{"title":"EOFY 2022 Launchpad 20%","description":"","products":[{"product_id":"agnelle-bundervoet-complete-recordings-on-decca-france-2cd","title":"Complete Recordings on Decca France (2CD)","description":"\u003cp\u003eThree exceptionally rare Decca LPs of a much prized French pianist, newly remastered and released on CD for the first time.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eRheumatism forced Agnelle Bundervoët to retire from the platform at the peak of her career in the late 1950s, though she continued to pass on to her students at the Conservatoire of Versailles the beautifully defined articulation, mastery of high expressive contrasts, and remarkable rhythmic drive that distinguish the recordings of Schumann, Brahms and Liszt on this collection, which will attract the attention of all pianophiles. One of those students was Frédéric Gaussin, who contributes a personal memoir and authoritative survey of her life and career to this Eloquence collection. He remembers Bundervoët as a very demanding teacher: ‘implacable but fair, generous, an acute psychologist, a spiritual person, dispensing pieces, studies and writing exercises with the knowledge and far-sightedness of a world-class physician’.\u003c\/p\u003e\n\u003cp\u003eBorn in 1922, Bundervoët began to learn the piano at the age of four, and within three years she was enrolled at the conservatoire in Marseilles. She was accepted at the Paris Conservatoire by the age of ten, even though she was too young to undertake the formal program of study, but the pedagogue Lazare-Levy recognised her exceptional intellect, prodigious technique and innate musical gifts. She was awarded the conservatoire’s Premier Prix for six years in succession, and her talents extended beyond the piano to singing, organ playing and choir directing.\u003c\/p\u003e\n\u003cp\u003eHer first album, a Bach recital, was awarded a Grand Prix du Disque, but she was dissatisfied with the engineering of the Ducretet-Thomson recording; the trio of Decca albums (recorded in 1955–57) enjoys a far wider dynamic range and a much richer timbral palette, more faithfully capturing the elegance and refinement of her playing in the flesh. They hardly reflect the breadth of her repertoire, which took in much new music, but they now count as a precious testament to a notable if now little-known inheritor of the French piano tradition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The musical pleasures of Agnelle Bundervoët’s performance cannot be overstated … the poetic spell, the magic of contrasts, the visionary unity mark this interpretation with the seal of Schumannesque authenticity … The excellent recording, sympathetic to the quick reflexes of Agnelle Bundervoët, should appeal to all Schumann enthusiasts.\"\u003c\/em\u003e - Vie et Bonté, December 1956\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003eFRANZ LISZT (1811–1886)\u003c\/p\u003e\n\u003cp\u003e1 Rhapsodie espagnole, S.254\u003cbr\u003e2 Au bord d’une source (No. 4 of Années de pèlerinage, Première année: Suisse, S.160)\u003cbr\u003e3 Valse oubliée, S.215 No. 1\u003cbr\u003e4 Gnomenreigen (No. 2 of Études de concert, S.145)\u003c\/p\u003e\n\u003cp\u003eGrandes Études de Paganini, S.141\u003c\/p\u003e\n\u003cp\u003e5 No. 4 in E major (Arpeggio)\u003cbr\u003e6 No. 5 in E major (La Chasse)\u003cbr\u003e7 No. 6 in A minor (Theme and Variations)\u003c\/p\u003e\n\u003cp\u003e8 Mephisto Valse No. 1, S.514\u003c\/p\u003e\n\u003cp\u003eJOHANNES BRAHMS (1833–1897)\u003c\/p\u003e\n\u003cp\u003e9–35 Variations and Fugue on a theme by Handel, Op. 24\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003eJOHANNES BRAHMS (1833–1897)\u003c\/p\u003e\n\u003cp\u003e1 Rhapsody in B minor, Op. 79 No. 1\u003cbr\u003e2 Rhapsody in G minor, Op. 79 No. 2\u003cbr\u003e3 Rhapsody in E flat major, Op. 119 No. 4\u003c\/p\u003e\n\u003cp\u003eROBERT SCHUMANN (1810–1856)\u003c\/p\u003e\n\u003cp\u003e4–9 Intermezzi, Op. 4\u003c\/p\u003e\n\u003cp\u003e10 Toccata in C major, Op. 7\u003c\/p\u003e\n\u003cp\u003e11–17 Fantasiestücke, Op. 12\u003c\/p\u003e\n\u003cp\u003eAgnelle Bundervoët, piano\u003c\/p\u003e","brand":"Agnelle Bundervoet","offers":[{"title":"Default Title","offer_id":37768304165055,"sku":"4841507","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/agnelle-bundervoet-complete-recordings-on-decca-france-2cd.jpg?v=1608080894"},{"product_id":"alfredo-campoli-the-bel-canto-violin-vol-5-2cd","title":"Alfredo Campoli: The Bel Canto Violin - Vol. 5 (2CD)","description":"\u003cp\u003eCampoli in England and Scotland: his unmatched recording of the Elgar concerto, his little-known recording of Bruch's Scottish Fantasy and music by Bliss.\u003c\/p\u003e","brand":"Alfredo Campoli \/ London Philharmonic Orchestra \/ Adrian Boult","offers":[{"title":"Default Title","offer_id":37768304427199,"sku":"4825143","price":19.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/alfredo-campoli-the-bel-canto-violin-vol-5-2cd.jpg?v=1608078007"},{"product_id":"andrea-bocelli-the-best-of-andrea-bocelli-vivere-cd","title":"The Best Of Andrea Bocelli - 'Vivere' (CD)","description":"\u003cp\u003eThe Best Of Andrea Bocelli - Vivere features selections from Bocelli’s wildly popular recordings including Romanza, certified 4 times platinum, Sogno certified 2 times platinum, and his most recent platinum disc, Amore. Highlightsinclude “Time To Say Goodbye” his breakthrough smash with Sarah Brightman, “The Prayer,” another duet made famous with Celine Dion, and the more recent Bocelli staples “Because We Believe” and “Besame Mucho” among others.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\nSeveral new tracks are also exclusively available on Vivere, including new compositions by the renowned and accomplished David Foster, who also holds producing credits on the songs and was one of the creative forces behind Amore. Other notable guests on the disc include the acclaimed classical pianist Lang Lang and Latin singing sensation Laura Pausini.\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n1. La Voce Del Silenzio Sogno Il Mare Calmo Della Sera Dare To Live (vivere) - Andrea 2. Bocelli, Laura Pausini Canto Della Terra A Te - Andrea Bocelli, Kenny G Besame Mucho\u003cbr\u003e4. Mille Lune Mille Onde\u003cbr\u003e5. 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Their two concerts at Vienna’s Musikverein on 18 and 19 January 2020 – which were also the first performances he had ever conducted in continental Europe – were produced by Deutsche Grammophon in partnership with the Wiener Philharmoniker and ServusTV. \u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThe legendary American composer’s movie soundtracks are among the best-loved of all time and have earned countless prestigious awards, including five Oscars, five Emmys, four Golden Globes and twenty-five Grammys. As he thanked the audience for their welcome, however, he told them that the invitation to work with the Wiener Philharmoniker was \u003cem\u003e“one of the greatest honours of my life”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. The Flight To Neverland from \"Hook\"\u003cbr\u003e2. Excerpts from \"Close Encounters Of The Third Kind\"\u003cbr\u003e3. 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Choosing them, she could look back over a career spanning more than 40 years, from her career-launching competition win in Sydney in 1949 singing ‘Ritorna vincitor’ to her first Alcina in 1957 – at St. Pancras Town Hall, of all places, and her famous Royal Opera Lucia in 1959 that floored the critics.\u003cbr\u003eHowever, Dame Joan’s selection does not include such vocal blockbusters – though with the Queen of Night’s ‘O zittre nicht’ there is a nod to her unheralded Royal Opera debut in 1952 as the First Lady in Die Zauberflöte.\u003c\/p\u003e\n\u003cp\u003eRather than her fearless negotiation of their Mad Scenes, she chose passages of moving recovery from Norma and La sonnambula, and in doing so generously acknowledges her partnership of warm mutual understanding with Marilyn Horne. Nevertheless, there is plenty of her pinpoint coloratura to be enjoyed, from Massenet’s Esclarmonde – along with Norma, her favourite opera – to Graun’s Montezuma and Glière’s Concerto: ‘such a relief not to have to remember the words’.\u003c\/p\u003e\n\u003cp\u003eSutherland took particular pride in her revival of rarities such as Leoni’s L’Oracolo, but her choice of favourites concludes in lighter vein with songs by Arditi, Hahn and Kreisler which beguiled as well as dazzled her recital audiences: ‘Trifles, perhaps, but I enjoyed singing them’. She recalls living next to and working with Noël Coward – ‘I think he was quite pleased with me!’ – and finally pays tribute to her musical education in Sydney with ‘Love will find a way’ from The Maid of the Mountains. 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Banbirrngu\u003c\/p\u003e","brand":"Gurrumul","offers":[{"title":"Default Title","offer_id":37768311210175,"sku":"3526452","price":21.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/gurrumul-rrakala-cd.jpg?v=1608090994"},{"product_id":"helene-grimaud-messenger-cd","title":"Helene Grimaud - Messenger (CD)","description":"\u003cp\u003eHelene Grimaud presents The Messenger, a studio album of works by Mozart and Silvestrov.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThe recording sessions took place at the start of this year at an historic Mozart site in Salzburg, the Great Hall of the University, where Grimaud was joined by the Camerata Salzburg. The album includes three works by Mozart: the unfinished Fantasia in D minor K 397, the famous Piano Concerto in D minor K 466 and the Fantasia in C minor K 475. Presented in chronological order of composition, not only is each piece more structurally and dramatically complex than the one before, but all three are among the relatively small number of works in Mozart's vast output written in minor keys. Grimaud sees his use of the minor as suggestive of \"confrontations with fate or destiny\". She now appreciates that there is more to his writing than Apollonian elegance and restraint, noting that it took her \"many years of inner cultivation to fully recognise those burning, unpredictable currents rippling beneath the transcendental beauty\".\u003c\/p\u003e\n\u003cp\u003eValentin Silvestrov's The Messenger - 1996 offers both a response to and an echo of Mozart's music - this idea of acknowledging and paying tribute to what has gone before is central to his art as a composer. As musicologist Dorothea Redepenning has noted, the Ukrainian's music takes the stylistic materials of earlier periods and places them in a fresh context, renewing them through twentieth-century compositional procedures.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. Mozart: Fantasia No. 3 in D Minor, K. 397\u003cbr\u003e2. Mozart: I. Allegro [Piano Concerto No. 20 in D Minor, K. 466]\u003cbr\u003e3. Mozart: II. Romance [Piano Concerto No. 20 in D Minor, K. 466]\u003cbr\u003e4. Mozart: III. Rondo. Allegro assai [Piano Concerto No. 20 in D Minor, K. 466]\u003cbr\u003e5. Mozart: Fantasia No. 4 in C Minor, K. 475\u003cbr\u003e6. Silvestrov: The Messenger (For Piano and Strings)\u003cbr\u003e7. Silvestrov: I. Wedding Waltz [Two Dialogues with Postscript]\u003cbr\u003e8. Silvestrov: II. Postlude [Two Dialogues with Postscript]\u003cbr\u003e9. Silvestrov: III. Morning Serenade [Two Dialogues with Postscript]\u003cbr\u003e10. Silvestrov: The Messenger (For Piano Solo)\u003c\/p\u003e","brand":"Helene Grimaud","offers":[{"title":"Default Title","offer_id":37768311537855,"sku":"4837853","price":22.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/helene-grimaud-messenger-cd.jpg?v=1608083271"},{"product_id":"horst-stein-the-sibelius-recordings-3cd","title":"Horst Stein - The Sibelius Recordings (3CD)","description":"\u003cp\u003eTo mark the 150th anniversary of the birth of Sibelius, Decca Eloquence collects together the four LPs of the composer’s music that Horst Stein recorded for Decca between 1971 and 1981. They include all the important tone poems, the Second Symphony (receiving its first international release on CD) and music for the theatre. All were critically acclaimed in their time. Known in particular for his work in Bayreuth, Stein conducted 76 performances there between 1969 and 1986. He also held principal positions with the Bamberg, Basel, NHK (Japan) and Suisse Romande Orchestras and all his Sibelius recordings were made with this Swiss orchestra.\u003c\/p\u003e","brand":"Horst Stein \/ L'Orchestre de la Suisse Romande","offers":[{"title":"Default Title","offer_id":37768311636159,"sku":"4823922","price":21.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/horst-stein-the-sibelius-recordings-3cd.jpg?v=1608273291"},{"product_id":"ida-haendel-the-decca-legacy-box-set-6cd","title":"The Decca Legacy (6CD)","description":"\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr data-mce-fragment=\"1\"\u003eJEAN-MARIE LECLAIR\u003cbr data-mce-fragment=\"1\"\u003eSarabande and Tambourin°\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLUDWIG VAN BEETHOVEN\u003cbr data-mce-fragment=\"1\"\u003eSonata No. 8 in G major for Piano and Violin, Op. 30 No. 3\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT\u003cbr data-mce-fragment=\"1\"\u003eSonatina in G minor for Violin and Piano, Op. 137 No. 3 (D.408)\u003cbr data-mce-fragment=\"1\"\u003eRosamunde – Ballet Music (arr. Kreisler)* \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANNES BRAHMS\u003cbr data-mce-fragment=\"1\"\u003eWaltz in A major, Op. 39 No. 15 (arr. Hochstein)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRITZ KREISLER\u003cbr data-mce-fragment=\"1\"\u003eTambourin chinois, Op. 3\u003cbr data-mce-fragment=\"1\"\u003eCaprice viennois, Op. 2*\u003cbr data-mce-fragment=\"1\"\u003eSchön Rosmarin\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFELIX MENDELSSOHN\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in E minor, Op. 64°\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano (1–2, 6–14)\u003cbr data-mce-fragment=\"1\"\u003eNoël Mewton-Wood, piano (3–5)\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra \/ Malcolm Sargent (15–17)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 2\u003cbr data-mce-fragment=\"1\"\u003eANTONÍN DVOŘÁK\u003cbr data-mce-fragment=\"1\"\u003eSlavonic Dance No. 2 in E minor, Op. 46 (B.83) No. 2 (arr. Kreisler)*\u003cbr data-mce-fragment=\"1\"\u003eHumoresque, Op. 107 (B.187) No. 7*\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eANTONÍN DVOŘÁK\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in A minor, Op. 53 (B.108)°\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eKarl Rankl\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePIOTR ILYICH TCHAIKOVSKY\u003cbr data-mce-fragment=\"1\"\u003eViolin Concerto in D major, Op. 35°\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eBasil Cameron\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 3\u003cbr data-mce-fragment=\"1\"\u003eBAZZINI La Ronde des lutins, Op. 25*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHENRYK WIENIAWSKI\u003cbr data-mce-fragment=\"1\"\u003ePolonaise brillante No. 2 in A major, Op. 21*\u003cbr data-mce-fragment=\"1\"\u003eScherzo-Tarantelle in G minor, Op. 16 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePABLO DE SARASATE\u003cbr data-mce-fragment=\"1\"\u003eCarmen – Fantasie de concert, Op. 25*\u003cbr data-mce-fragment=\"1\"\u003eZapateado, Op. 23 No. 2 (from Danzas Españolas)\u003cbr data-mce-fragment=\"1\"\u003eZigeunerweisen, Op. 20 No. 1*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eALBÉNIZ Malagueña, Op. 165 No. 3 (arr. Kreisler) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMANUEL DE FALLA\u003cbr data-mce-fragment=\"1\"\u003eMiller’s Dance (from El Sombrero de Tres Picos, arr. Szigeti)*\u003cbr data-mce-fragment=\"1\"\u003eDanza No. 1 (from La Vida Breve, arr. Kreisler as Danse espagnole)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSAINT-SAËNS Introduction et Rondo Capriccioso, Op. 28*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMASSENET Méditation (from Thaïs)*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRAVEL Tzigane* \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIBERT Le petit âne blanc*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano (1–6, 8–9, 11, 13)\u003cbr data-mce-fragment=\"1\"\u003eNoël Mewton-Wood, piano (7)\u003cbr data-mce-fragment=\"1\"\u003eIvor Newton, piano (12)\u003cbr data-mce-fragment=\"1\"\u003eNational Symphony Orchestra \/ Basil Cameron (10)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 4\u003cbr data-mce-fragment=\"1\"\u003eJOSEPH ACHRON Hebrew Melody, Op. 33 (arr. Auer)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eERNEST BLOCH Abodah*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGRIGORAŞ DINICU Hora staccato*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKAROL SZYMANOWSKI\u003cbr data-mce-fragment=\"1\"\u003eRoxana’s Song (from King Roger, Op. 46, arr. Kochanski)\u003cbr data-mce-fragment=\"1\"\u003eNotturno e Tarantella, Op. 28\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIGOR STRAVINSKY\u003cbr data-mce-fragment=\"1\"\u003eDivertimento (after the ballet, ‘Le baiser de la fée’, arr. Dushkin)°\u003cbr data-mce-fragment=\"1\"\u003eDanse russe (from Petrouchka, arr. Dushkin)°\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBÉLA BARTÓK\u003cbr data-mce-fragment=\"1\"\u003eHungarian Folk Tunes (arr. Szigeti)*\u003cbr data-mce-fragment=\"1\"\u003eRomanian Folk Dances, Sz.56 (BB 68) (arr. 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Kreisler as Danse espagnole)*\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIDA HAENDEL, violin\u003cbr data-mce-fragment=\"1\"\u003eAlice Haendel, piano (1)\u003cbr data-mce-fragment=\"1\"\u003eAdela Kotowska, piano (2–6, 26)\u003cbr data-mce-fragment=\"1\"\u003eIvor Newton, piano (7–25)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*FIRST CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 5\u003cbr data-mce-fragment=\"1\"\u003eKAROL SZYMANOWSKI\u003cbr data-mce-fragment=\"1\"\u003eMythes\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGEORGE ENESCU\u003cbr data-mce-fragment=\"1\"\u003eViolin Sonata No. 3, Op. 25 (dans le caractère populaire roumain)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBÉLA BARTÓK\u003cbr data-mce-fragment=\"1\"\u003eRhapsody No. 1 for Violin and Piano, BB 94a\u003cbr data-mce-fragment=\"1\"\u003eRomanian Folk Dances, Sz.56 (BB 68) (arr. 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Collaboration is a key component of the album; many of the tracks were refined in the studio with the Jess Gillam Ensemble, made up of Jess' musician friends, and with the composers and arrangers themselves.\u003c\/p\u003e\n\u003cp\u003eJess is forging a new path in classical music, and this album features experimentation with sounds, with instruments such as Glass Harmonica, Bass Synth, Fender Rhodes piano and Bass Guitar woven into some of the arrangements.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. Early Morning Melody (Meredith Monk)\u003cbr\u003e2. Dappled Light (Luke Howard commission)\u003cbr\u003e3. Suspirium (Thom Yorke)\u003cbr\u003e4. Truman Sleeps (Philip Glass)\u003cbr\u003e5. Bubble Gun (Anna Meredith)\u003cbr\u003e6. Where the Bee Dances (Michael Nyman)\u003cbr\u003e7. Orbit (Will Gregory commission)\u003cbr\u003e8. Venus as a Boy (Bjork)\u003cbr\u003e9. On the Nature of Daylight (Max Richter)\u003cbr\u003e10. 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La Nascita Delle Cose Segrete\u003c\/p\u003e\n\u003cp\u003eDVD: Nightbook Tour\u003c\/p\u003e","brand":"Ludovico Einaudi","offers":[{"title":"Default Title","offer_id":37768315338943,"sku":"0882013","price":49.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/ludovico-einaudi-the-royal-albert-hall-concert-dvd-2cd.jpg?v=1608125402"},{"product_id":"melody-gardot-sunset-in-the-blue-cd","title":"Sunset In The Blue (CD)","description":"\u003cp\u003eThe story of Grammy Award nominated vocalist, guitarist and pianist Melody Gardot is remarkable; she's persevered against abject adversity throughout her life and is blessed with a beautiful alto voice and grand insight as a songwriter. In April of 2020 Gardot made international headlines by calling out to artists around the globe to raise awareness for musicians, whose livelihoods have been affected by the COVID-19 crisis.\u003c\/p\u003e\n\u003cp\u003eHer stunning new single ‘Little Something’ launches our campaign into Melody’s album, Sunset In The Blue. An exquisite collection of originals and covers, all centred around love and collaboration.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. If You Love Me\u003cbr\u003e2. C’est Magnifique\u003cbr\u003e3. There Where He Lives In Me\u003cbr\u003e4. Love Song\u003cbr\u003e5. You Won’t Forget Me\u003cbr\u003e6. Sunset In The Blue\u003cbr\u003e7. Um Beijo\u003cbr\u003e8. Niguem Niguem\u003cbr\u003e9. From Paris With Love\u003cbr\u003e10. Ave Maria\u003cbr\u003e11. Moon River\u003cbr\u003e12. I Fall In Love Too Easily\u003cbr\u003e13. Little Something with Sting\u003c\/p\u003e","brand":"Melody Gardot","offers":[{"title":"Default Title","offer_id":37768315961535,"sku":"0742561","price":21.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/melody-gardot-sunset-in-the-blue-cd.jpg?v=1608283217"},{"product_id":"nadia-boulanger-icon-the-american-decca-recordings-box-set-5cd","title":"Icon: The American Decca Recordings (5CD)","description":"\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDIO MONTEVERDI (1567–1643)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 No. 2: O Mirtillo, Mirtill’anima mia\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2 No. 3: Era l’anima mia\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eScherzi musicali\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e3 Damigella tutta bella\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 9\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4 O come vaghi\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e5 Sfogava con le stelle, SV 78\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e6 Dolcissimo uscignuolo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e7 Interotte speranze\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e8 A un giro sol de’begl’occhi\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eScherzi musicali, cioè arie, et madrigali in stil recitativo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e9 Quel sguardo sdegnosetto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e10 Su, su pastorelli vezzosi\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMadrigals: Book 6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e11 No. 7: Qui rise, O Tirsi – five voices (Marini, 1614)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFlore Wend, Donna Rumsey, Geneviève Massignon, sopranos\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNancy Waugh, mezzo-soprano · Violette Journaux, contralto\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHugues Cuénod, Paul Derenne, tenors · Bernard Cottret, Doda Conrad, basses\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstrumental Ensemble\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNadia Boulanger, harpsichord \/ conductor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFIRST CD RELEASE ON DEUTSCHE GRAMMOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRENCH RENAISSANCE VOCAL MUSIC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOSQUIN DES PREZ (c.1450–1521)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Mille regretz \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLÉMENT JANEQUIN (c.1485–1558)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2 Ce moys de may \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDE LE JEUNE (c.1528–1600)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e3 Hellas, mon Dieu ton ire s’est tournée\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eORLANDE DE LASSUS (1532–1594)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4 Bonjour, mon Coeur (No. 1 of Quatriesme livre des chansons a 4 et 5 parties)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGUILLAUME COSTELEY (1530–1606)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e5 Noblesse gît au Coeur\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eORLANDE DE LASSUS (1532–1594)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e6 Quand mon mari vient de dehors (No. 4 of Quatriesme livre des chansons a 4 et 5 parties)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTraditional\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e7 A déclarer mon affection\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGUILLAUME COSTELEY (1530–1606)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e8 Mignonne, allon voir si la roze\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDIN DE SERMISY (c.1490–1562)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e9 Hau, hau, hau le boys (31 Chansons musicales)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCLAUDE LE JEUNE (c.1528–1600)\u003cbr 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data-mce-fragment=\"1\"\u003eDoda Conrad, bass\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstrumental and Vocal Ensemble\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNadia Boulanger\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFIRST CD RELEASE ON DEUTSCHE GRAMMOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 4\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJEAN-PHILIPPE RAMEAU (1683–1764)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExcerpts from:\u003cbr data-mce-fragment=\"1\"\u003e1–4 Dardanus \u003cbr data-mce-fragment=\"1\"\u003e5 Castor et Pollux \u003cbr data-mce-fragment=\"1\"\u003e6 Hippolyte et Aricie \u003cbr data-mce-fragment=\"1\"\u003e7 Dardanus \u003cbr data-mce-fragment=\"1\"\u003e8 Les Indes Galantes \u003cbr data-mce-fragment=\"1\"\u003e9–10 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data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFIRST CD RELEASE ON DEUTSCHE GRAMMOPHON\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCD 5\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJOHANNES BRAHMS (1833–1897)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1–15 Neue Liebeslieder Walzer, Op. 65 \u003cbr data-mce-fragment=\"1\"\u003e16–18 Three Quartets, Op. 64 \u003cbr data-mce-fragment=\"1\"\u003e19 O schöne Nacht, Op. 92 No. 1 \u003cbr data-mce-fragment=\"1\"\u003e20 Sehnsucht, Op. 112 No. 1 \u003cbr data-mce-fragment=\"1\"\u003e21 Nächtens, Op. 112 No. 2 \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFlore Wend, soprano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNancy Waugh, mezzo-soprano\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHugues Cuénod, tenor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDoda Conrad, bass\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNadia Boulanger, piano \/ conductor\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJean Françaix, piano II (Neue Liebesliederwalzer)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFIRST CD RELEASE ON DEUTSCHE GRAMMOPHON\u003c\/p\u003e","brand":"Nadia Boulanger","offers":[{"title":"Default Title","offer_id":37768316321983,"sku":"4841384","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/nadia-boulanger-icon-the-american-decca-recordings-box-set-5cd.jpg?v=1608083422"},{"product_id":"nina-simone-feeling-good-cd","title":"Feeling Good (CD)","description":"\u003cp\u003eNina Simone has probably got one of the most recognisable voices in music. One, which can pick up a song and mould it into the meaning she wants it to have. This was especially true in the late 1960s when, influenced by Martin Luther King and the civil rights movement, her interpretation of numbers such as the title track, \"Don't Let Me Be Misunderstood\" and \"Ne Me Quitte Pas\", reflected the black American's experience. As did the self-penned \"Mississippi Goddam\" and her cover of \"Strange Fruit\", with which she is the only one who can compare with Billie Holiday's.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eElsewhere in this collection, she is more playful but just as stunning with George Harrison's \"Here Comes the Sun\", the Bee Gees' \"To Love Somebody\" and \"Ain't Got No (I Got Life)\". Not to mention, the classic Simone numbers \"My Baby Just Cares\" and \"Love Me Or Leave Me\". The latter pair proving that in addition to having a superb voice she is also an emotive pianist.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. Feeling Good (Album Version)\u003cbr\u003e2. My Baby Just Cares For Me (Live At Vine St. Bar \u0026amp; Grill\/1987)\u003cbr\u003e3. Don't Let Me Be Misunderstood\u003cbr\u003e4. Ne Me Quitte Pas (Album Version)\u003cbr\u003e5. Take Me To The Water (Album Version)\u003cbr\u003e6. I Put A Spell On You (Album Version)\u003cbr\u003e7. Don't Explain (Album Version)\u003cbr\u003e8. Mississippi Goddam (Live In New York\/1964)\u003cbr\u003e9. Don't Smoke In Bed (Live In New York\/1964)\u003cbr\u003e10. I Loves You Porgy (Live In New York\/1964)\u003cbr\u003e11. Work Song (Album Version)\u003cbr\u003e12. Love Me Or Leave Me (Album Version)\u003cbr\u003e13. Strange Fruit (Live In New York\/1965)\u003cbr\u003e14. Nobody Knows You When You're Down And Out (Live In New York\/1965)\u003cbr\u003e15. I'm Going Back Home (Album Version)\u003cbr\u003e16. The Other Woman (Live In New York\/1964)\u003cbr\u003e17. Sinnerman (Live In New York\/1965)\u003cbr\u003e18. Mood Indigo (Album Version)\u003cbr\u003e19. I'm Gonna Leave You (Album Version)\u003cbr\u003e20. See-Line Woman\u003c\/p\u003e","brand":"Nina Simone","offers":[{"title":"Default Title","offer_id":37768316616895,"sku":"5227472","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/9797\/8559\/products\/nina-simone-feeling-good-cd_824ceb96-46dd-4f82-b939-8bbd863a35ce.jpg?v=1608289332"},{"product_id":"norman-del-mar-elgar-enigma-variations-pomp-and-circumstance-marches-cd","title":"Elgar: Enigma Variations; Pomp And Circumstance Marches (CD)","description":"\u003cp\u003ePerhaps one of the grandest and most emotional of all the recordings of Elgar's 'Enigma Variations' ever made, Norman Del Mar and the Royal Philharmonic recorded it in January 1975 in the superb acoustic of the Guildford Cathedral. The Pomp and Circumstance Marches have a real swagger too. 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