly this edition includes his 1951 and 1962 Bayreuth traversals of Parsifal as well as the heartwarming Vienna Meistersinger of 1950–51, the Munich Fidelio of 1961 and several highlights with notable opera stars of his time.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCDs 1–2\u003cbr\u003eBEETHOVEN\u003cbr\u003eFidelio\u003cbr\u003eJan Peerce, Sena Jurinac, Deszö Ernster\u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr\u003eWAGNER\u003cbr\u003eTristan und Isolde (excerpts)\u003cbr\u003eBirgit Nilsson, Grace Hoffman\u003c\/p\u003e\n\u003cp\u003eCD 4\u003cbr\u003eWAGNER\u003cbr\u003eDie Walküre (Act I)\u003cbr\u003eKirsten Flagstad, Set Svanholm, Arnold van Mill\u003c\/p\u003e\n\u003cp\u003eCDs 5–8\u003cbr\u003eWAGNER\u003cbr\u003eDie Meistersinger von Nürnberg\u003cbr\u003ePaul Schöffler, Hilde Gueden, Günther Treptow, Karl Dönch\u003c\/p\u003e\n\u003cp\u003eCDs 9–12\u003cbr\u003eWAGNER\u003cbr\u003eParsifal\u003cbr\u003eBayreuth, 1951\u003cbr\u003eWolfgang Windgassen, George London, Hermann Uhde, Martha Mödl\u003c\/p\u003e\n\u003cp\u003eCDs 13–16\u003cbr\u003eWAGNER\u003cbr\u003eParsifal\u003cbr\u003eBayreuth, 1962\u003cbr\u003eJess Thomas, George London, Gustav Neidlinger, Irene Dalis\u003c\/p\u003e\n\u003cp\u003eCD 17\u003cbr\u003eKirsten Flagstad sings Wagner\u003c\/p\u003e\n\u003cp\u003eCD 18\u003cbr\u003eGeorge London sings Wagner\u003c\/p\u003e\n\u003cp\u003eCD 19\u003cbr\u003eRICHARD STRAUSS\u003cbr\u003eDer Rosenkavalier\u003cbr\u003eWAGNER\u003cbr\u003eTannhäuser\u003cbr\u003eDie Meistersinger von Nürnberg\u003cbr\u003e(excerpts)\u003cbr\u003eMaria Reining, Paul Schöffler\u003c\/p\u003e\n\u003cp\u003eMONO: CDs 5–12, 19\u003cbr\u003eSTEREO: CDs 1–4, 13–18\u003c\/p\u003e","brand":"Hans Knappertsbusch","offers":[{"title":"Default Title","offer_id":41049518506175,"sku":"4841800","price":59.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/hans-knappertsbuschv2.png?v=1638227809"},{"product_id":"joan-sutherland-romantic-french-arias-2cd","title":"Romantic French Arias (2CD)","description":"\u003cp\u003eOne of Dame Joan Sutherland’s own favourite recordings, long unavailable on its own, reissued with additional material recorded at the Geneva sessions, with rarely seen photographs and a new booklet introduction.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eFew vocal recital albums – sung by her or anyone else – demonstrate the thrill of that encounter as vividly as this one. Showpieces from Auber’s Fra Diavolo, Offenbach’s Robinson Crusoé and Meyerbeer’s L’Étoile du nord in particular require and receive an astonishing agility, lightness of touch, security of register and delicacy of temperament. Sutherland is in spectacular form and at the pinnacle of her virtuosic powers, making every cadenza, arpeggio and high note sound not only effortless but always beautiful in some of the most exquisite and technically demanding French arias ever written.\u003c\/p\u003e\n\u003cp\u003eThe original arias album is filled out by a short recital of French songs, recorded at the same sessions with Bonynge at the piano but only first published in 2004.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr data-mce-fragment=\"1\"\u003eJACQUES OFFENBACH (1819–1880)\u003cbr data-mce-fragment=\"1\"\u003eConduisez-moi vers celui que j’adore (Robinson Crusoé) \u003cbr data-mce-fragment=\"1\"\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr data-mce-fragment=\"1\"\u003eBellah ! ma chèvre chérie ! … Dors, petite (Dinorah) \u003cbr data-mce-fragment=\"1\"\u003eGUSTAVE CHARPENTIER (1860–1956)\u003cbr data-mce-fragment=\"1\"\u003eDepuis le jour (Louise) \u003cbr data-mce-fragment=\"1\"\u003eJACQUES OFFENBACH (1819–1880)\u003cbr data-mce-fragment=\"1\"\u003eDites-lui qu’on l’a remarqué, distingué (La Grande-Duchesse de Gérolstein) \u003cbr data-mce-fragment=\"1\"\u003eDANIEL-FRANÇOIS-ESPRIT AUBER (1782–1871)\u003cbr data-mce-fragment=\"1\"\u003eC’est l’histoire amoureuse (Manon Lescaut) \u003cbr data-mce-fragment=\"1\"\u003eNon temete milord … Or son sola (Fra Diavolo) \u003cbr data-mce-fragment=\"1\"\u003eGEORGES BIZET (1838–1875)\u003cbr data-mce-fragment=\"1\"\u003eMe voilà seule … Comme autrefois dans la nuit sombre (Les Pêcheurs de perles) \u003cbr data-mce-fragment=\"1\"\u003eJACQUES OFFENBACH (1819–1880)\u003cbr data-mce-fragment=\"1\"\u003eLes oiseaux dans la charmille ‘Doll Song’ (Les Contes d’Hoffmann) \u003cbr data-mce-fragment=\"1\"\u003eJULES MASSENET (1842–1912)\u003cbr data-mce-fragment=\"1\"\u003eAh ! que mes soeurs sont heureuses ! … Reste au foyer, petit grillon (Cendrillon) \u003cbr data-mce-fragment=\"1\"\u003eCHARLES GOUNOD (1818–1893)\u003cbr data-mce-fragment=\"1\"\u003eÔ légère hirondelle (Mireille) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2 \u003cbr data-mce-fragment=\"1\"\u003eJACQUES OFFENBACH (1819–1880)\u003cbr data-mce-fragment=\"1\"\u003eVous aimez le danger … Ah ! que j’aime les militaires ! (La Grande-Duchesse de Gérolstein) \u003cbr data-mce-fragment=\"1\"\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr data-mce-fragment=\"1\"\u003eC’est bien lui … La la la air chéri! (L’Étoile du Nord) \u003cbr data-mce-fragment=\"1\"\u003eCHARLES GOUNOD (1818–1893)\u003cbr data-mce-fragment=\"1\"\u003eCe Sarasin disait (Le Tribut de Zamora) \u003cbr data-mce-fragment=\"1\"\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr data-mce-fragment=\"1\"\u003eEn vain j’espère … Idole de ma vie (Robert le diable) \u003cbr data-mce-fragment=\"1\"\u003eCHARLES LECOCQ (1832–1918)\u003cbr data-mce-fragment=\"1\"\u003eUn soir Perez le capitaine (Le Cœur et la Main)\u003cbr data-mce-fragment=\"1\"\u003eVICTOR MASSÉ (1822–1884)\u003cbr data-mce-fragment=\"1\"\u003eAu bord du chemin qui passe à ma porte … Cette nuit, sur ma croisée (Les Noces de Jeannette) \u003cbr data-mce-fragment=\"1\"\u003eCHARLES GOUNOD (1818–1893)\u003cbr data-mce-fragment=\"1\"\u003eSi le bonheur (Faust) \u003cbr data-mce-fragment=\"1\"\u003eGEORGES BIZET (1838–1875)\u003cbr data-mce-fragment=\"1\"\u003eLa marguerite a fermé sa corolla … Ouvre ton cœur (Vasco da Gama) \u003cbr data-mce-fragment=\"1\"\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr data-mce-fragment=\"1\"\u003eVeille sur eux … Vaisseau que le flot balance (L’Étoile du Nord) \u003cbr data-mce-fragment=\"1\"\u003eJoan Sutherland, soprano\u003cbr data-mce-fragment=\"1\"\u003eChœur du Grand Théâtre de Genève\u003cbr data-mce-fragment=\"1\"\u003eOrchestre de la Suisse Romande\u003cbr data-mce-fragment=\"1\"\u003eRichard Bonynge\u003cbr data-mce-fragment=\"1\"\u003eCHARLES GOUNOD (1818–1893)\u003cbr data-mce-fragment=\"1\"\u003eSérénade \u003cbr data-mce-fragment=\"1\"\u003eGEORGES BIZET (1838–1875)\u003cbr data-mce-fragment=\"1\"\u003ePastorale \u003cbr data-mce-fragment=\"1\"\u003eJULES MASSENET (1842–1912)\u003cbr data-mce-fragment=\"1\"\u003eOh ! Si les fleurs avaient des yeux \u003cbr data-mce-fragment=\"1\"\u003eGABRIEL FAURÉ (1845–1924)\u003cbr data-mce-fragment=\"1\"\u003eLe Papillon et le Fleur \u003cbr data-mce-fragment=\"1\"\u003eLÉO DELIBES (1836–1891)\u003cbr data-mce-fragment=\"1\"\u003eLe Rossignol \u003cbr data-mce-fragment=\"1\"\u003eLes Filles de Cadiz\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoan Sutherland, soprano\u003cbr data-mce-fragment=\"1\"\u003eRichard Bonynge, piano\u003c\/p\u003e","brand":"Joan Sutherland","offers":[{"title":"Default Title","offer_id":41285628526783,"sku":"4844321","price":11.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/joan-sutherland-romantic-french-arias-2cd.jpg?v=1643945117"},{"product_id":"joan-sutherland-the-art-of-prima-donna-2cd","title":"The Art of Prima Donna (2CD)","description":"\u003cp\u003eSutherland’s sensational debut recital album, long unavailable on its own, reissued with photographs and rarely seen costume designs for the soprano’s signature roles.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eWhen these recordings first appeared, Joan Sutherland was on the brink of a spectacular international career; just behind her was the sensation of her Royal Opera debut in \u003cem\u003eLucia di Lammermoor\u003c\/em\u003e, early in 1959, by the end of which she had operatic London at her feet. Initially released as a pair of albums but soon enough compiled together, they were made in Kingsway Hall in the summer of 1959, and they caused a stir all of their own.\u003c\/p\u003e\n\u003cp\u003eThis was due not only to the extraordinary focus of Sutherland’s soprano, her fearlessly assured negotiation of wide intervals and her immaculate breath control, but to the carefully chosen repertoire which, as the titling informed its first listeners, was conceived as a homage to the art of soprano singing and some of its outstanding representatives.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr\u003eTHOMAS ARNE (1710–1778)\u003cbr\u003eThe soldier tir’d of war’s alarms (Artaxerxes) \u003cbr\u003e\u003cbr\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr\u003eLet the Bright Seraphim (Samson) \u003cbr\u003e\u003cbr\u003eVINCENZO BELLINI (1801–1835)\u003cbr\u003eSediziose voci … Casta Diva … Ah! bello a me ritorna (Norma) \u003cbr\u003eSon vergin vezzosa (I puritani)\u003cbr\u003e\u003cbr\u003eGIOACHINO ROSSINI (1792–1868)\u003cbr\u003eBel raggio lusinghier (Semiramide) \u003cbr\u003e\u003cbr\u003eVINCENZO BELLINI (1801–1835)\u003cbr\u003eO rendetemi la speme … Qui la voce … Vien, diletto (I puritani) \u003cbr\u003eCare compagne, e voi, tenere amici (La sonnambula) \u003cbr\u003e\u003cbr\u003eCHARLES GOUNOD (1818–1893)\u003cbr\u003eO Dieu ! que de bijoux … Ah ! je ris de me voir ‘Jewel Song’ (Faust) \u003cbr\u003e\u003cbr\u003eCD 2 \u003cbr\u003eCHARLES GOUNOD (1818–1893)\u003cbr\u003eAh ! Je veux vivre ‘Waltz Song’ (Roméo et Juliette) \u003cbr\u003e\u003cbr\u003eGIUSEPPE VERDI (1813–1901)\u003cbr\u003eMia madre aveva una povera ancella … Piangea cantando ‘Willow Song’ (Otello) \u003cbr\u003e\u003cbr\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr\u003eMartern aller Arten (Die Entführung aus dem Serail) \u003cbr\u003e\u003cbr\u003eGIUSEPPE VERDI (1813–1901)\u003cbr\u003eE’ strano! … Ah, fors’è lui … Sempre libera (La traviata) \u003cbr\u003e\u003cbr\u003eAMBROISE THOMAS (1811–1896)\u003cbr\u003eA vos jeux, mes amis, permettez-moi (Mad scene) (Hamlet) \u003cbr\u003e\u003cbr\u003eLÉO DELIBES (1836–1891)\u003cbr\u003eAh ! Où va la jeune Indoue ? (Bell Song) (Lakmé) \u003cbr\u003e\u003cbr\u003eGIACOMO MEYERBEER (1791–1864)\u003cbr\u003eO beau pays de la Touraine ! (Les Huguenots) \u003cbr\u003e\u003cbr\u003eGIUSEPPE VERDI (1813–1901)\u003cbr\u003eGualtier Maldè … Caro nome (Rigoletto) \u003cbr\u003e\u003cbr\u003eJoan Sutherland, soprano\u003cbr\u003eHarry Dilley, trumpet (Let the Bright Seraphim)\u003cbr\u003eChorus \u0026amp; Orchestra of the Royal Opera House, Covent Garden\u003cbr\u003eFrancesco Molinari-Pradelli\u003c\/p\u003e","brand":"Joan Sutherland","offers":[{"title":"Default Title","offer_id":41285628559551,"sku":"4844325","price":11.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/joan-sutherland-the-art-of-the-prima-donna-2cd.jpg?v=1643945077"},{"product_id":"joan-sutherland-the-age-of-bel-canto-2cd","title":"The Age of Bel Canto (2CD)","description":"\u003cp\u003eA groundbreaking Decca album celebrating the glory of both bel canto and the voice of Sutherland in her prime, long unavailable on its own, reissued complete with a booklet introduction from Richard Bonynge.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003e\"What is bel canto?\" Sutherland rhetorically asked the readers of High Fidelity in a 1961 article. \"I believe that it is the essence of opera.\" She and her husband, the conductor Richard Bonynge, had some years previously determined to explore and revive the repertoire of an operatic tradition stretching from Handel to Bellini which had in the previous century become almost forgotten. With their performances and Decca recordings, they placed themselves in the vanguard of this revival. \"I am sure that today we are on the verge of a wonderful new era of singing, and that the opera audience wants more than ever to hear great singing.\"\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr\u003eNICCOLÒ PICCINNI (1728–1800)\u003cbr\u003eFuria di donna irata (La buona figliuola) \u003cbr\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr\u003eCare selve (Atalanta) \u003cbr\u003eGIOVANNI BATTISTA LAMPUGNANI (1706–1786)\u003cbr\u003eSuperbo di me stesso (Meraspe) \u003cbr\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr\u003eWith plaintive note (Samson) \u003cbr\u003eHence, Iris, hence away (Semele) \u003cbr\u003eGIOVANNI BONONCINI (1670–1747)\u003cbr\u003eMio caro ben (Astarto) \u003cbr\u003eTHOMAS ARNE (1710–1778)\u003cbr\u003eOh! too lovely (Artaxerxes) \u003cbr\u003eWILLIAM SHIELD (1748–1829)\u003cbr\u003eLight as thistledown (Rosina) \u003cbr\u003eWhen William at eve (Rosina) \u003cbr\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr\u003eVoi che fausti ognor donate (Il re pastore) \u003cbr\u003eO zittre nicht, mein Lieber Sohn! … Zum Leiden bin ich auserkoren (Die Zauberflöte) \u003cbr\u003eIch baue ganz auf deine Stärke (Die Entführung aus dem Serail) \u003cbr\u003eFRANÇOIS-ADRIEN BOIELDIEU (1775–1834)\u003cbr\u003eMa Fanchette est charmante (Angéla) \u003cbr\u003e\u003cbr\u003eCD 2 \u003cbr\u003eGIOACHINO ROSSINI (1792–1868)\u003cbr\u003eSerbami ognor sì fido (Semiramide) \u003cbr\u003eDANIEL-FRANÇOIS-ESPRIT AUBER (1782–1871)\u003cbr\u003eFerme tes yeux (La Muette de Portici) \u003cbr\u003eCARL MARIA VON WEBER (1786–1826)\u003cbr\u003eUnd ob die Wolke sie verhülle (Der Freischütz)\u003cbr\u003eVINCENZO BELLINI (1801–1835)\u003cbr\u003eAngiol di pace (Beatrice di Tenda) \u003cbr\u003eGAETANO DONIZETTI (1797–1848)\u003cbr\u003eTornami a dir che m’ami (Don Pasquale) \u003cbr\u003eGAETANO DONIZETTI (1797–1848)\u003cbr\u003eIl segreto per esser felici (Lucrezia Borgia) \u003cbr\u003eGIUSEPPE VERDI (1813–1901)\u003cbr\u003eSanto di patria … Allor che i forti corrono … Da te questo or m’è concesso (Attila) \u003cbr\u003eVINCENZO BELLINI (1801–1835)\u003cbr\u003eUn ritratto? … Sventurato il cor che fida (La straniera) \u003cbr\u003eGIOACHINO ROSSINI (1792–1868)\u003cbr\u003eCavatina: Ecco, ridente in cielo (Il barbiere di Siviglia) \u003cbr\u003eLUIGI ARDITI (1822–1903)\u003cbr\u003eBolero \u003cbr\u003e\u003cbr\u003eJoan Sutherland, soprano\u003cbr\u003eMarilyn Horne, mezzo-soprano\u003cbr\u003eRichard Conrad, tenor\u003cbr\u003eNew Symphony Orchestra of London (CD 1)\u003cbr\u003eLondon Symphony Chorus and Orchestra (CD 2)\u003cbr\u003eRichard Bonynge\u003c\/p\u003e","brand":"Joan Sutherland","offers":[{"title":"Default Title","offer_id":41285628592319,"sku":"4844328","price":11.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/joan-sutherland-the-age-of-bel-canto-2cd.jpg?v=1643945327"},{"product_id":"wolfgang-holzmair-the-philips-recitals-13cd","title":"Wolfgang Holzmair - The Philips Recitals (13CD)","description":"\u003cp\u003eFrom Haydn to Eisler: the collected Philips recordings of Wolfgang Holzmair, a supreme art-song interpreter, including many long-deleted albums.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eWolfgang Holzmair has long been recognised as one of today’s most accomplished and intelligent Lieder singers. He brings a refinement and subtlety to his performances worthy of the great German Lieder baritones, but it is the silky elegance of his voice that has always seduced listeners and critics: the golden, tenorial top as well as his rich, soulful lower register. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn celebration of his 70th birthday, this set brings together his complete Philips recitals for the first time, as well as his 1995 recording for \u003cem\u003eKoch of the Hollywood Songbook\u003c\/em\u003e by Hanns Eisler. The box is ordered by musical chronology, beginning with the folksong-like simplicity of Haydn’s solo-vocal idiom, a quartet of exquisite Mozart Lieder and the Beethoven cycle – An die ferne Geliebte – that became the keystone for the Romantic artsong tradition.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eAdelaïde, Op. 46 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003eDas Veilchen \u003cbr data-mce-fragment=\"1\"\u003eAn Chloë \u003cbr data-mce-fragment=\"1\"\u003eDas Traumbild \u003cbr data-mce-fragment=\"1\"\u003eDie betrogene Welt \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSEPH HAYDN (1732–1809)\u003cbr data-mce-fragment=\"1\"\u003eLob der Faulheit \u003cbr data-mce-fragment=\"1\"\u003eGegenliebe \u003cbr data-mce-fragment=\"1\"\u003eTrost unglücklicher Liebe \u003cbr data-mce-fragment=\"1\"\u003eDie zu späte Ankunft der Mutter \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWOLFGANG AMADEUS MOZART (1756–1791)\u003cbr data-mce-fragment=\"1\"\u003eKleine deutsche Kantate: Die ihr unermesslichen Weltalls Schöpfer ehrt \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSEPH HAYDN (1732–1809)\u003cbr data-mce-fragment=\"1\"\u003eO tuneful voice \u003cbr data-mce-fragment=\"1\"\u003eSailor’s Song \u003cbr data-mce-fragment=\"1\"\u003eSympathy \u003cbr data-mce-fragment=\"1\"\u003eThe Spirit’s Song \u003cbr data-mce-fragment=\"1\"\u003eFidelity \u003cbr data-mce-fragment=\"1\"\u003eContent \u003cbr data-mce-fragment=\"1\"\u003ePiercing Eyes \u003cbr data-mce-fragment=\"1\"\u003eShe never told her love \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eAn die ferne Geliebte, Op. 98 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2 \u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN (1770–1827)\u003cbr data-mce-fragment=\"1\"\u003eFOLK SONGS\u003cbr data-mce-fragment=\"1\"\u003eThe sweetest lad was Jamie \u003cbr data-mce-fragment=\"1\"\u003eAgain, my Lyre \u003cbr data-mce-fragment=\"1\"\u003eWaken Lords and Ladies gay \u003cbr data-mce-fragment=\"1\"\u003eOh! Who, my dear Dermot \u003cbr data-mce-fragment=\"1\"\u003eThe Elfin Fairies \u003cbr data-mce-fragment=\"1\"\u003eFaithfu’ Johnie \u003cbr data-mce-fragment=\"1\"\u003eThe Deserter \u003cbr data-mce-fragment=\"1\"\u003eWhen mortals all to rest retire \u003cbr data-mce-fragment=\"1\"\u003eCome fill, fill, my good fellow \u003cbr data-mce-fragment=\"1\"\u003eThe kiss, dear Maid, thy lip has left \u003cbr data-mce-fragment=\"1\"\u003eWhen far from the home \u003cbr data-mce-fragment=\"1\"\u003eMorning a cruel turmoiler is \u003cbr data-mce-fragment=\"1\"\u003eSunset \u003cbr data-mce-fragment=\"1\"\u003eOh! Sweet were the hours \u003cbr data-mce-fragment=\"1\"\u003eCupid’s kindness \u003cbr data-mce-fragment=\"1\"\u003eOn the massacre of Glencoe \u003cbr data-mce-fragment=\"1\"\u003eThe Return to Ulster \u003cbr data-mce-fragment=\"1\"\u003eThe Pulse of an Irishman \u003cbr data-mce-fragment=\"1\"\u003eThe Parting Kiss \u003cbr data-mce-fragment=\"1\"\u003eGood Night \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eTrio Fontenay\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3 \u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT (1797–1828)\u003cbr data-mce-fragment=\"1\"\u003eDie schöne Müllerin, D.795 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4 \u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT (1797–1828)\u003cbr data-mce-fragment=\"1\"\u003eWinterreise, D.911 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5 \u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT (1797–1828)\u003cbr data-mce-fragment=\"1\"\u003eSchwanengesang, D.957 \u003cbr data-mce-fragment=\"1\"\u003e5 Seidl-Lieder\u003cbr data-mce-fragment=\"1\"\u003eDie Taubenpost \u003cbr data-mce-fragment=\"1\"\u003eDer Wanderer an den Mond, D.870 \u003cbr data-mce-fragment=\"1\"\u003eSehnsucht, D.879 \u003cbr data-mce-fragment=\"1\"\u003eIrdisches Glück, D.866 No. 4\u003cbr data-mce-fragment=\"1\"\u003eWiderspruch, D.865 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e9 Rellstab-Lieder\u003cbr data-mce-fragment=\"1\"\u003eLebensmut, D.937 \u003cbr data-mce-fragment=\"1\"\u003eLiebesbotschaft \u003cbr data-mce-fragment=\"1\"\u003eKriegers Ahnung \u003cbr data-mce-fragment=\"1\"\u003eFrühlingssehnsucht \u003cbr data-mce-fragment=\"1\"\u003eStändchen \u003cbr data-mce-fragment=\"1\"\u003eAufenthalt \u003cbr data-mce-fragment=\"1\"\u003eHerbst, D.945 \u003cbr data-mce-fragment=\"1\"\u003eIn der Ferne \u003cbr data-mce-fragment=\"1\"\u003eAbschied \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e6 Heine-Lieder\u003cbr data-mce-fragment=\"1\"\u003eDer Atlas \u003cbr data-mce-fragment=\"1\"\u003eIhr Bild \u003cbr data-mce-fragment=\"1\"\u003eDas Fischermädchen \u003cbr data-mce-fragment=\"1\"\u003eAm Meer \u003cbr data-mce-fragment=\"1\"\u003eDie Stadt\u003cbr data-mce-fragment=\"1\"\u003eDer Doppelgänger \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2 Seidl-Lieder\u003cbr data-mce-fragment=\"1\"\u003eDie Taubenpost \u003cbr data-mce-fragment=\"1\"\u003eWiegenlied, D.867 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6 \u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eLieder auf Gedichte von Heinrich Heine\u003cbr data-mce-fragment=\"1\"\u003eMein Wagen rollet langsam, Op. 142 No. 4 \u003cbr data-mce-fragment=\"1\"\u003eDer arme Peter, Op. 53 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eDu bist wie eine Blume, Op. 25 No. 24 \u003cbr data-mce-fragment=\"1\"\u003eTragödie, Op. 64 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eLehn deine Wang, Op. 142 No. 2 \u003cbr data-mce-fragment=\"1\"\u003eWas will die einsame Träne, Op. 25 No. 21 \u003cbr data-mce-fragment=\"1\"\u003eDie Lotosblume, Op. 25 No. 7 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiederkreis, Op. 24 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDichterliebe, Op. 48 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7 \u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eZwölf Gedichte von Justinus Kerner, Op. 35 \u003cbr data-mce-fragment=\"1\"\u003eWidmung, Op. 25 No. 1 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eDie stille Lotosblume, Op. 13 No. 6 \u003cbr data-mce-fragment=\"1\"\u003eO Lust, O Lust, Op. 23 No. 6 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eDer Himmel hat eine Träne geweint, Op. 37 No. 1 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eGeheimes Flüstern hier und dort, Op. 23 No. 3 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eFreisinn, Op. 25 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eSie liebten sich beide, Op. 13 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856) \u003cbr data-mce-fragment=\"1\"\u003eVenetianisches Lied I, Op. 25 No. 17 \u003cbr data-mce-fragment=\"1\"\u003eVenetianisches Lied II, Op. 25 No. 18 \u003cbr data-mce-fragment=\"1\"\u003eDer Nuβbaum, Op. 25 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eAus dem Schenkenbuch im Divan I, Op. 25 No. 5 \u003cbr data-mce-fragment=\"1\"\u003eAus dem Schenkenbuch im Divan II, Op. 25 No. 6 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eAn einem lichten Morgen, Op. 23 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eIch hab’ in mich gesogen, Op. 37 No. 5 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLARA SCHUMANN (1819–1896)\u003cbr data-mce-fragment=\"1\"\u003eLiebeszauber, Op. 13 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eLiebst du um Schönheit, Op. 12 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eAus den ‘Östlichen Rosen’, Op. 25 No. 25 \u003cbr data-mce-fragment=\"1\"\u003eRose, Meer und Sonne, Op. 37 No. 9 \u003cbr data-mce-fragment=\"1\"\u003eZum Schluss, Op. 25 No. 26\u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eEICHENDORFF LIEDER \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN (1809–1847)\u003cbr data-mce-fragment=\"1\"\u003eDas Waldschloβ \u003cbr data-mce-fragment=\"1\"\u003ePagenlied, Op. posth. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT FRANZ (1815–1892)\u003cbr data-mce-fragment=\"1\"\u003eGute Nacht, Op. 5 No. 7 \u003cbr data-mce-fragment=\"1\"\u003eJagdlied, Op. 1 No. 9 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN (1809–1847)\u003cbr data-mce-fragment=\"1\"\u003eNachtlied, Op. 71 No. 6 \u003cbr data-mce-fragment=\"1\"\u003eWanderlied, Op. 57 No. 4 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eROBERT SCHUMANN (1810–1856)\u003cbr data-mce-fragment=\"1\"\u003eLiederkreis, Op. 39 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eARIBERT REIMANN (b. 1936)\u003cbr data-mce-fragment=\"1\"\u003eNachtstück \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHUGO WOLF (1860–1903)\u003cbr data-mce-fragment=\"1\"\u003eGedichte von Joseph v. Eichendorff \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eALEXANDER VON ZEMLINSKY (1871–1942)\u003cbr data-mce-fragment=\"1\"\u003eVor der Stadt \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eERICH WOLFGANG KORNGOLD (1897–1957)\u003cbr data-mce-fragment=\"1\"\u003eNachtwanderer, Op. 9 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHANS PFITZNER (1869–1949)\u003cbr data-mce-fragment=\"1\"\u003eIm Herbst, Op. 9 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eLockung, Op. 9 No. 4 \u003cbr data-mce-fragment=\"1\"\u003eZum Abschied meiner Tochter \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOTHMAR SCHOECK (1886–1957)\u003cbr data-mce-fragment=\"1\"\u003eNachruf \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eImogen Cooper, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9 \u003cbr data-mce-fragment=\"1\"\u003eERNST KRENEK (1900–1991)\u003cbr data-mce-fragment=\"1\"\u003eReisebuch aus den österreichischen Alpen, Op. 62 \u003cbr data-mce-fragment=\"1\"\u003eFiedellieder aus dem ‘Liederbuch dreier Freunde’, Op. 64 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eGérard Wyss, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10 \u003cbr data-mce-fragment=\"1\"\u003eHANNS EISLER (1898–1962)\u003cbr data-mce-fragment=\"1\"\u003eHollywood Songbook \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003ePeter Stamm, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 11 \u003cbr data-mce-fragment=\"1\"\u003eGABRIEL FAURÉ (1845–1924)\u003cbr data-mce-fragment=\"1\"\u003eShylock, Op. 57 (excerpts) \u003cbr data-mce-fragment=\"1\"\u003ePrison, Op. 83 No. 1 \u003cbr data-mce-fragment=\"1\"\u003eEn sourdine, Op. 58 No. 2 \u003cbr data-mce-fragment=\"1\"\u003ePoème d’un jour, Op. 21 \u003cbr data-mce-fragment=\"1\"\u003eLa Bonne Chanson, Op. 61 \u003cbr data-mce-fragment=\"1\"\u003eMirages, Op. 113 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHENRI DUPARC (1848–1933)\u003cbr data-mce-fragment=\"1\"\u003eSérénade 2’38\u003cbr data-mce-fragment=\"1\"\u003eChanson triste \u003cbr data-mce-fragment=\"1\"\u003eLe manoir de Rosemonde \u003cbr data-mce-fragment=\"1\"\u003eSoupir 3’11\u003cbr data-mce-fragment=\"1\"\u003eExtase 3’15\u003cbr data-mce-fragment=\"1\"\u003eL’invitation au voyage \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMAURICE RAVEL (1875–1937)\u003cbr data-mce-fragment=\"1\"\u003eCinq Mélodies populaires grecques \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eGérard Wyss, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 12 \u003cbr data-mce-fragment=\"1\"\u003eCHANSONS FRANÇAISES \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHECTOR BERLIOZ (1803–1869)\u003cbr data-mce-fragment=\"1\"\u003eLes Nuits d’été, Op. 7, H.81 (excerpts)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eERNEST CHAUSSON (1855–1899)\u003cbr data-mce-fragment=\"1\"\u003eLe Colibri, Op. 2 No. 7 \u003cbr data-mce-fragment=\"1\"\u003eLes Papillons, Op. 2 No. 3 \u003cbr data-mce-fragment=\"1\"\u003eSérénade italienne, Op. 2 No. 5 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJACQUES IBERT (1890–1962)\u003cbr data-mce-fragment=\"1\"\u003eChanson à Dulcinée \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMAURICE RAVEL (1875–1937)\u003cbr data-mce-fragment=\"1\"\u003eDon Quichotte à Dulcinée, M.84 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJACQUES IBERT (1890–1962)\u003cbr data-mce-fragment=\"1\"\u003eChanson de la mort de Don Quichotte \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDE DEBUSSY (1862–1918)\u003cbr data-mce-fragment=\"1\"\u003eDeux Romances sur la poésie de Paul Bourget, L.79 \u003cbr data-mce-fragment=\"1\"\u003eTrois chansons de France, L.102 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHENRI DUPARC (1848–1933)\u003cbr data-mce-fragment=\"1\"\u003ePhidylé \u003cbr data-mce-fragment=\"1\"\u003eLamento\u003cbr data-mce-fragment=\"1\"\u003eLa vie antérieure \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEUGÈNE ANTHIOME (1836–1916)\u003cbr data-mce-fragment=\"1\"\u003eDeux melodies \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGABRIEL FAURÉ (1845–1924)\u003cbr data-mce-fragment=\"1\"\u003eLes berceaux, Op. 23 No. 1 \u003cbr data-mce-fragment=\"1\"\u003eL’Horizon chimérique, Op. 118 \u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eMaria Belooussova, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 13 \u003cbr data-mce-fragment=\"1\"\u003eJOHANNES BRAHMS (1833–1897)\u003cbr data-mce-fragment=\"1\"\u003eEin deutsches Requiem, Op. 45 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElizabeth Norberg-Schulz, soprano\u003cbr data-mce-fragment=\"1\"\u003eWolfgang Holzmair, baritone\u003cbr data-mce-fragment=\"1\"\u003eSan Francisco Symphony Chorus\u003cbr data-mce-fragment=\"1\"\u003eSan Francisco Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eHerbert Blomstedt\u003c\/p\u003e","brand":"Wolfgang Holzmair","offers":[{"title":"Default Title","offer_id":41304756355263,"sku":"4844474","price":53.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/wolfgang-holzmair-the-philips-recitals-13cd-cvr.jpg?v=1644524749"},{"product_id":"netherlands-wind-ensemble-complete-philips-recordings-17cd","title":"Netherlands Wind Ensemble Complete Philips Recordings (17CD)","description":"\u003cp\u003eIssued complete for the first time, including several albums new to CD, is the Philips catalogue of the Netherlands Wind Ensemble – an ensemble that made a defining contribution to Dutch musical life in the 1970s.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThe Netherlands Wind Ensemble began life in 1959 as a wind quintet, but soon expanded to play Classical-era serenades and divertimenti which were hardly known at the time but have since been recognised and enjoyed as masterpieces of entertainment music, notably the Gran Partita of Mozart, the late Octet by Beethoven and the wonderful Octet-Partitas by his Viennese contemporary, Franz Krommer.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarting to record for Philips in 1968, the Netherlands Wind Ensemble immediately won critical praise for the technical precision of its playing as well as the brilliance and wit of its interpretations, whether led by its regular conductor Edo de Waart (himself a former oboist and member of the ensemble) or played as true chamber music. The ensemble made one of the first comprehensive recordings of Mozart’s wind music, including miniatures, no less delightful for their brevity and rarity, and a precious but little-known collaboration with the much-loved Dutch soprano Elly Ameling.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eMOZART \u003cbr data-mce-fragment=\"1\"\u003eDivertimenti KV 166, 240, 213, 252\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eDivertimenti KV 186, 253, 289\u003cbr data-mce-fragment=\"1\"\u003eAdagio KV 411\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eDivertimenti KV 196f, 270, 196e\u003cbr data-mce-fragment=\"1\"\u003eAdagio KV 410\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eSerenade KV 375\u003cbr data-mce-fragment=\"1\"\u003eSerenade KV 388 ‘Nacht Musik’\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eSerenade KV 361 ‘Gran Partita’\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCDs 6–7\u003cbr data-mce-fragment=\"1\"\u003eMOZART\u003cbr data-mce-fragment=\"1\"\u003eNotturni \u003cbr data-mce-fragment=\"1\"\u003eDivertimenti KV 439b\u003cbr data-mce-fragment=\"1\"\u003eDuos for two horns \u003cbr data-mce-fragment=\"1\"\u003eElly Ameling · Elisabeth Cooymans · Peter van der Bilt \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eMOZART (arr. Triebensee)\u003cbr data-mce-fragment=\"1\"\u003eDon Giovanni, KV 527\u003cbr data-mce-fragment=\"1\"\u003eDie Entführung aus dem Serail, KV 384\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eROSSINI (arr. Sedlak)\u003cbr data-mce-fragment=\"1\"\u003eIl barbiere di Siviglia\u003cbr data-mce-fragment=\"1\"\u003eOvertures\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eKROMMER\u003cbr data-mce-fragment=\"1\"\u003eOctet Partitas\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 11\u003cbr data-mce-fragment=\"1\"\u003eBEETHOVEN\u003cbr data-mce-fragment=\"1\"\u003eOctet ∙ March ∙ Rondino\u003cbr data-mce-fragment=\"1\"\u003eSextet ∙ Quintet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 12\u003cbr data-mce-fragment=\"1\"\u003eMARCHES FOR WIND ENSEMBLE\u003cbr data-mce-fragment=\"1\"\u003eC.P.E. Bach · Beethoven · Joseph Haydn · Michael Haydn · Rosetti · Vranický\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 13\u003cbr data-mce-fragment=\"1\"\u003eDVOŘÁK Wind Serenade\u003cbr data-mce-fragment=\"1\"\u003eGOUNOD Petite Symphonie\u003cbr data-mce-fragment=\"1\"\u003eSCHUBERT Minuet and Finale\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 14\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS\u003cbr data-mce-fragment=\"1\"\u003eSonatina ‘From an Invalid’s Workshop’\u003cbr data-mce-fragment=\"1\"\u003eSuite for 13 Wind Instruments\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 15\u003cbr data-mce-fragment=\"1\"\u003eRICHARD STRAUSS\u003cbr data-mce-fragment=\"1\"\u003eSymphony for Wind Instruments ‘The Happy Workshop’\u003cbr data-mce-fragment=\"1\"\u003eSerenade for Wind Instruments: Andante\u003cbr data-mce-fragment=\"1\"\u003eEdo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 16\u003cbr data-mce-fragment=\"1\"\u003eSTRAVINSKY\u003cbr data-mce-fragment=\"1\"\u003eConcerto for Piano and Wind Instruments \u003cbr data-mce-fragment=\"1\"\u003eEbony Concerto \u003cbr data-mce-fragment=\"1\"\u003eSymphonies of Wind Instruments · Octet\u003cbr data-mce-fragment=\"1\"\u003eTheo Bruins · George Pieterson · Edo de Waart\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 17\u003cbr data-mce-fragment=\"1\"\u003eANTHEIL\u003cbr data-mce-fragment=\"1\"\u003eBallet Mécanique\u003cbr data-mce-fragment=\"1\"\u003eA Jazz Symphony\u003cbr data-mce-fragment=\"1\"\u003eViolin Sonatas\u003cbr data-mce-fragment=\"1\"\u003eReinbert de Leeuw ∙ Vera Beths\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSTEREO RECORDINGS · ADD\u003c\/p\u003e","brand":"Netherlands Wind Ensemble","offers":[{"title":"Default Title","offer_id":41460784758975,"sku":"4840240","price":67.77,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/netherlands-wind-ensemble-complete-philips-recordings-17cd.jpg?v=1648522589"},{"product_id":"wilhelm-kempff-the-decca-legacy-13cd","title":"Wilhelm Kempff The Decca Legacy (13CD)","description":"\u003cp\u003eThe Decca legacy of WILHELM KEMPFF, one of the last century’s greatest keyboard poets.\u003c\/p\u003e\n\u003cp\u003eWilhelm Kempff is known, with good reason, as a Beethoven interpreter of sublime simplicity, with several cycles of the concertos and sonatas to his credit, all of them recorded for DG. However, he began recording as early as 1918 and made records for Polydor before the war, as well as for Decca during the 1950s. While his DG recordings have rarely been out of the catalogue, his legacy on other labels has never been so comprehensively documented as it is on this newly remastered set from Eloquence.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\nCD 1\u003cbr data-mce-fragment=\"1\"\u003eJ.S. Bach; Handel; Couperin; Rameau; Beethoven; Brahms\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eJ.S. BACH Chromatic Fantasia and Fugue, BWV 903; Chorale-Preludes (arr. Kempff)\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eMOZART Piano Concertos Nos. 9 \u0026amp; 15\u003cbr data-mce-fragment=\"1\"\u003eKarl Münchinger\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eSCHUBERT Piano Sonatas Nos. 16 \u0026amp; 21\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eSCHUMANN Papillons; Arabeske; Piano Concerto\u003cbr data-mce-fragment=\"1\"\u003eJosef Krips\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 6\u003cbr data-mce-fragment=\"1\"\u003eCHOPIN Piano Sonata No. 2; Impromptus; Berceuse; Barcarolle; Nocturne Op. 9 No. 3; Scherzo No. 3\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003eCHOPIN Piano Sonata No. 3; Ballade No. 3; Andante spianato et Grande polonaise brillante; Fantaisie; Polonaise-Fantaisie\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003eLISZT Années de pèlerinage (excerpts); Deux Légendes\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 9\u003cbr data-mce-fragment=\"1\"\u003eLISZT Piano Concerto Nos. 1 \u0026amp; 2\u003cbr data-mce-fragment=\"1\"\u003eAnatole Fistoulari\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 10\u003cbr data-mce-fragment=\"1\"\u003eBRAHMS Rhapsodies, Op. 79; Intermezzi, Op. 117; Klavierstücke, Op. 118\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 11\u003cbr data-mce-fragment=\"1\"\u003eBRAHMS Ballades, Op. 10; Klavierstücke, Op. 76; Rhapsodies, Op. 79; Intermezzi, Op. 117\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 12\u003cbr data-mce-fragment=\"1\"\u003eBRAHMS Fantasias, Op. 116; Klavierstücke, Op. 119\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 13\u003cbr data-mce-fragment=\"1\"\u003eBEETHOVEN Cello Sonata, Op. 5 No. 1 \u003cbr data-mce-fragment=\"1\"\u003ePablo Casals\u003cbr data-mce-fragment=\"1\"\u003eCello Sonata, Op. 69\u003cbr data-mce-fragment=\"1\"\u003ePaul Grümmer \u003cbr data-mce-fragment=\"1\"\u003eViolin Sonata Op. 47 ‘Kreutzer’\u003cbr data-mce-fragment=\"1\"\u003eGeorg Kulenkampff","brand":"Wilhelm Kempff","offers":[{"title":"Default Title","offer_id":41460784791743,"sku":"4842267","price":56.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/wilhelm-kempff-the-decca-legacy-13cd.jpg?v=1648523219"},{"product_id":"fitzwilliam-string-quartet-borodin-string-quartets-nos-1-2-cd","title":"Borodin: String Quartets Nos 1 \u0026 2 (CD)","description":"\u003cp\u003eWell known though Borodin’s Second Quartet is, the First has suffered relative neglect. It had a long gestation period, but it is a strong, inventive work, well worth discovering and with a truly engaging finale. The second quartet has at its centre, the wonderful Nocturne, which has gone on to become a concert piece in its own right. Both works constitute some of the most important chamber music to have come out of Russia in the 19th century. The Fitzwilliam Quartet recorded these pieces in 1979 and 1980 and they have never before been available on CD.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Fitzwilliam String Quartet","offers":[{"title":"Default Title","offer_id":41590666035391,"sku":"4803454","price":7.79,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/fitzwilliam-quartet-borodin-string-quartets-nos1_2-cd.jpg?v=1651100257"},{"product_id":"philip-pickett-carmina-burana-a-medieval-collection-4cd","title":"Carmina Burana -  A Medieval Collection (4CD)","description":"\u003cp\u003eA landmark collection of medieval music, available for the first time in many years.\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eCarmina Burana\u003c\/em\u003e is the most famous of all treasuries of medieval Latin and Middle High German poetry, named after the Bavarian monastery where it was compiled and preserved. It is best known today for Carl Orff’s hour-long selection from its rich collection of love lyrics, student songs and religious poetry, written in Latin and old German. During the 1960s and 70s a few early-music ensembles made more or less successful efforts to capture the unique mix of secular and sacred idioms brought together by the original manuscripts. But a systematic approach to the \u003cem\u003eCarmina Burana\u003c\/em\u003e had to wait until the late 1980s when one of Britain’s most innovative early-music groups undertook a project to record over a quarter of the 200-plus songs at the behest of Decca’s L’Oiseau-Lyre imprint.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThe first volume of \u003cem\u003eCarmina Burana\u003c\/em\u003e was only the second recording made by the New London Consort and its founder-director Philip Pickett but the album was quickly recognised as a signal event in the wider dissemination of medieval music. Critics praised the fidelity to the spirit as well as the text of \u003cem\u003eCarmina Burana\u003c\/em\u003e; the eloquent and often witty text-centred singing of Catherine Bott, Michael George and others; and the imaginative use of a full medieval instrumentarium.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCarmina Burana: A Medieval Collection\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eCarmina Burana: Volume I\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eCarmina Burana: Volume II\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eCarmina Burana: Volume III\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eCarmina Burana: Volume IV\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNew London Consort\u003cbr data-mce-fragment=\"1\"\u003ePhilip Pickett\u003c\/p\u003e","brand":"Philip Pickett","offers":[{"title":"Default Title","offer_id":41604068114623,"sku":"4827315","price":17.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/philip-pickett-carmina-burana-a-medieval-collection-4cd.jpg?v=1651536167"},{"product_id":"simon-preston-messiaen-organ-works-2cd","title":"Messiaen Organ Works (2CD)","description":"\u003cp\u003eSimon Preston’s complete recordings of Messiaen for Argo and Decca, newly remastered and compiled for the first time in a 2CD release.\u003c\/p\u003e\n\u003cp\u003ePreston championed Messiaen’s organ works both in recital and on disc, at a time when they were relatively unknown in England. Incredibly, he made his first Messiaen recording – of \"L’Ascension\" – at only a week’s notice, in August 1962. The venue was the great vaulted chapel of King’s College, Cambridge where he had been organ scholar for the best part of five years under the tuition of C.H. Trevor. Three years later, there followed what is now the most popular of the composer’s organ cycles, \"La Nativité du Seigneur,\" recorded in Westminster Abbey where he was by now sub-organist: still an astonishingly precocious achievement.\u003c\/p\u003e","brand":"Simon Preston","offers":[{"title":"Default Title","offer_id":41640136868031,"sku":"4824917","price":11.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/simon-preston-messiaen-organ-works-2cd.jpg?v=1652837516"},{"product_id":"arthur-grumiaux-brahms-violin-concerto-overtures-alto-rhapsody-cd","title":"Brahms: Violin Concerto; Overtures; Alto Rhapsody (CD)","description":"\u003cp\u003eConsidered by many to be Grumiaux's best recording of the Brahms Violin Concerto, this performance, by turn tender and muscular, receives its first international release on CD. The Concertgebouw is in glorious form under Van Beinum and Aafje Heynis is an amber-toned soloist in the inspiring Alto Rhapsody.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\nJOHANNES BRAHMS\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in D major, Op. 77*\u003cbr data-mce-fragment=\"1\"\u003eAcademic Festival Overture\u003cbr data-mce-fragment=\"1\"\u003eTragic Overture\u003cbr data-mce-fragment=\"1\"\u003eRhapsody for alto, chorus \u0026amp; orchestra, Op. 53**\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArthur Grumiaux, violin*\u003cbr data-mce-fragment=\"1\"\u003eAafje Heynis, contralto**\u003cbr data-mce-fragment=\"1\"\u003eRoyal Male Choir ‘Apollo’**\u003cbr data-mce-fragment=\"1\"\u003eConcertgebouw Orchestra, Amsterdam\u003cbr data-mce-fragment=\"1\"\u003eEduard van Beinum","brand":"Arthur Grumiaux","offers":[{"title":"Default Title","offer_id":41694218059967,"sku":"4429788","price":7.79,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/arthur-grumiaux-brahms-violin-concerto-overtures-alto-rhapsody-cd.jpg?v=1654484655"},{"product_id":"istvan-kertesz-brahms-symphonies-nos-1-4-serenades-1-and-2-haydn-variations-4cd","title":"Brahms Symphonies Nos. 1 - 4; Serenades 1 \u0026 2; Haydn Variations (4CD)","description":"\u003cp\u003eThere have been many recordings of the Brahms symphonies but few have the passion, vitality and drive of István Kertész’s Vienna Philharmonic cycle. 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Recording of the Variations commenced on 1st March, 1972 and upon Kertész’s passing (16th April, 1973), the orchestra completed the recording on 14th May, 1973, conductor-less, in his memory.\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e","brand":"István Kertész","offers":[{"title":"Default Title","offer_id":41694218649791,"sku":"4804839","price":17.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/istvan-kertesz-brahms-symphonies-nos-1-4-serenades-1-_-2-haydn-variations-4cd.jpg?v=1654719094"},{"product_id":"hans-knappertsbusch-the-decca-and-westminster-bruckner-recordings-4cd","title":"Hans Knappertsbusch - The Decca \u0026 Westminster Bruckner Recordings (4CD)","description":"\u003cp\u003eNewly remastered and gathered under one roof for the first time, the Decca recordings of Hans Knappertsbusch conducting Bruckner: a legendary combination.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION \u003c\/p\u003e\n\u003cp\u003eFor record collectors in the 1950s and 60s, the names of Bruckner and Knappertsbusch (‘Kna’) were practically synonymous. At a time when the composer’s symphonies were routinely compared to Gothic cathedrals, the rough grandeur, steady pulse and towering climaxes of these readings marked out the conductor as an architect of symphonic majesty.\u003c\/p\u003e\n\u003cp\u003eKnappertsbusch began recording Bruckner for Decca in 1954, with the Third. The Fourth and Fifth quickly followed, also from Vienna, and then the Eighth arrived as an appendix from Munich, first issued on the Westminster label in 1963. By then the conductor’s readings of Romantic repertoire had become less impulsive, even more monumental in concept, but still lightened by a natural feeling for the dance rhythms in Bruckner’s scherzos and Ländler themes.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eANTON BRUCKNER (1824–1896)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003e1–4 Symphony No. 3 in D minor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003e1–4 Symphony No. 4 in E flat major ‘Romantic’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003e1–4 Symphony No. 5 in B flat major\u003cbr data-mce-fragment=\"1\"\u003e5 Symphony No. 8 in C minor (movement I)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003e1–3 Symphony No. 8 in C minor (movements II–IV)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWiener Philharmoniker (Nos. 3, 4 \u0026amp; 5)\u003cbr data-mce-fragment=\"1\"\u003eMünchener Philharmoniker (No. 8)\u003cbr data-mce-fragment=\"1\"\u003eHans Knappertsbusch\u003c\/p\u003e","brand":"Hans Knappertsbusch","offers":[{"title":"Default Title","offer_id":41700613226687,"sku":"4828800","price":17.97,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/hans-knappertsbusch-the-decca-_-westminster-bruckner-recordings-4cd_1.jpg?v=1654719326"}],"url":"https:\/\/classicsdirect.com.au\/collections\/eloquence-sale.oembed?page=3","provider":"Classics Direct","version":"1.0","type":"link"}