Purcell: The Fairy Queen; Incidental Music

2098
$14.95
SKU —
00028948250639
In stock
Product Code:
00028948250639
RELEASE DATE: 11/01/2019
2 CD
Several Eloquence releases have celebrated the pellucid timbre and vivid characterisation of the British soprano Jennifer Vyvyan. ‘A treasury to treasure’ was the BBC Music Magazine’s verdict on ‘Songs of England’ (4825045), a L’Oiseau-Lyre recital from 1953. Four years later she took part in the first complete recording of Purcell’s masque The Fairy Queen (conducted by Anthony Lewis and reissued as 4827449), where again her shapely phrasing and sharply etched tone-painting drew critical praise. As a founding member of the English Opera Group, Vyvyan had by then become a favourite soprano for Benjamin Britten, who created a string of roles for her: ‘Queen of Aldeburgh’, she was called by her colleague, the baritone Thomas Hemsley.

So it was inevitable that Vyvyan should take so prominent a part in the second, (almost) complete ‘Fairy Queen’, arranged and conducted as it was by Britten for Decca in the Snape Maltings of Aldeburgh in September 1970. She Several Eloquence releases have celebrated the pellucid timbre and vivid characterisation of the British soprano Jennifer Vyvyan. ‘A treasury to treasure’ was the BBC Music Magazine’s verdict on ‘Songs of England’ (4825045), a L’Oiseau-Lyre recital from 1953. Four years later she took part in the first complete recording of Purcell’s masque The Fairy Queen (conducted by Anthony Lewis and reissued as 4827449), where again her shapely phrasing and sharply etched tone-painting drew critical praise. As a founding member of the English Opera Group, Vyvyan had by then become a favourite soprano for Benjamin Britten, who created a string of roles for her: ‘Queen of Aldeburgh’, she was called by her colleague, the baritone Thomas Hemsley.

So it was inevitable that Vyvyan should take so prominent a part in the second, (almost) complete ‘Fairy Queen’, arranged and conducted as it was by Britten for Decca in the Snape Maltings of Aldeburgh in September 1970. She was joined by a Who’s Who of British (and Britten-ish) early-music singers, who between them weave a spell of magic and intimacy in this Shakespearean tale such as has hardly been rivalled on record since, especially in the ravishing nocturnal sequence to close Part II, featuring Vyvyan alongside James Bowman, Norma Burrowes and John Shirley-Quirk.
‘A most enjoyable disc, showing two aspects of Purcell at his best… presented with considerable skill by the singers and with vitality by the conductor and his men.’ High Fidelity, March 1960 (The Tempest, etc)

‘The cast and orchestra under Britten’s inspired and inspiring direction certainly give of their best. Jennifer Vyvyan and Peter Pears took part in the L’Oiseau Lyre recording of the 1950s under Anthony Lewis, and now as then are perfect Purcell stylists.’ Opera, April 1972 (The Fairy Queen)

‘Britten has a clear concept of this music and manages to convey it to all concerned, with a resultant remarkable stylistic unity… this beguiling music comes through gloriously-there is not one dull moment in it.’ High Fidelity, July 1973 (The Fairy Queen)
HENRY PURCELL (1659–1695)

The Fairy Queen
Ed. Benjamin Britten, Imogen Holst and Peter Pears

Jennifer Vyvyan · Mary Wells · Norma Burrowes, sopranos
Alfreda Hodgson, mezzo-soprano · James Bowman, Charles Brett, countertenors
Peter Pears, Ian Partridge, tenors
John Shirley-Quirk · Owen Brannigan, basses
Ambrosian Opera Chorus
English Chamber Orchestra
Benjamin Britten INCIDENTAL MUSIC
The Tempest (excerpts)*
Sonata for Trumpet and Strings (ed. Dart, Tilmouth)*
The Virtuous Wife*
What shall I do? (Dioclesian)*
Ciacona in G minor (ed. Dart)*

Jennifer Vyvyan, soprano · William Herbert, tenor · Hervey Alan, bass
Dennis Egan, trumpet
Philomusica of London
Anthony Lewis

*FIRST CD RELEASE ON DECCA
Secure Payments with: